Acuhorn Nero125
Floorstanding loudspeakers one pair
Superleggera construction
High sensitivity 96dB with neodymium drivers
Cherry veneer finish
ready to shipping immediately
shipping worldwide
delivery by courier to your door
information on the website
photo gallery on the instagram
technical specifications:
floorstanding loudspeakers
two acoustic chambers type + big horn
wooden enclosure lightweight materials
one driver acuhorn type superleggera
neodymium engine precision cut profile
impedance 4 Ohm (compatible 8 Ohm)
sensitivity 96 dB
input Connectors Rhodium
audio path PCOCC Copper
weight 20 kg piece
dimensions W20 x D47 x H120 cm
Audiophiles from:
Germany, Italy, United States, United Kingdom, The Netherlands, Russia,
France, Greece, Spain, Hungary, Indonesia, Kasachstan, Norway, Poland,
Sweden, Austria, Bulgaria, Denmark, Philippines, Finland, Japan, Korea
South, Malaysia, Mexico, Romania, Switzerland, Taiwan, Vietnam.
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Enjoy The Music
World Premiere
Acuhorn Nero 125 Loudspeaker
Does every speaker sound good with some music, yet not so well with others?
Review By Jules Coleman
Acuhorn
Nero 125 Loudspeaker Full range single driver loudspeakers often
display a coherence, presence, immediacy and dynamism that precious few
multi-driver speakers approximate, and fewer still can match. Such
speakers, like the Acuhorn Nero 125 loudspeaker, typically mate well
with low power amplifiers — often but not necessarily built around
single-ended directly heated triodes — that exhibit many of the very
same virtues. More than a few audiophiles have found the synergies
irresistible and vow a life-long (by audiophile standards) allegiance,
forswearing all others. I’ve been down that road before myself — many
times — and I understand the pull on one’s heartstrings a system built
around a single-driver full range loudspeaker mated to low-powered tube
amplification can have. Here we will see if the Acuhorn Nero 125
loudspeaker is match initiated by cupid if not quite one made in heaven.
I used the Acuhorn in both of my systems:
The
reference system featuring all Shindo equipment including the 300B Ltd
monoblock amplifiers; the NYC apartment system where they were driven by
the 18 watt EL84 based Shindo Montile as well by a Sound Quest SV 84
integrated amp also using the EL84 tube and also producing roughly 18
watts. Both listening rooms are above average in size with the
Connecticut room being especially large at 30x18x9.
The Acuhorn
performed best in both rooms when placed far away from back and
sidewalls. In both listening rooms I preferred the speakers no more than
7-feet from one another. So I set the speakers up with aim of
optimizing balance, coherence, density and authority. I found that as
the speakers are moved further apart, the sound becomes ethereal and
whatever increased spaciousness in the soundstage one achieves comes at a
price that I, for one, am unwilling to pay. Keeping the speakers within
the specified distance helped reinforce bass output and gave the
speakers their weightiest and most authoritative foundation.
The
speaker performed admirably in both set-ups and to its credit reflected
the vast differences in associated equipment. In my home, I listen
almost exclusively to vinyl whereas in my apartment I listen almost
exclusively to CD. The analog front end in my home is the Shindo Garrard
301 and my current digital front end in NYC is the Raysonic 128. The
Raysonic is a fine player and is a high value performer, but it cannot
hold a candle to the Shindo analog set up.
Though the Nero 125
is not nearly as sensitive a loudspeaker or as easy a load as other
single driver loudspeakers I have owned, it proved to be no problem for
any of the amplifiers I had on hand. The sound was considerably more
powerful, richer and resolute in the reference system than in the second
system. I viewed this very positively. The speaker revealed differences
in ancillary equipment and while it was very much at home with push
pull amplification and a modest digital front end, it shone in a system
featuring state of the art electronics and front end.
In fact,
however, a well-designed high sensitivity loudspeaker can be extremely
revealing of differences in everything from front ends to amplification.
The best can show you just how extraordinary really wonderful some
electronics are. The better your electronics are, the better
high-sensitivity loudspeakers will sound — up to their limitations of
course. The Nero 125 is both highly resolving and highly revealing plus
always enjoyable and engaging.
So how did the Nero 125 perform?
In
a word: excellent. Prior to the Acuhorn’s stay in my system, the best
sounding single-driver full range back-loaded horn I have had any
experience with was the Beauhorn. Every Beauhorn I heard employed a
Lowther driver but in each case it did a remarkable job of taming the
Lowther peak. But the real trick of the Beauhorn was that it did not try
to do too much. The Beauhorns I have heard have virtually no bass to
speak of.
The Nero 125 is unusual in several respects. Using a
smaller driver, it too tries to plumb the depths, and it succeeds more
than it has a right to. More importantly, it does not buy its bass
extension at the cost of a gaping hole where the lower midrange and
upper bass should be. The Nero 125 is gloriously coherent from the upper
midrange to the upper bass. There is a consistency of dynamics and
resolution that is natural and seductive. The basic presentation is
balanced within its range. There is no artificial vividness or immediacy
that comes from a spotlit presence region. As a result, the speaker is
much easier to listen to over a broad range of different kinds of music.
I listened to lots of acoustic and electric jazz, blues, chamber music
and pop rock, all to very good effect with great enjoyment.
One
of the other extraordinary features of the Nero 125 is that it has very
little distortion. This means that the sound comes across in a relaxed
fashion that is easy on the ears. The sound is not quite as distortion
free as from a field coil, but by comparison to every Lowther I have
heard the Acuhorn TSR 200 driver is a revelation.
The upper
frequencies of the Acuhorn were similarly well balanced but not
particularly extended. This is no surprise, and it did not disappoint
me. Whereas the fashion nowadays is to produce a speaker with a tweeter
capable of output at 30 kHz or higher, I have enjoyed music most in
speakers that do not reach much above 16 kHz or plumb depths much below
35 to 40 Hz. The key is not how much is reproduced, but how well it is
reproduced — and how balanced the overall presentation is. In this
regard as well, the Acuhorn shown. The Nero 125 is an exceptionally well
balanced loudspeaker.
It is also a musical loudspeaker. It is
common to distinguish between speakers that play music and those that
are like tools for revealing the various parts of a musical performance.
Acuhorn falls on the musical side. You can follow the parts if you
like, but the speaker does not take the music apart. It presents the
music as an organic whole: continuity, integrity and balance. It is very
informative, but not in the way that some other speakers that emphasize
the leading edge of notes are.
Conclusion
In
my experience, one cannot help but listen to music that sounds good on
one’s speakers. Every speaker is flattered by some music and flattened
by others. I own a pair of rebuilt Quad 57 ESLs and it has become
apparent to me that when I listen to them I listen to music that
flatters them. No Led Zeppelin and no Who Live at Leeds, yet plenty of
jazz including Getz and Gilberto. To its credit, there is very little I
don’t find myself willing and often anxious to play on the Acuhorn. The
speaker thrives on solo piano, but it excels on pretty much everything
else as well.
The Acuhorn Nero 125 is not inexpensive. But its
price is warranted by its construction, and more so by its performance.
Between around 40 Hz and 15 kHz the Acuhorn Nero 125 is a smashing
success. It is beautifully balanced, dynamic, and immediate without
being artificially hyped up, relaxed, involving and downright seductive.
It is unquestionably among the best back-loaded horn loudspeaker I have
heard. If full range back-loaded horns appeal to you, then you owe it
to yourself to listen seriously to the Acuhorn Nero 125. It does so much
so well. An excellent speaker, very highly recommended.