Out of Print Out of print Songshan Shaolin Martial Arts Kung Fu Series by Shi Deren 33DVDs
Songshan Shaolin Zhaoyang Quan by Li Tianren DVD - No.071
Source of Shaolin Zhaoyang Quan：Shaolin Chaoyang Quan is one traditional wushu routines of Shongshan Shaolin Temple It was created by the famous Wushu-exercising monk Zhan Ju of Qing Dynasty He had combined his own actual combat experience and created it on the foundations Shaolin Hong Quan and Tongbei Quan The practicability in the actual combat is a strong point of Shaolin Chaoyang Quan It attacks swiftly, defends well and punches fiercely Its postures are natural and unfold It can be used in actual combat as well as in the body-building up and it is very powerful in the actual combat The exercisers use the obvious power and do not use the hidden force subdue the tyrants and do not bully the weak help the kind-hearted peoples and do not support the evil persons thus this boxing routine is called “Justice-carrying forward Boxing” It mostly has all kinds of Shaolin quan footwork such as feet-together stance, forward lunge, horse-ride stance, empty stance rest-stance, drop-stance, squatting stance, cross stance in this boxing routine. the techniques of fists rushing, throwing, slicing, boring, yin strike, yang strike, swinging, jabbing every movement is very powerful the techniques of feet Jump, fly, snap, stamp, splash, kick, hook and stumble thrusting, side kicking, every movement is very powerful
Songshan Shaolin Dahong Quan Routine Five by Li Tianren DVD - No.074
Shaolin Routine Five Dahong Quan is one of the traditional ShongShan Shaolin Wushu routines. In the latter stage of Qing Dynasty, Shaolin Wushu-exercising monks, had visited the whole country and taught the first three Dahong boxing routines among folks. Through long-term exercising, regional exercisers got their original opinions and revised these routines according to their own traditional martial arts skills. thus new routines were created one after another and still named Shaolin Dahong Boxing. Latter on these newly created Dahong boxing routines were brought back to the Shaolin Temple and practiced far and wide by the monks who renamed them routine four, routine five, routine six, etc. in order of arrival At present there are more than 13 Dahong boxing routines, which differ from one another and have their own strong points each. Its features are that the frames are slightly great, the postures are stretchy and esthetic, the hard force is used mostly here the movements are simple and unadorned, the structure is well-knit the attack and defense are arranged rationally, it contains vigorous as well as gentle movements, temping toughness with gentleness
Songshan Shaolin Dahong Quan Routine Six by Li Tianren DVD -No.075
Shaolin Routine Six Dahong Quan is one of the traditional ShongShan Shaolin Wushu routines. In the latter stage of Qing Dynasty, Shaolin Wushu-exercising monks, had visited the whole country and taught the first three Dahong boxing routines among folks. Through long-term exercising, regional exercisers got their original opinions and revised these routines according to their own traditional martial arts skills. thus new routines were created one after another and still named Shaolin Dahong Boxing. Latter on these newly created Dahong boxing routines were brought back to the Shaolin Temple and practiced far and wide by the monks who renamed them routine four, routine five, routine six, etc. in order of arrival At present there are more than 13 Dahong boxing routines, which differ from one another and have their own strong points each. Its features are that the frames are slightly great, the postures are stretchy and esthetic, the hard force is used mostly here the movements are simple and unadorned, the structure is well-knit the attack and defense are arranged rationally, it contains vigorous as well as gentle movements, temping toughness with gentleness
Songshan Shaolin Zhaoyan Quan by Li Tianren DVD - No.079
Shaolin Zhaoyan Quan is one of ancient boxing routines of Shongshan Shaolin which is also named Big Chaoyang Quan the routine is inherited by last Shaolin warrior monk-master Shi Degen, and it is one of the routines of Shaolin bare-handed exercises The Features : it is bold and fast in actions obvious in defense-offense and swift in force-launching and it tempers toughness with gentleness drives force with qi and strikes out with force, it strikes nationally with all parts of body, it advances and retreats naturally, changes flexibly and jumps smartly, its changes are mysterious and its rhythm is distinct
Songshan Shaolin Arhat Boxing Routine II by Li Tianren DVD - No.080
Shaolin Arhat Boxing Routine II is the earliest and excellent routine of Shaolin boxing skills it is said in Shaolin Boxing Book Shaolin Arhat Boxing Routine II is the actual combat skills compiled by Fu Ju monk in Song Dynasty on the basis of Big Arhat Boxing, absorbing masters from 18 family of Wushu filed and practiced repeatedly the men who expert at Shaolin Arhat Boxing Routine II are Zhan Ju in Qing Dynasty, monk of Heng Lin, Miao Xing and Zhen Xu, etc.
Songshan Shaolin Small Plum Blossom Quan by Li Tianren DVD - No.081
Sources and features according to the recordation of 'Chart of Shaolin Quan'it was created by Monk Jue Da, the disciple of monk FuJu who is a famous fihgting monk in Song Dynasty. The characteristics are the attacting frame is slightly greater， the posture is extending and in good taste， leg techniques are complete，the cadence is compact， the layout is reasonable， have both bility of attacking and offending， actual combat is strong
Songshan Shaolin Revolving fist by Li Tianren DVD - No.082
Origin and Features: Shaolin Revolving fist belongs to the traditional routine in SongShan Mountain Shaolin Temple WuShu It is created by monk Zhanju in Qing Dynasty, from routines such as arhat boxing, flash arm boxing , little plum blossom boxing absorb the actual combat technique essences of attack and defense combined with own actual combat experiences. create a set of dapper strict and precise construction excellent fist routine especially on the aspect of skill It favors in fast beating and successive beating, fierce and shortcutting. It has both attack and defense at the same time. have the unique marvelous and successive striking get it done without any letup and the supernatural will be stared, according to the saying
Songshan Shaolin Eight Steps turning by Li Tianren DVD - No.083
Shaolin eight-step turning History and charateristics of Shaolin eight steps turning. Shaolin eight steps turning is one of traditional Wushu routines Monk Fuju in the Song Dynasty invited eighteen Wushu masters created in the performance exchange in Shaoli temple, Its characteristics include compact structure, with flexible movement, postures of palm fist are very simple and experienced strong and forceful, take out the fists and palms, bent or not bent, Straight or not straight, internal and external are in harmony, Appearance and spirit are both included.
Songshan Shaolin boxing Route one by Li Tianren 2DVDs - No.084
The origin source characteristics of Shaolin boxing (Route 1): The Shaolin boxing (Route 1) belongs to the basic boxing routine of Songshan Shaolin temple traditional martial arts and is the compulsory routine of beginners who learn Shaolin boxing.
The step forms of Shaolin boxing (Route 1) including: bow step, horse-riding step, crouch step. bring feet together, empty step and T-step etc. includes almost the familiar step forms of all kinds of Shaolin boxing routines. Hand form includes :palm, fist and circling claw hand technique includes : pushing palm , grab hand, wrench, chopping hand sweeping hand , blocking hand and thrusting hand etc. fist technique contains : punching boxing, hacking boxing. thrusting boxing and smashing boxing and so on. foot technique contains : slappping kick, side kick, hook kick. leg technique includes : kick, flip, stamp and sweep legs backward and forward. body work includes : turn over , turn around ,withdraw, rise and so on eye techniques include: gaze, squint , stare and so on make up a Route of complete and reasonable winhacking (attack and defense) techniques gestures are small and exquisite and musical rhythm is tight and close techniques are powerful, simple and unadorned, have both attack and defense, put emphasis on practice move palm on a stright line from A to Z is the compulsory routine of beginners to learn Shaolin boxing which comprehensively embodies the style and characteristics of Shaolin boxing
Songshan Shaolin boxing Route Two by Li Tianren 2DVDs - No.085
The origin source characteristics of Shaolin boxing (Route 2)：The Shaolin boxing (Route 2) belongs to the basic boxing routine of Songshan Shaolin temple traditional martial arts and is the compulsory routine of beginners who learn Shaolin boxing The step forms of Shaolin boxing (Route 2) including: bow step, horse-riding step, crouch step bring feet together empty step and T-step etc includes almost the familiar step forms of all kinds of Shaolin boxing routines Hand form includes :palm fist and circling claw hand technique includes : pushing palm, grab hand, wrench, chopping hand sweeping hand blocking hand and thrusting hand etc fist technique contains : punching boxing, hacking boxing thrusting boxing and smashing boxing and so on foot technique contains : slappping kick, side kick, hook kick leg technique includes : kick, flip, stamp and sweep legs backward and forward body work includes : turn over, turn around ,withdraw, rise and so on eye techniques include:gaze squint stare and so on make up a Route of complete and reasonable winhacking (attack and defense) techniques, gestures are small and exquisite and musical rhythm is tight and close, techniques are powerful, simple and unadorned, have both attack and defense, put emphasis on practice move palm on a stright line from A to Z is the compulsory routine of beginners to learn Shaolin boxing which comprehensively embodies the style and characteristics of Shaolin boxing.
Songshan Shaolin cotton palm by Li Tianren 2DVDs - No.086
The headstream and features of Shaolin cotton palm: Shaolin cotton palm originated from Songshan mountain with Shaolin temple it is through successive dynasties fighting monk Shaolin fist that is developing through tiered and tested it has the following features: it pays attention to martial arts and base oneself upon actual combat the routine is short and rigorous and compact .
Songshan Shaolin Plum-blossom Mantis Fist by Li Tianren DVD - No.087
Origin and Features: It is recorded in Shaolin boxing book, Shaolin plum blossom mantis boxing originated from Shaolin Temple in Songshan Mountain. It is said that the fighting monk Hongwu in Song Dynasty had great skill with Kungfu and rich knowledge. According to the basic skill of Shaolin plum blossom boxing imitating the skill of the mantis stalking the cicada over 6 years he practiced hard from morning till night thought over and over finally created Shaolin plum blossom mantis boxing. Shaolin plum blossom mantis boxing had to finish several actions without a break It’s named for it likes a plum blossom made of several petals Its characteristics hooking, embracing, gathering, hanging, nearing, supporting, squeezing, leaning are the basic martial art skills The body shape requirements 5-upper-arm and 3-section-strength 5-upper-arm is rising, pressing, inclining to adjust, twisting waist to relax and shaking head to move the upper arm 3-section-strength includes the upper 3-section shoulder, elbow, hand the lower 3-section: crotch, knee and foot advancing means to enter with sticking hand retreating means to step backward boldly there are methods always for advancing and retreating The action asks for straightness from the arc both hands and feet are used quick and swift actions combine to repeat stretch out hand perfectly to preempt Zhongmen near short hit needs to lean body seek opportunity from the arc to enter straightly and strongly stick, move and post to exert little force so many changes full of false and true strongness and softness are mutally collected in the skill, use both hands and feet and link up the posture. plum blossom mantis skill is passed down by Shaolin.
Songshan Shaolin Jingang Cudgel by Li Tianren 2DVDs - No.088 Shaolin Jingang cudgel is shaolin monk in Qing dynasty on base of shaoli qimei cudgel obtain the essentials collect the cudgel technique of Soldier-War to create the essential set pattern of shaolin cudgel. its feature is attack continuously run endless and beat fiercely cudgel method by swing cut thrust strike turn body and protect by throwing flowers out point beat to the left and right and cut and smash use the beat of cross waist when meet resist the body should follow the mind when practice cudgel put forth the cudgel following the hand beat or hack use it freely, cudgel or tip of the branch beat it when touch it,beat it fiercely. Lecturer: Li Tianren
Songshan Shaolin Five Tiger Killing Sheep Broadsword by Li Tianren 2DVDs - No.089
Songshan Shaolin Baji Boxing by Li Tianren 2DVDs - No.090
Shaolin Baji Boxing (eight extremes boxing) originally started from passed down byShaolin monk Ling Qiu in Song dynasty during period of Emperor Yong Zheng in Qing dynasty originally passed down by Wu Zhong who was an external student of Shaolin temple later it was spread to Meng Village, Hebei province became Baji Boxing(eight extremes Boxing) in Meng village then spread in northern provinces and gradually spread in and out of country Shaolin temple's monks like Qing Lian and Jing Xiu Jing Shao Ru Liang Hai Run Ji Pao.etc. have high attainments to Baji Boxing. especially Zhen Fang master who lived in the last years of Qing dynasty his kongfu is more exquisite, its features are, action is concise and simple, conditions dangerous joint short, up and down abruptly open and beat hard multi-elbow way, towards and return in straight line, the power is violent and hard, repress the power by Qi, and sent out hem and haw, the beat style are near, squeeze, lean punch abruptly, advance hard and attack tightly, strike close to body, cut off and catch by inch, have the feature of conquering the opponent by short
Songshan Shaolin Black Dragon Sword by Li Tianren DVD - No.091
Origin and Features: As recorded in Shaolin Boxing, Black Dragon Sword originated from Ming Dynasty. (you)In those years, Monk Zong Qing and Pu Cong together followed Yu Dayou The general joined the army and went on an expedition south. Learnt the skills for three years and then returned to Shaolin Temple. The sword skills learnt from general Yu combined with the sword skills practiced bythe monk after tempered for a long time refined several times and created it. There are 30 postures all together in thewhole routine. Its skill features are trick down then thrust up. Empty left then solid right. Empty right then solid left. Empty and solid Change unpredictably See pierced straight then thrust backward, See the opponent goes straight then coilobliquely, See the opponent thrusts backward then go straight forward, See the opponent thrusts down then raises upward, See the opponent weep neck then cut foot Another feature of Black Dragon Sword is crouching and flying quickly As if fly from the sea and jump into the sky That is empty downward then solid upward Even parry sword in empty step to wipe the back of neck Change into bow step suddenly and thrust the throat The change of step and the changed movement of sword Fit for eye, make it quick swift, flexible, sudden, jump low gradually Fly into sky to be in distant and the gainer attacks the loser runs away.
Songshan Shaolin Fanzi Boxing by Li Tianren DVD - No.092
Origin and Features: Shaolin tumbling fist is one of the traditional martial art routines in Songshan Shaolin temple, the Buddhist monks of the Shaolin temple aboard absorbed the best feature of Hebei Fanzi boxing and combined the martial skill features of their temple created a set of manly art rotines with unique skill its features are dapper, flexible movements precise structure when practiced , the foot techniques are steady and the body techniques are flexible in a proper posture both fists suddenly strike up and down erectly and suddenly hidden up and roll down all kinds of hand techniques like hurricane the whole routine at a heat.
Songshan Shaolin Hack-and-Hook Boxing by Li Tianren 2DVDs - No.093
As recorded in Shaolin fist Fist of Hack-and-Hook is passed by monk Yuesheng of Shaolin in Ming Dynasty. it is one of the sets of traditional Wushu in Songshan Shaolin temple. the characteristics are : the body and spirit looks freely the action is extent, free, easy ,strong and vigorous quick and variable. firstly, agile secondly, quick thirdly, variable fourth ,heavy and long force its force is up and down, and you can not know when it stretch and withdraw. You neither know when it open and close. It wriggles like snake, being up and down and like a surfy river relentless rollercoaster ride running down for hundreds of meters.
Songshan Shaolin Chuojiao quan by Li Tianren DVD - No.094
Sources and features: Shaolin Chuojiao quan is Shaolin temple famous monk Zhenfang master. On base of absorbing broadly arhat boxing, hong boxing, plum blossom boxing etc. the essential of Shaolin Arhat Eighteen Routine combine his thirty years experience of practicing Wushu thus create a set of with the core of the foot side Kungfu and match with upper circle Kungfu. A kind of acrobatic boxing its mian charactors is to make the strenghth of leg and foot usually with strike out by foot side Kungfu such as spring, kick, stamp, sweep, swing, jump, arrow, fly, etc. Punch with upper circle.Make empty postures such as holding up hand, hong quan, rising hand, etc. It can easily anaesthetize opponent’s will and disturb opponent’s eyesight. To find a chance to attack the foot side of opponent. Make the opponent be unaware. Thus beaten heavily by attacker. It is obvious that the opponent is defeate and goes back with a sigh. This boxing is like a scroll when see its shape like flood discharge when see its force, like exploding mine when hear its sound and has entered into thoraces when fix its posture, so it is called Duanhe quan, and also called Chuojiao quan.
Songshan Shaolin Eight-step Revolving Fist by Li Tianren DVD - No.095
Source of Shaolin Jiedao: According to the record of Shaolin falchion book Shaolin jiedao is from Shaolin Temple in Song Dynasty Monk Fuju invited the eighteen Wushu masters in the country collect eighteen falchion techniques elite when giving performance in shaolin temple combine the characteristic of shaolin falchion techniques thus create a set of actual combat falchion its style characteristic is sudden attack and force close rhythm, vivid shape, strong actual combat its technique is with chop, hack, hold up, pierce, collapse, etc. while use with attack and protection turn the body with exchanging flowers and protecting chest protect self with wrapping head the attack can’t block with courage protect to be wind proof thickly needle cannot insert water cannot enter the key point shows Shaolin falchion technique bases on the typical characteristic of actual combat.
Songshan Shaolin Eight-step Revolving Fist by Li Tianren DVD - No.096
Characteristics: Shaolin eight-step Linkup Boxing is one of the traditional martial arts routines in Songshan Shaolin Temple it includes seven fist techniques three palm techniques four leg techniques two holding techniques one leaning technique and one defense posture one tempting posture one serving posture two repeating postures each posture has actual combat significance in striking its characteristics are terse and forceful routines compact rhythm superior to near body successive strike in technique violent and swift with both attack and defense
Songshan Shaolin Six Conformities Boxing by Li Tianren 4DVDs - No.097
Shaolin Six-round Boxing is an attacking skill for monks in Shaolin Temple to learn and practise it is an elementary routine. It can be traced to the end of Yuan Dynasty and the beginning of Ming Dynasty passed down by King Jinnaluo, In Ming Dynasty skill of Six-round Boxing had developed into a high level. Till Qing Dynasty the monarch worried that Shaolin fighting monks help to rebuild Ming Dynasty through rebellion forbid to learn it several times, the skills declined gradually However, there were still some monks owning true skills of Six- round Boxing such fighting monks as Zhan Ju, Zhan Hua, Zhan An, Ji Pan Ji Xuan, Chun Zhi, Chun Liang, Chun Ren, Chun Pu martial art skills is astounding. When it came to the Repbulic of China there were monks who had true skill for example, Zhen Jun, Heng Lin, Zhen Xu and Miao Xing. In modern times, such fighting monks as Su Xi, Su Yun and De Gen learn Six- round Boxing they all had excellent skills. Six- round Boxing has such features simple and unadorned, powerful and forceful emphasizing on actual effect and in favor of protecting body and self-defense. it also has other features thorough routine structure fierce attacking and successive blow, have both attack and defense, advantageous to practical fighting, the simple step method, attack and withdraw conveniently, look one way and row another, point above and beat below, approach the opponent to tear and coil, rich in attacking skill, flexible and changeable methods, use both skill and wisdom.
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