Descriptive    
  • "The Macabre Dance of Women followed by The New Dance of Men Augmented by the Saying of the Three Dead and the Three Living Of the Debate of a Body and a Soul And the Complaint of a Damned Soul"
In the late Middle Ages - a time constantly facing death, due to the Hundred Years' War (1337-1453), famine and plague - death shows its face, in art and literature. It is in this tormented context that the ""macabre dance"" or ""dance of the dead"" appears, a theme that brings together painting, music, poetry and choreography.

(https://numelyo.bm-lyon.fr/f_view/BML:BML_00GOO01001THM0001ars_moriendi_2)

  • Very Beautiful Art Edition, in 2 volumes
Volume 1, modern adaptation illustrated by Rhigas (artist "non-academic figurative" https://www.rhigas.com/lartiste/)

Volume 2, reproduction of the first macabre dance published by Guy Marchand (or Marchant), in 1486 (male dance) and 1491 (female dance) plus various texts.


AndUnion Latin ditions
1977
       New adaptation by Anne-Marie and Jacques Yvon
     (Chart School Paleographic Archivists)

  Size 32*48 cm, approx. 250p +120p

     One of 70 copies on Vélin Cuve de Rives With signed SUITE

   and a signed Original Pen Drawing 
under wallet of the same size

CAUTION without advertised lithography


          Aembellished with bistre and color compositions (HT) of Rhigas
and engraved wood for antique edition
hand-colored in Antic Art Illumination Workshop


Great full basane bindings 
made by Ateliers Reliural

Embedded combed metal plates or vieillies
Vol 1: Stylized plates and palladium head slice
Flight 2: Death plaques facing a knight and damsel 

In Italian format box



 Condition 

Very nice set with light wear and tear
  • slight twist of the box on both edges
  • light back friction of 2 volumes
  • Fresh Interior 
 


"RHIGAS is a Greek painter from the island of Chios. Her painting evokes impressions of a childhood bathed in the vibrant light of Greece. At home, nature retains all its power and gives it a spiritualistic translation. After high school, he moved to London and attended the Royal Academy. 

The following year he arrived in Paris, he was received in the admission competition to the École des Beaux-Arts. At the same time, and to perfect his knowledge of drawing, he took courses at different Parisian academies and participated in Parisian fairs. In 1976 he had a special exhibition at the Galerie Alexander in Paris"


The Macabre dance is a popular art motif both present in the European folklore and elaborated at the end of the Middle Ages. It is one of the most completed elements of theart macabre of the Middle Ages, from xivand to xviand century.

Throughout the xvand century and at the beginning of the xviand, this theme is painted on church walls, in cemeteries ofNorthern Europe, on exterior walls of cloisters, mass graves, ossuaries. Above or below the illustration are painted verses by which death is addressed to the victim, often in a sarcastic and cynicistic tone. It is broadcast throughout Europe by poetic texts peddled by the troops of street theatre.

This form of expression is the result of an awareness and reflection on life and death, at a time when it has become more present and traumatic. Wars — especially the Hundred Years' War — famines and plague, which are often represented by Four Horsemen of the Apocalypse, decimated populations


Jacques Yvon (1923-1983) Yvon, Anne-Marie (1926-1987)

https://www.persee.fr/doc/bec_0373-6237_1984_num_142_2_464420


Guy Marchand (called Gui or Guyot, in Latin Mercator Guide) is a printer French of the xviand century.

Settled in Paris between 1483 and 1505-1506, Guy Marchand was received master printer there after being ordained a priest.


It is credited with nearly 190 incunables. A dozen books were printed after 1500. Most of Marchant's productions are medium format and feature religious texts, of which five editions of the Macabre dance, seven editions of the Shepherds' compost and calendar and an edition of the Shepherds' Calendar.


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