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Drawn by the allure of beautiful silk threads, I embarked on this path, and before I knew it, forty years had passed. In the year Showa 7, I studied under the craft artist Mr. Taro Hirano, along with many fellow apprentices, and recall with fondness the youthful passion of those days when I would journey to Kyoto, spending countless hours on night trains in search of knowledge, armed with just a pair of scissors. It feels like only yesterday.
Throughout this time, I cannot help but lament that, had it not been for the nightmare of war, I could have pursued a more fulfilling career solely devoted to my beloved needlework. Yet, the more I delve into this craft, the more I realize its untapped potential, both technically and artistically, offering endless joy for the future.
Now, with the gracious support of Fujingahōsha, I am publishing a book on "Japanese Embroidery." I hope this book serves as a beginner's guide and a valuable resource for embroidery enthusiasts. Furthermore, I plan to continue presenting works that uphold the standards of embroidery from the Showa era without shame.
In conclusion, I extend my heartfelt gratitude to the many apprentices who contributed to the making of this book. It is with deep appreciation that I express my sincere thanks.
Autumn, Showa 49 (1974), at the atelier in Kamakura.
Mitsuo AkiyamaPreface