[19th century ART - POPULAR SCENES - LONDON - SPORT BOXING - DRUNKS]

 -

Superb original watercolor signed 
on thick watercolor paper

"After Boxing - Popular London Scenes
 -Tom, Jack and John"

(Title handwritten in pen at the bottom of the page)
 
-

Watercolor signed J. JUILLERAT

Jacques-Henri JULY
1777-1860

Jura landscape painter and drawing teacher. Pupil of Marquard Wocher in Basel. 
Works for the publisher von Mechel. Brother-in-law of Marie-Christine Mouillet

Born in Moutier on the 3rd friend of 1777, where his parents ran the "Lion d'Or" inn. 
Died in Bern on March 6 Mars 1860. Painter, he is known for his watercolours, notably of Jura landscapes, 
but also from Switzerland, France and Italy where he lived.
Unhappy with the operation of their inn, J.'s parents had to leave it and the whole family then moved to the Souboz mill. At the age of six, J. was placed with parents in the Montagne de Moutier where he attended school. It is from this time already that his beginnings in painting date. The following year, he returned to his parents who encouraged this budding vocation. J. took drawing lessons at the Bellelay boarding school, at the Moutier school and in Neuchâtel, with Professor Jean Preudhomme. These studies are often interrupted by his fragile health. He then left to join his brother in Basel where he took watercolor lessons with Jérôme Holzach (1733-1793) and met the painter Peter Birmann (1758-1844), a meeting that had a great impact on his career. He then followed the courses of the painters Wocher, in Basel, Jean-Baptiste Stuntz (1753-1836), in Arlesheim, and Wuest, in Zurich. After the ruin of his parents, J. must return to Basle where he is agregated as a member of the university. There he met Chrétien de Méchel, engraver and print dealer, with whom he worked for several years. During his stay in Basel, he made several trips to the Bernese Oberland.
In 1809 or 1810, he left Basel for Courrendlin. 
Many paintings representing Jura landscapes date from this period.
In 1812, he was appointed professor of drawing at the College of Delémont, then decided to settle in Bern, not finding, in Delémont, a sufficient clientele to sell his watercolors. However, he continued to return regularly to the jura to paint his landscapes there. 
In 1823, he was appointed professor of drawing at the Academy of Bern.
At the end of 1828, following the grief caused to him by the death of his daughter at the age of five, J. and his wife (Marie-Catherine, née Mouillet) and his sister-in-law, Catherine Mouillet ( 1802-1885), who had come to settle with them, decided on a trip to Italy before settling in Nice where J. opened a workshop. His health recovered and his financial situation strengthened when the events of July 1830 occurred which decided the couple to leave Nice for Turin. After a stay in Rome (1835-1848), he returned to Turin.
Finally, in 1855, financial difficulties forced him to return to the country. Twenty-seven years after leaving her, J. and his wife moved back to Bern. 

[Source: DIJU - jura dictionary - Emma Chatelain, 1/11/2005]

Bibliography
Gustave Amweg: The Arts in the Bernese jura and in Bienne, volume 1, Porrentruy, 1937, pp. 322-344 / 461 / 498
Biographical Dictionary of Swiss Art AK, Zurich and Lausanne, 1998, p. 553
 
-

Undated,
around 1850

 Signed lower left

Composition made on a sheet of thick watercolor paper
laminated on a sheet of larger enough strong paper

Watercolor in excellent state, very own
beautiful colors
 
 Minor soiling, slight light stains, scratches,
 creases or various frictions on the support sheet
 
watercolor format about 26.8 x 20.5cm  
Carrier sheet format approx. 45.5 x 34.5 cm  
 
 Stunning!
Rare and sought-after theme!
  
see visuals...
 
 
This is not a reproduction 
but an authentic work signed by the artist


Sold in the condition described, as found...




As always, combined shipping costs in case of multiple purchases...

-


 photo P2010810_zpsx8bgmras.jpg  photo P2010808_zpszu4evkhx.jpg  photo P2010809_zpswsavlaqx.jpg  photo P2010810_zpsx8bgmras.jpg  photo P2010811_zps9n6z0fch.jpg  photo P2010812_zpslfiynmtg.jpg  photo P2010813_zps9ldqtuqp.jpg  photo P2010814_zpslqhb18zg.jpg  photo P2010815_zpszr7krv5t.jpg  photo P2010816_zps5rdxq3pl.jpg  photo P2010817_zpszifyixze.jpg  photo P2010818_zpswlgbj6em.jpg
Unhappy with the operation of their inn, J.'s parents had to leave it and the whole family then moved to the Souboz mill. At the age of six, J. was placed with parents in the Montagne de Moutier where he attended school. It is from this time already that his beginnings in painting date. The following year, he returned to his parents who encouraged this budding vocation. J. took drawing lessons at the Bellelay boarding school, at the Moutier school and in Neuchâtel, with Professor Jean Preudhomme. These studies are often interrupted by his fragile health. He then left to join his brother in Basel where he took watercolor lessons with Jérôme Holzach (1733-1793) and met the painter Peter Birmann (1758-1844), a meeting that had a great impact on his career. He then followed the courses of the
Unhappy with the operation of their inn, J.'s parents had to leave it and the whole family then moved to the Souboz mill. At the age of six, J. was placed with parents in the Montagne de Moutier where he attended school. It is from this time already that his beginnings in painting date. The following year, he returned to his parents who encouraged this budding vocation. J. took drawing lessons at the Bellelay boarding school, at the Moutier school and in Neuchâtel, with Professor Jean Preudhomme. These studies are often interrupted by his fragile health. He then left to join his brother in Basel where he took watercolor lessons with Jérôme Holzach (1733-1793) and met the painter Peter Birmann (1758-1844), a meeting that had a great impact on his career. He then followed the courses of the