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During and after his triumph in Le Chanteur de Mexico, which he performed for about a year at the Châtelet, from December 15, 1951, (Rudy Hirigoyen then took over the role), Luis Mariano made several films: Violettes Impériales (1952), La Belle from Cadiz (1953), The Adventurer of Seville (1953), The Tzarevich (1954), Four Days in Paris (1955). It will therefore be necessary to wait until October 5, 1955 for us to find him on a Parisian stage, La Gaîté-Lyrique, where he had already experienced, in 1947, one of his greatest successes: Andalousie.
On October 5, 1955, it was with Chevalier du Ciel that Luis Mariano made his comeback in Paris. For this work, he abandoned the “espananades” of his previous performances. He will do it again a little later with Visa pour l'amour before returning to Spain or Portugal and its splendor of yesteryear (Le Prince de Madrid, La Caravelle d'Or).
It was Henri Bourtayre and Jacques-Henri Rys who were in charge of the score, very much in the style of the time. We will remember in particular “Alone”, “And everything and everything”, “La Valse des amours” and “Mon bonheur s'enfui”.
The book was highly publicized. A novel by Mariano was even published. The rehearsals were not easy, says Joëlle Montserrat, the director Jacques-Henri Duval having had to ask the author, Paul Colline, for modifications to the libretto. Despite the efforts of decorator Raymond Fost, from Mariano, who took dance lessons, the result did not live up to the expectations of the protagonists.
Francis Blanche, in the role of Panette, had demanded “five comic effects guaranteed”. In addition he added a little too much: he appeared in the most diverse transvestites, brandishing a sign "I love Mariano", or knitting an endless sock... This made the public laugh, but Mariano after some time expressed his displeasure. The author Paul Colline, for his part, even went so far as to prosecute the fanciful artist.
We can estimate between 270 and 330 the number of performances of this work.
Chevalier du Ciel was not given in regions.
I. The plot
The aircraft carrier "Le Valeureux" is about to leave Toulon for a secret mission. Two spies, Gheorgiu and Alexandre, interrogate the sailors Panette and Dulure without result. As the ship Vogue towards Honolulu, Captain Broussac and Lieutenant Jean-Louis wonder about the identity of the mysterious agent who is trying to seize the plans for the latest prototype planes.
In Honolulu, during a reception, Jean-Louis meets billionaire Marilyn. She invites Jean-Louis on her yacht. The JEUNE man sensitive to the beauty's charm does not resist. In reality, Marilyn is an ambitious model hired by the spies. It is in Tahiti that the latter have planned to accomplish their package. But they recognize Panette and Dulure disguised as butlers and charged with flushing them out. Recognized, they have just enough time to flee, taking Marylin with them, without Jean-Louis suspecting her duplicity.
Return to France. During a test flight in Brittany, Jean-Louis' plane caught fire. Injured, he wakes up in the hospital where he is pampered by the nurses. He learns that he was saved by the pretty Anne-Marie. A sweet feeling seizes the two young people, but Marylin's arrival scares Anne-Marie away. Feeling ousted, the spy warns Gheorgiu who is responsible for intercepting any correspondence between the little Breton and the airman.
We are now in Fort-de-France. Jean-Louis, by a forged letter, learns of the marriage of Anne-Marie and a Breton peasant. Events rush: Jean-Louis and his plane are captured; released, he will in turn set a trap for bandits who will be taken prisoner by the police. Marylin, despite her efforts, will not be able to soften Jean-Louis. Anne-Marie's real letters are recovered and the JEUNE man immediately flies off to join his beauty. The bells ring for the wedding of Jean-Louis and Anne-Marie.
Sources
(1) Luis Mariano by Joëlle Montserrat (PAC, 1984)
(2) Saint-Luis by Christophe Mirambeau (Flammarion, 2004)
(3) Luis Mariano, the Prince of Light by Daniel Ringold (Ed. TF1, 1995)
(4) History of operetta in France by Florian Bruyas (Emmanuel Vitte, Lyon)
II. The score (main tunes)
Opening
Chorus: “Here are the knights of heaven
“Alone” (Jean-Louis)
"In Honolulu"
“My paradises” (Jean-Louis)
"And everything, and everything" (Marylin, Jean-Louis)
“And here is the result” (Marylin, Jean-Louis, Paul Mattei)
Set of nurses "I don't feel like it"
The Legend of the Knight (Anne-Marie)
“I have said so often I love you” (Jean-Louis, Anne Marie)
"The Waltz of Love" (Jean-Louis)
“Palace Song” (Marylin)
"My happiness has fled" (Jean-Louis)
“Pagan prayer” (Jean-Louis and chorus)
“Without your love” (Jean-Louis)
Chorus “Bing, Beng, bell chimes” and finale “Les chevaliers du ciel”
Discography
– LP 25 cms (Pathe FLEP 323)
– CD set Marianne Mélodie 081879
– CD EMI 094635007824, 11 extracts supplemented by a bonus of 10 songs