Thomas F. Barrow (b. 1938)

Untitled, From the series, Cancellations, 1975

Vintage gelatin silver print, printed 1977

Signed & dated in ink in the margin

Image size: 9 x 13 3/8 inches

Paper size: 11 x 14 inches

Mat size: 14 x 17 inches

Condition: Two extremely slight handling marks in lower left and in lower right, barely visible and only visible in raking light; otherwise in excellent condition

Retail: $4500-6000



BIO:

Thomas Barrow, who was born in Kansas City, Missouri, studied with Aaron Siskind at the Art Institute of Design, Chicago, and graduated with an M.A. in graphic design in 1967. He also studied film with Jack Ellis at Northwestern University. At the George Eastman House, he was Curator of Exhibitions in 1965, Assistant Director from 1971-1972, and became editor of Image in 1972. The Associate Director of the University Art Museum, University of New Mexico, from 1973-1976, Barrow began teaching photography in the Art Department in 1976 and was Acting Director of the University Art Museum in 1985. He has received two NEA Photographers Fellowships (1973; 1978) and is also a publication designer.

 

Selected Bibliography

Grundberg, Andy and Gauss, Kathleen McCarthy. Inventions and Transformations-The Photographs of Thomas Barrow. Albuquerque: University of New Mexico Press, 1986.

Coleman, A.D. Light Readings. Albuquerque: University of New Mexico Press, 1979.

The Extended Document. Rochester, New York: International Center of Photography, George Eastman House, 1975.


Selected Exhibitions

2010-2011  A Restless Mind, Joseph Bellows Gallery, La Jolla, CA

2008    New Acquisitions, University of New Mexico Art Museum, Albuquerque NM; Recent Acquisitions, Museum of Art, Santa Fe, NM; Photography: New Mexico, UNM Art Museum, Albuquerque, NM

2007    Attention to Detail: 12 Artists, 516 Arts, Albuquerque, NM; Driven to Distraction, The Governor’s Gallery, Santa Fe, NM; Re-SITE-ing the West: Contemporary Photographs from the Permanent Collection, Los Angeles County Museum of Art, Los Angeles, CA; Recent Acquisitions, Bruce Museum, Greenwich, CT; Recent Acquisitions, University of Maryland Baltimore County, A.O. Kuhn Gallery, Baltimore, MD; Rebels and Revelers: Experimental Decades, 1970’s- 1980’s, Museum of Photographic Arts, San Diego, CA

2006    FOLLY, AIA Gallery, Albuquerque, NM (solo)

2005    Wide Gamut: Alternative Process Photography, Donkey Gallery, Albuquerque, NM; In the Center of Things: A Tribute to Harold Jones, Center for Creative Photography, Tucson, AZ; Ditto: Multiples From the Collection, Museum of Contemporary Photography, Columbia College Chicago, IL

2003    Current, Richard Levy Gallery, Albuquerque, NM; Global Village: The ‘60s, Montreal Museum of Fine Arts, Montreal, Canada; The Discerning Eye: Southern California Collects, MOPA, San Diego, CA; The Stacked Deck, Tamarind Institute Gallery, Albuquerque, NM

2002    POLAROID, The New Mexico Connection, UNM Art Museum, Albuquerque, NM; Snapshots, Aldrich Museum of Contemporary Art, Ridgefield, CT; Taken by Design: Photographs from the Institute of Design, Art Institute of Chicago, Chicago, IL; Photographs from the Peter Bunnell Collection, Princeton Art Museum, Princeton, NJ; Idea Photographic: After Modernism, Museum of Fine Arts, Santa Fe, NM

2001    Thomas Barrow: Then and Now, UNM Art Museum, Albuquerque, NM

Passages: Touring NM Art with a Detour Along Route 66, Museum of Fine Arts, Santa Fe, NM; Drawn from Photography, Los Angeles County Museum of Art, Los Angeles, CA; A Change of View, New Prints from 2001, Tamarind Institute, Albuquerque, NM

2000    Blue Skies, Richard Levy Gallery, Albuquerque, NM

1997    Photo + Object: Thomas Barrow, UNM Art Museum, Albuquerque, NM

1996    Pink Stuff & Pink Dualities, Laurence Miller Gallery, NYC

l992     Notes for the 90's, Andrew Smith Gallery, Santa Fe, NM; Studio Notes by Thomas Barrow, Richard Levy Gallery, Albuquerque, NM

1990    Thomas Barrow, The Burning Houses, Amarillo Art Center1986-87; Retrospective, San Francisco Museum of Modern Art, San Francisco, CA & Los Angeles County Museum of Art, Los Angeles, CA

1982    Friends of Photography, Carmel, CA; Light Gallery, New York City

1979    Light Gallery, New York City

1976    Light Gallery, New York City

1975    Deja Vu Gallery, Toronto, Canada

1974    Light Gallery, New York City

1972    Light Gallery, New York City

 

Selected Public Collections

National Gallery of Canada

International Museum of Photography at George Eastman House

Los Angeles County Museum of Art

Museum of Modern Art

Massachusetts Institute of Technology

Philadelphia Museum of Fine Arts

Pasadena Art Museum

Ryerson Polytechnic Institute

University of New Mexico

Lincoln Rochester Trust Company

Fogg Art Museum

Virginia Museum of Fine Arts

University of Kansas Art Museum

The Detroit Institute of Art

Sun Valley Center for the Arts and Humanities Collection

Reva & David Logan Foundation

Princeton University Library, The Graphic Arts Collection

Sheldon Memorial Art Gallery, University of Nebraska, Lincoln

The New Orleans Museum of Art

The Museum of Fine Arts, Houston

Denver Art Museum

San Francisco Museum of Modern Art

National Gallery of Australia

Washington Art Consortium (Whatcom Museum of History and Art)

The Center for Creative Photography, University of Arizona, Tucson

California State University, Long Beach

De Cordova Museum

University of California, Riverside

Ohio Wesleyan University

Princeton Art Museum

Polaroid International Collection Art Museum

The Albuquerque Museum

New Mexico State University, Las Cruces

The Art Institute of Chicago

The Museum of Contemporary Photography, Columbia College, Chicago

The Columbus Museum, Columbus, Georgia

Museum of Fine Arts, St. Petersburg, Florida

University of Louisville Photographic Archive

Williams College Museum of Art

Visual Studies Workshop, Rochester, NY

Madison Art Center

The Getty Center for the History of Art and the Humanities

Kiyosato Museum of Photographic Art (KMOPA), Japan

Museum of Photographic Art, San Diego, CA

Capitol Art Foundation, Santa Fe, NM




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