BATMAN FOREVER METAL - COMPLETE BASE SET (100 Cards) - Fleer - 1995.


Batman Forever is a 1995 American superhero film directed by Joel Schumacher and produced by Tim Burton, based on the DC Comics character Batman. A stand-alone sequel to the 1992 film Batman Returns and the third installment of Warner Bros.' initial Batman film series, it stars Val Kilmer replacing Michael Keaton as Bruce Wayne and Batman, alongside Tommy Lee Jones, Jim Carrey, Nicole Kidman, Chris O'Donnell, Michael Gough, and Pat Hingle. The plot focuses on Batman trying to stop Two-Face and the Riddler in their villainous scheme to extract confidential information from all the minds in Gotham City and use it to learn Batman's identity and bring the city under their control. In the process, he gains allegiance from a young, orphaned circus acrobat named Dick Grayson, who becomes his sidekick Robin, and meets and develops feelings for psychologist Dr. Chase Meridian, which brings him to the point to decide if he will lead a normal life or if he is destined to fight crime as Batman forever.

Schumacher eschewed the dark, dystopian atmosphere of Burton's films by drawing inspiration from the Batman comic books of the Dick Sprang era, as well as the 1960s television series. After Keaton chose not to reprise his role, William Baldwin and Ethan Hawke were considered as a replacement before Val Kilmer joined the cast.

The film was released on June 16, 1995. Batman Forever grossed over $336 million worldwide and became the sixth-highest-grossing film worldwide of 1995. The film was followed by Batman & Robin in 1997, with Schumacher returning as the director, Chris O'Donnell returning as Robin, and George Clooney replacing Kilmer as Batman.

Plot

In Gotham City, the vigilante Batman defuses a hostage situation orchestrated by a criminal known as Two-Face—formerly district attorney Harvey Dent, who was disfigured with acid by mobster Sal Maroni, which Batman failed to prevent—but Two-Face escapes. Edward Nygma, an eccentric researcher at Wayne Enterprises, approaches his employer, Bruce Wayne—secretly Batman—with an invention that can beam television signals into a person's brain. Bruce rejects the device, concerned the technology could manipulate minds. After killing his supervisor and staging the death as a suicide, Nygma resigns and plots revenge against Bruce, obsessively sending him riddles.

Bruce meets Chase Meridian, a psychologist obsessed with Batman, and invites her to the circus. Two-Face hijacks the event and threatens to detonate a bomb unless Batman surrenders himself. Acrobat Dick Grayson, the youngest member of the Flying Graysons, manages to throw the bomb into the river, but Two-Face kills his family. Bruce persuades the orphaned Dick to live at Wayne Manor as his ward, and Dick discovers Bruce is Batman. Taking the Batmobile for a joyride, Batman saves Dick from thugs; determined to avenge his family, Dick demands to join Batman in crime-fighting and kill Two-Face, but Bruce refuses.

Nygma, inspired by Two-Face's raid at the circus, adopts a criminal persona, the Riddler, and forms an alliance with Two-Face, promising to uncover Batman's identity. They commit a series of robberies to finance Nygma's new company and mass-produce his brainwave device, the “Box”, which secretly steals information from users’ minds. Nygma hosts a party where he goads Bruce into using the Box, before Two-Face unexpectedly arrives. As Batman, Bruce pursues Two-Face and is nearly killed, but is rescued by Dick.

Batman visits Chase, who explains that she has fallen in love with Bruce. He invites her to the manor and reveals his secret identity, while Dick runs away after taking pieces of one of Bruce's Batsuits. The Riddler and Two-Face, having discovered Bruce's secret through the Box, arrive and blow up the Batcave, shooting Bruce and kidnapping Chase. As Bruce recovers, he and his butler, Alfred, use the riddles to deduce that Nygma is the Riddler. Bruce dons a new Batsuit and Dick joins him as Batman's partner, Robin.

Batman and Robin reach Riddler and Two-Face's lair on Claw Island, where they are separated. Robin encounters Two-Face and nearly kills him, but spares his life and is captured. Batman confronts the Riddler, who reveals Chase and Robin trapped in containment tubes above a deadly drop, giving Batman the chance to save only one hostage. Instead, Batman destroys the Riddler's brainwave receiver with a Batarang, overwhelming the Riddler's mind and allowing Batman to rescue Robin and Chase. Two-Face corners the trio and determines their fate with the flip of a coin, but Batman throws a handful of identical coins in the air, causing Two-Face to stumble and fall to his death.

Imprisoned in Arkham Asylum, the Riddler claims to know Batman's secret identity and is visited by Chase, but it is revealed that the delusional Nygma now believes he is Batman. Chase tells Bruce that his secret is safe before parting ways, and Bruce resumes his crusade as Batman with Robin as his partner.

Cast

Production

Development

"I always hated those titles like Batman Forever. That sounds like a tattoo that somebody would get when they're on drugs or something. Or something some kid would write in the yearbook."

—Producer Tim Burton

Batman Returns was released in 1992 with financial success and generally favorable reviews from critics, but Warner Bros. was disappointed with its box office run, having made $150 million less than the first film. After Batman Returns was deemed too dark and inappropriate for children, with McDonald's even shutting down their Happy Meal tie-in, Warner Bros. decided that this was the primary cause of the film's financial results and asked Burton to step down in favor of another director; Sam Raimi and John McTiernan were considered, Joel Schumacher was selected by Burton. Husband-and-wife screenwriting couple Lee and Janet Scott-Batchler were brought on to write the script, and agreed with Burton that "the key element to Batman is his duality. And it's not just that Batman is Bruce Wayne". Their original script introduced a psychotic Riddler with a pet rat accompanying him. The story elements and much of the dialogue still remained in the finished film, though Schumacher felt it could be "lighte[ne]d down". Keaton initially approved the selection of Schumacher as director and planned on reprising his role as Batman from the first two films. Schumacher claims he originally had in mind an adaptation of Frank Miller's Batman: Year One and Keaton claimed that he was enthusiastic about the idea. Warner Bros. rejected the idea as they wanted a sequel, not a prequel, though Schumacher was able to include very brief events in Bruce Wayne's childhood with some events of the comic The Dark Knight Returns. Akiva Goldsman, who worked with Schumacher on The Client, was brought in to rewrite the script, deleting the initial idea of bringing in the Scarecrow as a villain with Riddler, and the return of Catwoman. Burton, who now was more interested in directing Ed Wood, later reflected he was taken aback by some of the focus group meetings for Batman Forever, a title he hated. Producer Peter MacGregor-Scott represented the studio's aim in making a film for the MTV Generation with full merchandising appeal.

Casting

Production went on fast track with Rene Russo cast as Chase Meridian but Keaton decided not to reprise Batman because he did not like the direction the series was headed in and rejected the script. Keaton also wanted to pursue "more interesting roles", turning down $15 million. A decision was made to go with a younger actor for Bruce Wayne, and an offer was made to Ethan Hawke, who turned it down but eventually regretted the decision. Schumacher had seen Val Kilmer in Tombstone, but was also interested in Keanu Reeves, Alec and William Baldwin, Dean Cain, Tom Hanks, Kurt Russell, Daniel Day-Lewis, Ralph Fiennes, Johnny Depp and Mel Gibson. Cain was scrapped as he was well known for starring in the TV series Lois & Clark: The New Adventures of Superman. Kilmer, who as a child visited the studios where the 1960s series was recorded and shortly before had visited a bat cave in Africa, was contacted by his agent for the role. Kilmer signed on without reading the script or knowing who the director was.

With Kilmer's casting, Warner Bros. dropped Russo, considering her too old to be paired with Kilmer. Sandra Bullock, Robin Wright, Jeanne Tripplehorn and Linda Hamilton were all considered for the role, which was eventually recast with Nicole Kidman. Billy Dee Williams took the role of Harvey Dent in Batman on the possibility of portraying Two-Face in a sequel, but Schumacher cast Tommy Lee Jones in the role, although Al Pacino, Clint Eastwood, Martin Sheen, Willem Dafoe, Nicolas Cage and Robert De Niro were considered, after working with him on The Client. Jones was reluctant to accept the role, but did so at his son's insistence. Robin Williams was in discussions to be the Riddler at one point but eventually turned down the role, resentful he was used in 1989 as bait for Jack Nicholson to play Joker, and also because of his contractual issues with Jumanji. In a 2003 interview, Schumacher said Michael Jackson lobbied hard for the role, but was turned down before Jim Carrey was cast. Other actors considered were John Malkovich, Brad Dourif (considered before by Burton to portray Scarecrow), Kelsey Grammer, Micky Dolenz, Matthew Broderick, Phil Hartman, Steve Martin, Adam Sandler and Rob Schneider. Mark Hamill was going to get the role, but had to turn it down due to contract issues. Robin appeared in the shooting script for Batman Returns but was deleted due to the use of too many characters. Marlon Wayans had been cast in the role, and signed for a potential sequel, but when Schumacher took over, he decided to open up casting to other actors. Leonardo DiCaprio was considered, but decided not to pursue the role after a meeting with Schumacher. Matt Damon, Corey Haim, Corey Feldman, Mark Wahlberg, Michael Worth, Toby Stephens, Ewan McGregor, Jude Law, Alan Cumming, Christian Bale (who starred as Batman/Bruce Wayne in The Dark Knight trilogy), and Scott Speedman were considered also. Chris O'Donnell was cast and Mitch Gaylord served as his stunt double, and also portrayed Mitch Grayson, Dick's older brother, created for the film. Schumacher attempted to create a cameo role for Bono as his MacPhisto character, but both came to agree it was not suitable for the film.

Filming

Filming started in September 1994. Schumacher hired Barbara Ling for production design, claiming that the film needed a "force" and good design. Ling could "advance on it". Schumacher wanted a design in no way connected to the previous films, and instead inspired by the images from the Batman comic books seen in the 1940s/early 1950s and New York City architecture in the 1930s, with a combination of modern Tokyo. He also wanted a "city with personality," with more statues, as well as various amounts of neon.

Schumacher had problems with Kilmer, whom he described as "childish and impossible," reporting that he fought with various crewmen, and refused to speak to Schumacher for two weeks after the director told him to stop being rude. Schumacher also mentioned Tommy Lee Jones as a source of trouble: "Jim Carrey was a gentleman, and Tommy Lee was threatened by him. I'm tired of defending overpaid, overprivileged actors. I pray I don't work with them again." Carrey later acknowledged Jones was not friendly to him, telling him once off-set during the production, "I hate you. I really don't like you ... I cannot sanction your buffoonery."

Design and effects

Rick Baker designed the prosthetic makeup. John Dykstra, Andrew Adamson, and Jim Rygiel served as visual effects supervisors, with Pacific Data Images also contributing to visual effects work. PDI provided a computer-generated Batman for complicated stunts. For the costume design, producer Peter MacGregor-Scott claimed that 146 workers were at one point working together. Batman's costume was redesigned along the lines of a more "MTV organic, and edgier feel" to the suit. Sound editing and mixing was supervised by Bruce Stambler and John Levesque, which included trips to caves to record bat sounds. A new Batmobile was designed for Batman Forever, with two cars being constructed, one for stunt purposes and one for close-ups. Swiss surrealist painter H. R. Giger provided his version for the Batmobile but it was considered too sinister for the film.

Deleted scenes

Batman Forever went through a few major edits before its release. Originally darker than the final product, the film's original length was closer to 2 hours and 40 minutes, according to Schumacher. There was talk of an extended cut being released to DVD for the film's 10th anniversary in 2005. While all four previous Batman films were given special-edition DVD releases on the same day as the Batman Begins DVD release, none of them were given extended cuts, although some of the following scenes were in a deleted scenes section in the special features.

There was an undercurrent theme involving Bruce having repressed memories of an aspect of his parents' death that he hadn't faced. His memories involved finding his father's diary on the night of his parents' wake and reading that Bruce insisted that his parents must go to the theater, so he could watch one of the shows—meaning he became Batman out of guilt that he was responsible for their deaths.

Many scenes were filmed but deleted; others had footage removed. These included:

Schumacher Cut

After Joel Schumacher died in June 2020, media outlets starting reporting the possible existence of a "Schumacher Cut", with the first rumors being thrown in by American journalist Marc Bernardin. This version was believed to be darker and contain less camp than the theatrical cut. Some of the differences include Bruce facing off against a human-sized bat, the darker, more serious tone, less of an emphasis on Dick Grayson, and a focus on Bruce's psychological issues with Chase. In total, the cut uses about 40 minutes of footage. Warner Bros. confirmed the cut exists after an interview with Variety, although they have no plans to release it and were unsure about whether what, if any, footage remains. Some of the aforementioned deleted scenes make up a portion of this footage.

Music

Elliot Goldenthal was hired by Schumacher to compose the film score before the screenplay was written. In discussions with Schumacher, the director wanted Goldenthal to avoid taking inspiration from Danny Elfman, and requested an original composition. The film's promotional teaser trailer used the main title theme from Elfman's score of 1989's Batman.

The soundtrack was commercially successful, selling almost as many copies as Prince's soundtrack to the 1989 Batman film. Only five of the songs on the soundtrack are actually featured in the movie. Hit singles from the soundtrack include "Hold Me, Thrill Me, Kiss Me, Kill Me" by U2 and "Kiss from a Rose" by Seal, both of which were nominated for MTV Movie Awards. "Kiss from a Rose" (whose video was also directed by Joel Schumacher) reached No. 1 in the U.S. charts as well. The soundtrack itself, featuring additional songs by The Flaming Lips, Brandy (both songs also included in the film), Method Man, Nick Cave, Michael Hutchence (of INXS), PJ Harvey, and Massive Attack, was an attempt to (in producer Peter MacGregor-Scott's words) make the film more "pop".

Release

Box office

Batman Forever opened in 2,842 theaters in the United States on June 16, 1995, making $52.8 million in its opening weekend, breaking Jurassic Park's record for highest opening-weekend gross of all time (it was surpassed two years later by The Lost World: Jurassic Park's $72.1 million). The film went on to gross $184 million in North America, and $152.5 million in other countries, totaling $336.53 million. The film earned more money than its predecessor Batman Returns, and is the highest-grossing film from 1995.





Batman Returns is a 1992 American superhero film directed by Tim Burton and produced by Denise Di Novi and Burton, based on the DC Comics character Batman. The sequel to the 1989 film Batman, it is the second installment of Warner Bros. initial Batman film series, and stars Michael Keaton as Bruce Wayne / Batman, alongside Danny DeVito, Michelle Pfeiffer, Christopher Walken, Michael Gough, Pat Hingle and Michael Murphy. In Batman Returns, Batman must prevent the Penguin from killing all of Gotham City's firstborn sons, while dealing with Catwoman, who seeks vengeance against Max Shreck, a corrupt tycoon who seeks to bring Gotham City under his control.

Burton originally did not want to direct another Batman film. Warner Bros. developed a script with Sam Hamm which had the Penguin and Catwoman going after hidden treasure. Burton agreed to return after they granted him more creative control and replaced Hamm with Daniel Waters. Wesley Strick was later chosen to do an uncredited rewrite shortly before filming. This included normalizing dialogue, fleshing out the Penguin's motivations and master plan, and removing scenes due to budget concerns. Strick continued working as the on-set writer through filming. Annette Bening was originally cast as Catwoman, but became pregnant and was replaced with Pfeiffer.

Batman Returns was released on June 19, 1992. It grossed $282.8 million worldwide on a total budget of $80 million and received positive reviews. Critics praised its action sequences, performances, Danny Elfman's score, effects and villains, although its dark tone was criticized. The film was nominated for two Academy Awards: Best Visual Effects and Best Makeup, as well as two BAFTA awards. A stand-alone sequel, Batman Forever, was released in 1995, with Val Kilmer replacing Keaton as Batman. Keaton is in talks to reprise the role of Batman in the DC Extended Universe beginning with The Flash (2022).

Plot

In the prologue, Gotham City socialites Tucker and Esther Cobblepot become the parents of a deformed baby boy, Oswald. Disgusted by his appearance and wild demeanor, they confine the baby to a cage and ultimately throw him into the sewer, where he is discovered by a family of penguins underneath the abandoned zoo.

Thirty-three years later, millionaire and philanthropist Max Shreck proposes to build a power plant to supply Gotham with energy, though he is opposed by the mayor. During Shreck's speech, Gotham comes under attack by a disgraced former circus troupe, the Red Triangle Gang. Though Gotham's vigilante protector Batman intervenes and manages to fight the criminals off, Shreck is abducted and taken to the sewer, where he meets the gang's secret leader, Oswald himself, now going by the name "Penguin". Oswald blackmails Shreck with evidence of his corporate crimes into helping him return to the surface, and he accepts. Meanwhile, Shreck's secretary, Selina Kyle, discovers that the power plant is actually meant to drain Gotham of its energy, which will bring the city under Shreck's control, after which Shreck will essentially be untouchable by the authorities. Shreck pushes her out of a window to silence her, but she survives the fall and vows revenge, taking up the mantle of Catwoman.

Oswald makes his presence known by rescuing the mayor's baby from a staged kidnapping attempt, and requests to be allowed into the Hall of Records to find his parents. Batman's alter-ego, Bruce Wayne, voices his suspicions about Oswald's true motives, and investigates his background and connection to the Red Triangle Gang, discovering that the troupe had been shut down years ago due to children going missing during their performances and the disappearance of one specific member before interrogation, who Bruce suspects to be Oswald. During a meeting with Shreck to voice his own opposition to the power plant, Bruce meets Selina and the two become attracted to one another. In order to remove his enemies, Shreck pushes for Oswald to run for mayor and discredit the current mayor by having the Red Triangle Gang wreak havoc on the city. Batman intervenes and meets Catwoman as she attempts to sabotage one of Shreck's businesses; she escapes, but is injured and swears revenge on Batman by allying with Oswald, who also plans to kill Batman as part of his own schemes.

As Bruce and Selina begin a romantic relationship, Oswald abducts Gotham's Ice Princess and kills her, framing Batman for the act, as well as causing the Batmobile to rampage throughout Gotham before Batman narrowly manages to regain control and escape the authorities. When Catwoman rejects his advances, Oswald breaks off their partnership and attempts to kill her, but she survives after falling into a greenhouse. During the chase, Batman records Oswald's disparaging remarks about the people of Gotham and later plays them during his next speech, destroying his image and forcing him to return to the sewer, where he renounces his humanity and reveals his plan to abduct and kill all of Gotham's firstborn sons as revenge for what his parents did to him. At a charity ball hosted by Shreck, Bruce and Selina meet and discover each other's secret identities. The Penguin appears and reveals his plan, intending to take Shreck's son Chip with him, but Shreck gives himself up in his son's stead.

Batman foils the kidnappings and heads for the Penguin's lair. The Penguin attempts to have his army of penguins bomb the city and kill everyone in Gotham, though Batman and his butler, Alfred, jam the signal and order the penguins to return to the sewer. Batman arrives and confronts the Penguin. In the ensuing fight, the Penguin falls through a window into the sewer's toxic water after accidentally launching the bombs on the zoo. Shreck escapes but is confronted by Catwoman, who intends to kill him. Batman pleads for Selina to stop, unmasking himself in the process. Shreck draws a gun and shoots Bruce, and then shoots Selina multiple times, but she survives and electrocutes herself and Shreck with a stun gun, causing a massive explosion. Bruce, who was wearing body armor, finds Shreck's remains but Selina is nowhere to be found. The Penguin emerges from the water and tries to shoot Bruce from behind, but dies from his injuries and from the toxic sewage, before his penguin family lays his body to rest in the water. In the aftermath, as Alfred drives him home, Bruce sees Selina's silhouette in an alley but only finds her cat as a farewell gift, who he decides to take home with him. The Bat-Signal appears in the sky as Catwoman, who survived, watches.

Cast

"Max Shreck" redirects here. It is not to be confused with Max Schreck.

Production

Development

After the success of Batman, Warner Bros. was hoping for a sequel to start filming in May 1990 at Pinewood Studios. They spent $250,000 storing the sets from the first film. Tim Burton originally did not want to direct another film in the franchise. "I will return if the sequel offers something new and exciting", he said in 1989. "Otherwise it's a most-dumbfounded idea." Burton decided to direct Edward Scissorhands for 20th Century Fox. Meanwhile, Sam Hamm from the previous film delivered the first two drafts of the script, while Bob Kane was brought back as a creative consultant. Bill Finger, co-creator of Batman, the Penguin, and Catwoman, was uncredited at the time of the films release and his name was not added to any Batman related media until 2016. Hamm's script had the Penguin and Catwoman going after hidden treasure.

Burton was impressed with Daniel Waters' work on Heathers; Burton originally brought Waters aboard on a sequel to Beetlejuice. Warner Bros. then granted Burton a large amount of creative control. Denise Di Novi and Burton became the film's producers. The first film's producers Jon Peters and Peter Guber became executive producers, joining Benjamin Melniker and Michael E. Uslan. Dissatisfied with the Hamm script, Burton commissioned a rewrite from Waters. Waters "came up with a social satire that had an evil mogul backing a bid for the Mayor's office by the Penguin", Waters reported. "I wanted to show that the true villains of our world don't necessarily wear costumes." The subplot of the Penguin running for Mayor came from the 1960s TV series episodes "Hizzoner the Penguin" and "Dizzoner the Penguin". Waters wrote a total of five drafts.

On the characterization of Catwoman, Waters explained "Sam Hamm went back to the way comic books in general treat women, like fetishy sexual fantasy. I wanted to start off just at the lowest point in society, a very beaten down secretary." Harvey Dent appeared in early drafts of the script, but was deleted. His disfiguring appearance of Two-Face would have appeared in the climax when Catwoman kisses him with a taser to the face, which was replaced with Max Shreck. Waters quoted, "Sam Hamm definitely planned that. I flirted with it, having Harvey start to come back and have one scene of him where he flips a coin and it's the good side of the coin, deciding not to do anything, so you had to wait for the next movie." In early scripts Max Shreck was the "golden boy" of the Cobblepot family, whereas The Penguin was the deformed outsider. It turned out that Shreck would be the Penguin's long-lost brother. Max Shreck was also a reference to actor Max Schreck, known for his role as Count Orlok in Nosferatu.

Pre-production

Burton hired Wesley Strick to do an uncredited rewrite. Strick recalled, "When I was hired to write Batman Returns (Batman II at the time), the big problem of the script was the Penguin's lack of a 'master plan'." Warner Bros. presented Strick with warming, or freezing Gotham City, a plot point they would later use in Batman & Robin. Strick gained inspiration from a Moses parallel that had the Penguin killing the firstborn sons of Gotham. A similar notion was used when the Penguin's parents threw him into a river as a baby. Robin appeared in the script, but was deleted because Waters felt the film had too many characters. Waters called Robin "the most worthless character in the world, especially with [Batman as] the loner of loners". Robin started out as a juvenile gang leader, who becomes an ally to Batman. Robin was later changed to a black teenage garage mechanic. Waters explained, "He's wearing this old-fashioned garage mechanic uniform and it has an 'R' on it. He drives the Batmobile, which I notice they used in the third film!" Marlon Wayans was cast, and signed for a sequel. The actor had attended a wardrobe fitting, but it was decided to save the character for a third installment.

Michael Keaton returned after a significant increase in his salary to $10 million. Annette Bening was cast as Catwoman after Burton saw her performance in The Grifters, but she dropped out due to her pregnancy. Raquel Welch, Jennifer Jason Leigh, Madonna, Ellen Barkin, Cher, Bridget Fonda, Lorraine Bracco, Jennifer Beals and Susan Sarandon were then in competition for the role. Sean Young, who was originally chosen for Vicki Vale in the previous film, believed the role should have gone to her. Young visited production offices dressed in a homemade Catwoman costume, demanding an audition. Burton was unfamiliar with Michelle Pfeiffer's work, but was convinced to cast her after one meeting. Pfeiffer received a $3 million salary, $2 million more than Bening, and a percentage of the box office. The actress undertook kickboxing lessons for the role and trained with an expert to master the whip. Kathy Long served as Pfeiffer's body double. On Danny DeVito's casting, Waters explained, "I kind of knew that DeVito was going to play the Penguin. We didn't really officially cast it, but for a short nasty little guy, it's a short list. I ended up writing the character for Danny DeVito."

Burgess Meredith (who portrayed the Penguin in the 1960s TV series Batman) was cast in a cameo role as Tucker Cobblepot, Penguin's father, but fell ill. The role was taken by Paul Reubens, who had worked with Burton on Pee-wee's Big Adventure.

Filming

In early 1991, two of Hollywood's largest sound stages (Stage 16 at Warner Bros. and Stage 12 at Universal Studios) were being prepared for the filming of Batman Returns. Filming started in June 1991. Stage 16 held Gotham Plaza, based on Rockefeller Center. Universal's Stage 12 housed Penguin's underground lair. A half-a-million gallon tank filled with water was used. Burton wanted to make sure that the penguins felt comfortable. Eight other locations on the Warner Bros. lot were used; over 50% of their property was occupied by Gotham City sets.

Animal rights groups started protesting the film after finding out that penguins would have rockets strapped on their backs. Richard Hill, the curator of the penguins, explained that Warner Bros. was very helpful in making sure the penguins were comfortable. "On the flight over the plane was refrigerated down to 45 degrees", recalls Hill. "In Hollywood, they were given a refrigerated trailer, their own swimming pool, half-a-ton of ice each day, and they had fresh fish delivered daily straight from the docks. Even though it was 100 degrees outside, the entire set was refrigerated down to 35 degrees." This made it very cold for Michelle Pfeiffer, who was most of the time clad only in a thin latex catsuit. According to the American Humane Association's On-Set Oversight, The six Emperor penguins that act as pallbearers for the Penguin's body at the end of the film, were little people dressed as Emperor penguins.

The streets of Gotham City use the old Brownstone Street and Hennessy Street on the Warners' backlot.

Warner Bros. devoted a large amount of secrecy for Batman Returns. The art department was required to keep their office blinds pulled down. Cast and crew had to have photo ID badges with the movie's fake working title Dictel to go anywhere near the sets. Kevin Costner was refused a chance to visit the set. An entertainment magazine leaked the first photos of Danny DeVito as the Penguin; in response Warner Bros. employed a private investigator to track down the accomplice. $65 million was spent during the production of Batman Returns, while $15 million was used for marketing, coming to a total cost of $80 million. The final shot of Catwoman looking at the Bat-Signal was completed during post-production and was not part of the shooting script. After Batman Returns was completed Warner Bros. felt it was best for Catwoman to survive, saving more characterizations in a future installment. Pfeiffer was unavailable and a body double was chosen.

Design and effects

Bo Welch, Burton's collaborator on Beetlejuice and Edward Scissorhands, replaced Anton Furst as production designer, since Furst was unable to return for the sequel due to contractual obligations with Columbia Pictures (as he was working on what would be his final credited work prior to his suicide, Awakenings). Welch blended "Fascist architecture with World's fair architecture" for Gotham City. He also studied Russian architecture and German Expressionism. An iron maiden was used for Bruce Wayne's entry into the Batcave. Stan Winston, who worked with Burton on Edward Scissorhands, designed Danny DeVito's prosthetic makeup, which took two hours to apply. DeVito had to put a combination of mouthwash and red/green food coloring in his mouth "to create a grotesque texture of some weird ooze."

More than 60 latex Catsuits were created for the six-month shoot at $1,000 each. The initial concept for the design came from Tim Burton, who envisioned a stuffed cat with its stitches coming apart at the seams. The prototype was created around a body cast of Pfeiffer so that it would fit her exactly, and painted with white silicone rubber to imitate stitches. It was extremely tight and very laborious to put on – Michelle Pfeiffer had to be covered in talcum powder to squeeze into the costume, which was in turn brushed with liquid silicone on every take to give it shine. Pfeiffer might wear the suit for 12 to 14 hours at a time, except lunch breaks when it was removed, which was her only opportunity to use the bathroom during the workday.

The Batsuit was updated, which was made out of a thinner, slightly more flexible foam rubber material than the suit from Batman, and the logo was changed to better reflect how it looked in the comics. The new bat-suit also had a zipper for urination and the upper body build did not look like a muscular physique. DeVito was uncomfortable with his costume, but this made it easy for him to get into character. J. P. Morgan's wardrobe was used for inspiration on Max Shreck's costume design.

The bats were entirely composed of computer-generated imagery since it was decided directing real bats on set would be problematic. The Penguin's "bird army" was a combination of CGI, robotic creatures, men in suits and even real penguins. Robotic penguin puppets were commissioned by Stan Winston. In total 30 African penguins and 12 king penguins were used. A miniature effect was used for the exteriors of the Cobblepot Mansion in the opening scene and for Wayne Manor. The same method was used for the Bat Ski-boat and the exterior shots of the Gotham Zoo.

Music and sound

Danny Elfman had great enthusiasm for returning because "I didn't have to prove myself from the first film. I remember Jon Peters was very skeptical at first to hire me." Elfman's work schedule was 12 hours a day, 7 days a week. "When completing this movie I realized it was something of a film score and an opera. It was 95 minutes long, twice the amount of the average film score." Burton allowed Elfman to be more artistic with the sequel score, such as the "scraping" on violins for the cat themes. Under the pressure of finishing the score, however, the relationship between the two strained, which — along with further "creative differences" on The Nightmare Before Christmas — led Burton to use Howard Shore to score his next film Ed Wood. The musician co-orchestrated "Face to Face", which was written and performed by Siouxsie and the Banshees. The song can be heard in one scene during the film and during the end credits. Burton had requested Siouxsie and the Banshees for the title track, commenting: "I've always been a fan – Siouxsie is one of very few women who can create a realistic primal cat sound."

It was the first film to be announced as released with Dolby SR-D technology (later known as Dolby Digital).

Release

Box office

Batman Returns was released in America on June 19, 1992, earning $45.69 million in 2,644 theaters on its opening weekend. This was the highest opening weekend in 1992 and the highest opening weekend of any film up to that point. The film also set the opening weekend record in the United Kingdom. The film went on to gross $162.8 million in North America, and $120 million in foreign countries, coming to a worldwide total of $282.8 million. Batman Returns was the third highest-grossing film in America of 1992, and sixth highest in worldwide totals.

Critical response

Though criticized by some for being too dark and violent, Batman Returns received mostly positive reviews. On Rotten Tomatoes, the film has an approval rating of 80% based on 83 reviews, with an average rating of 6.73/10. The site's critical consensus reads, "Director Tim Burton's dark, brooding atmosphere, Michael Keaton's work as the tormented hero, and the flawless casting of Danny DeVito as The Penguin, and Christopher Walken as, well, Christopher Walken make the sequel better than the first." Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.

Janet Maslin in The New York Times thought that "Mr. Burton creates a wicked world of misfits, all of them rendered with the mixture of horror, sympathy and playfulness that has become this director's hallmark." She described Michael Keaton as showing "appropriate earnestness", Danny DeVito as "conveying verve", Christopher Walken as "wonderfully debonair", Michelle Pfeiffer as "captivating... fierce, seductive", Bo Welch's production design as "dazzling", Stefan Czapsky's cinematography as "crisp", and Daniel Waters's screenplay as "sharp".

Peter Travers in Rolling Stone wrote: "Burton uses the summer's most explosively entertaining movie to lead us back into the liberating darkness of dreams." He praised the performances: "Pfeiffer gives this feminist avenger a tough core of intelligence and wit; she's a classic dazzler... Michael Keaton's manic-depressive hero remains a remarkably rich creation. And Danny DeVito's mutant Penguin—a balloon-bellied Richard III with a kingdom of sewer freaks—is as hilariously warped as Jack Nicholson's Joker and even quicker with the quips."

Desson Howe in The Washington Post wrote: "Director Burton not only re-creates his one-of-a-kind atmosphere, he one-ups it, even two-ups it. He's best at evoking the psycho-murky worlds in which his characters reside. The Penguin holds court in a penguin-crowded, Phantom of the Opera-like sewer home. Keaton hides in a castlelike mansion, which perfectly mirrors its owner's inner remoteness. Comic strip purists will probably never be happy with a Batman movie. But Returns comes closer than ever to Bob Kane's dark, original strip, which began in 1939." He described Walken as "engaging", DeVito as "exquisite" and Pfeiffer as "deliciously purry."

Todd McCarthy in Variety wrote that "the real accomplishment of the film lies in the amazing physical realization of an imaginative universe. Where Burton's ideas end and those of his collaborators begin is impossible to know, but the result is a seamless, utterly consistent universe full of nasty notions about societal deterioration, greed and other base impulses." He praised the contributions of Stan Winston, Danny Elfman, Bo Welch and cinematographer Stefan Czapsky, and in terms of performances, opined that "the deck is stacked entirely in favor of the villains", calling DeVito "fascinating" and Pfeiffer "very tasty."

Conversely, Roger Ebert of the Chicago Sun-Times gave the film two stars out of four, writing: "I give the movie a negative review, and yet I don't think it's a bad movie; it's more misguided, made with great creativity, but denying us what we more or less deserve from a Batman story. No matter how hard you try, superheroes and film noir don't go together; the very essence of noir is that there are no more heroes." He compared the Penguin negatively with the Joker of the first film, writing that "the Penguin is a curiously meager and depressing creature; I pitied him, but did not fear him or find him funny. The genius of Danny DeVito is all but swallowed up in the paraphernalia of the role." Jonathan Rosenbaum called DeVito "a pale substitute for Jack Nicholson from the first film" and felt that "there's no suspense in Batman Returns whatsoever".

Batman comic book writer/artist Matt Wagner was quoted as saying: "I hated how Batman Returns made Batman little more than just another costumed creep, little better than the villains he's pursuing. Additionally, Burton is so blatantly not an action director. That aspect of both his films just sucked." Ty Burr in Entertainment Weekly gave the film a B-; he wrote that "Burton still hasn't figured out how to tell a coherent story: He's more interested in fashioning pretty beads than in putting them on a string.... Yet for all the wintry weirdness, there's more going on under the surface of this movie than in the original. No wonder some people felt burned by Batman Returns: Tim Burton just may have created the first blockbuster art film."

A "parental backlash" criticized Batman Returns with violence and sexual references that were inappropriate for children despite being rated PG-13. McDonald's shut down their Happy Meal promotion for the film. Burton responded, "I like Batman Returns better than the first one. There was this big backlash that it was too dark, but I found this movie much less dark."

Accolades

Awarding Body

Award

Nominee

Result

Academy Awards

Best Visual Effects

Michael L. Fink, Craig Barron, John Bruno, Dennis Skotak

Nominated

Best Makeup

Ve Neill, Ronnie Specter, Stan Winston

Nominated

British Academy Film Awards (BAFTAs)

Best Makeup Artist

Ve Neill, Stan Winston

Nominated

Best Special Effects

Michael L. Fink, Craig Barron, John Bruno, Dennis Skotak

Nominated

BMI Film & TV Awards

BMI Film Music Award

Danny Elfman

Won

Golden Raspberry Awards (Razzies)

Worst Supporting Actor

Danny DeVito

Nominated

Hugo Awards

Best Dramatic Presentation


Nominated

MTV Movie Awards

Best Kiss

Michael Keaton, Michelle Pfeiffer

Nominated

Best Villain

Danny DeVito

Nominated

Most Desirable Female

Michelle Pfeiffer

Nominated

Saturn Awards

Best Fantasy Film


Nominated

Best Director

Tim Burton

Nominated

Best Supporting Actor

Danny DeVito

Nominated

Best Make-Up

Stan Winston, Ve Neill

Won

Best Costumes

Bob Ringwood, Mary E. Vogt, Vin Burnham

Nominated

Best DVD Collection


Nominated

20/20 Awards

Best Sound Design


Nominated

Best Art Direction

Bo Welch

Nominated

Best Costume Design

Bob Ringwood, Mary E. Vogt, Vin Burnham

Nominated

Best Makeup


Nominated

Golden Schmoes Awards

Best DVD/Blu-Ray of the Year


Nominated

International Film Music Critics Award

Best Archival Release of an Existing Score

Danny Elfman

Nominated

Italian National Syndicate of Film Journalists

Best Foreign Director

Tim Burton

Nominated

Kids' Choice Awards

Favorite Movie Actress

Michelle Pfeiffer

Nominated

The film is recognized by American Film Institute in these lists:

It was part of Empire's 500 Greatest Films in 2008 at number 401.




Batman is a 1989 American superhero film directed by Tim Burton and produced by Jon Peters and Peter Guber, based on the DC Comics character of the same name. It is the first instalment of Warner Bros.' initial Batman film series. The film stars Jack Nicholson as the Joker and Michael Keaton as Bruce Wayne / Batman, alongside Kim Basinger, Robert Wuhl, Pat Hingle, Billy Dee Williams, Michael Gough, and Jack Palance. The film takes place early in the title character's war on crime, and depicts a battle with the Joker.

After Burton was hired as director in 1986, Steve Englehart and Julie Hickson wrote film treatments before Sam Hamm wrote the first screenplay. Batman was not greenlit until after the success of Burton's Beetlejuice (1988). Numerous A-list actors were considered for the role of Batman before Keaton was cast. Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a portion of the film's earnings (including associated merchandise), and his own shooting schedule.

The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier. Filming took place at Pinewood Studios from October 1988 to January 1989. The budget escalated from $30 million to $48 million, while the 1988 Writers Guild of America strike forced Hamm to drop out. Warren Skaaren did rewrites. Additional uncredited drafts were done by Charles McKeown and Jonathan Gems.

Batman was a critical and financial success, earning over $400 million in box office totals. It was the fifth-highest-grossing film in history at the time of its release. The film received several Saturn Award nominations and a Golden Globe nomination, and won the Academy Award for Best Art Direction. It also inspired the equally successful Batman: The Animated Series, paving the way for the DC animated universe, and has influenced Hollywood's modern marketing and development techniques of the superhero film genre. Three sequels, Batman Returns (1992), Batman Forever (1995) and Batman & Robin (1997), were released.

Plot

As Gotham City approaches its bicentennial, Mayor Borg orders district attorney Harvey Dent and police Commissioner Gordon to make the city safer. Meanwhile, reporter Alexander Knox and photojournalist Vicki Vale investigate rumors of a vigilante nicknamed "Batman" who is targeting the city's criminals. While hosting a fundraiser at his manor, billionaire industrialist Bruce Wayne, who became Batman in the aftermath of his parents' murder during his childhood, meets with Vale during the event, but cuts short their meeting to secretly pursue Gordon, also attending, when he leaves on police business.

Mob boss Carl Grissom, whom Dent and Gordon are targeting, sends his sociopathic second-in-command Jack Napier to raid Axis Chemicals, unaware it is a set-up aimed at having him murdered for sleeping with Grissom's mistress Alicia. Although corrupt police lieutenant Eckhardt arranges the hit on Napier by conducting an unauthorized police operation, Gordon arrives, takes command, and orders officers to capture him alive. When Batman arrives to prevent Napier's escape, Eckhardt is killed during the confrontation, while Napier himself falls into a vat of chemicals when attempting to attack Batman, and is presumed dead by all. However, Napier survives, but is left disfigured with chalk white skin, emerald green hair, and a rictus grin, resulting in him being driven insane and assuming the name of "the Joker". Joker murders Grissom for betraying him, takes over his criminal empire by murdering his syndicate members, and scars Alicia's face to equal his disfigurement.

Batman begins working to find a way of stopping Joker when he begins terrorizing Gotham City through the use of hygiene products laced with "Smylex" - a deadly chemical which causes victims to die laughing with the same maniacal grin as the Joker. Joker soon becomes obsessed with Vicki and proceeds to lure her to the Gotham Museum of Art, where his henchmen destroy the works of art within. Batman arrives and rescues Vicki, escaping the Joker's men, before taking her to his Batcave, providing her with the information from his research on Smylex that will allow the city's residents to avoid exposure to the toxin. Conflicted with his love for her, Bruce attempts to explain about his alter-ego when visiting her at her apartment, only for Joker to interrupt the meeting. While Bruce avoids being killed with a serving tray, he realizes that Joker was the man who killed his parents, when he recognizes a question he uses from his childhood.

Vicki finds herself taken to the Batcave by Bruce's butler, Alfred, who had been coaxing the relationship between the pair to bring out Bruce's human side. After exposing his secret to Vicki, Bruce reveals he cannot focus on their relationship with Joker on the loose, and departs to destroy the Axis plant used to create Smylex. Meanwhile, Joker proceeds to lure Gotham's citizens to a parade with the promise of free money, in order to dose them with Smylex gas held within giant parade balloons. Batman foils his plan by using his Batwing to remove the balloons. Joker proceeds to shoot down the Batwing, before capturing Vicki and taking her into a cathedral. Batman, surviving the crash, confronts him, saving Vicki, while proceeding to prevent Joker's escape by helicopter with a heavy granite gargoyle, causing him to fall to his death.

Sometime later, Commissioner Gordon announces that the police have arrested the Joker's men and unveils the Bat-Signal. Harvey Dent reads a note from Batman, promising that he will defend Gotham whenever crime strikes again. Vicki is taken to Wayne Manor by Alfred, who tells her that Bruce will be a little late. She responds that she is not surprised, as Batman looks at the signal's projection from a rooftop, standing watch over the city.

Cast

Production

Development

"I was never a giant comic book fan, but I've always loved the image of Batman and the Joker. The reason I've never been a comic book fan — and I think it started when I was a child — is because I could never tell which box I was supposed to read. I don't know if it was dyslexia or whatever, but that's why I loved The Killing Joke, because for the first time I could tell which one to read. It's my favorite. It's the first comic I've ever loved. And the success of those graphic novels made our ideas more acceptable."

—Tim Burton

In the late 1970s, Batman's popularity was waning. CBS was interested in producing a Batman in Outer Space film. Producers Benjamin Melniker and Michael E. Uslan purchased the film rights of Batman from DC Comics on October 3, 1979. It was Uslan's wish "to make the definitive, dark, serious version of Batman, the way Bob Kane and Bill Finger had envisioned him in 1939. A creature of the night; stalking criminals in the shadows." Richard Maibaum was approached to write a script with Guy Hamilton to direct, but the two turned down the offer. Uslan was unsuccessful with pitching Batman to various movie studios because they wanted the film to be similar to the campy 1960s TV series. Columbia Pictures and United Artists were among those to turn down the film.

A disappointed Uslan then wrote a script titled Return of the Batman to give the film industry a better idea of his vision for the film. Uslan later compared its dark tone to that of The Dark Knight Returns, which his script pre-dated by six years. In November 1979, producers Jon Peters and Peter Guber joined the project. Melniker and Uslan became executive producers. The four felt it was best to pattern the film's development after that of Superman (1978). Uslan, Melniker and Guber pitched Batman to Universal Pictures, but the studio turned it down. Though no movie studios were yet involved, the project was publicly announced with a budget of $15 million in July 1980 at the Comic Art Convention in New York. Warner Bros., the studio behind the successful Superman film franchise, decided to also accept and produce Batman.

Tom Mankiewicz completed a script titled The Batman in June 1983, focusing on Batman and Dick Grayson's origins, with the Joker and Rupert Thorne as villains, and Silver St. Cloud as the romantic interest. Mankiewicz took inspiration from the limited series Batman: Strange Apparitions, written by Steve Englehart. Comic book artist Marshall Rogers, who worked with Englehart on Strange Apparitions, was hired for concept art. The Batman was then announced in late 1983 for a mid-1985 release date on a budget of $20 million. Originally, Mankiewicz had wanted an unknown actor for Batman, William Holden for James Gordon, David Niven as Alfred Pennyworth, and Peter O'Toole as the Penguin, whom Mankiewicz wanted to portray as a mobster with low body temperature. Holden died in 1981 and Niven in 1983, so this would never come to pass. A number of filmmakers were attached to Mankiewicz' script, including Ivan Reitman and Joe Dante. Reitman wanted to cast Bill Murray as Batman and Eddie Murphy as Robin. Nine rewrites were performed by nine separate writers. Most of them were based on Strange Apparitions. However, it was Mankiewicz's script that was still being used to guide the project. Due to the work they did together with the film Swamp Thing (1982), Wes Craven was among the directors that Melniker and Uslan considered while looking for a director.

After the financial success of Pee-wee's Big Adventure (1985), Warner Bros. hired Tim Burton to direct Batman. Burton had then-girlfriend Julie Hickson write a new 30-page film treatment, feeling the previous script by Mankiewicz was campy. The success of The Dark Knight Returns and Batman: The Killing Joke rekindled Warner Bros.' interest in a film adaptation. Burton was initially not a comic book fan, but he was impressed by the dark and serious tone found in both The Dark Knight Returns and The Killing Joke. Warner Bros. enlisted the aid of Englehart to write a new treatment in March 1986. Like Mankiewicz's script, it was based on his own Strange Apparitions, and included Silver St. Cloud, Dick Grayson, the Joker and Rupert Thorne, as well as a cameo appearance by the Penguin. Warner Bros. was impressed, but Englehart felt there were too many characters. He removed the Penguin and Dick Grayson in his second treatment, finishing in May 1986.

Burton approached Sam Hamm, a comic book fan, to write the screenplay. Hamm decided not to use an origin story, feeling that flashbacks would be more suitable and that "unlocking the mystery" would become part of the storyline. He reasoned, "You totally destroy your credibility if you show the literal process by which Bruce Wayne becomes Batman." Hamm replaced Silver St. Cloud with Vicki Vale and Rupert Thorne with his own creation, Carl Grissom. He completed his script in October 1986, which demoted Dick Grayson to a cameo rather than a supporting character. One scene in Hamm's script had a young James Gordon on duty the night of the murder of Bruce Wayne's parents. When Hamm's script was rewritten, the scene was deleted, reducing it to a photo in the Gotham Globe newspaper seen in the film.

Warner Bros. was less willing to move forward on development, despite their enthusiasm for Hamm's script, which Kane greeted with positive feedback. Hamm's script was then bootlegged at various comic book stores in the United States. Batman was finally given the greenlight to commence pre-production in April 1988, after the success of Burton's Beetlejuice (1988). When comic book fans found out about Burton directing the film with Michael Keaton starring in the lead role, controversy arose over the tone and direction Batman was going in. Hamm explained, "They hear Tim Burton's name and they think of Pee-wee's Big Adventure. They hear Keaton's name and they think of any number of Michael Keaton comedies. You think of the 1960s version of Batman, and it was the complete opposite of our film. We tried to market it with a typical dark and serious tone, but the fans didn't believe us." To combat negative reports on the film's production, Kane was hired as creative consultant. Batman's co-creator, Bill Finger, was uncredited at the time of the film's release and his name was not added to any Batman-related media until 2016.

Casting

Parallel to the Superman casting, a who's who of Hollywood top stars were considered for the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid. Burton was pressured by Warner Bros. to cast an obvious action movie star, and had approached Pierce Brosnan, but he had no interest in playing a comic book character. Burton was originally interested in casting an unknown actor, Willem Dafoe, who was falsely reported to be considered for the Joker, had actually been considered for Batman early in development. Producer Jon Peters suggested Michael Keaton, arguing he had the right "edgy, tormented quality" after having seen his dramatic performance in Clean and Sober. Having directed Keaton in Beetlejuice, Burton agreed.

Keaton's casting caused a controversy among comic book fans, with 50,000 protest letters sent to Warner Bros. offices. Kane, Hamm, and Uslan also heavily questioned the casting. "Obviously there was a negative response from the comic book people. I think they thought we were going to make it like the 1960s TV series, and make it campy, because they thought of Michael Keaton from Mr. Mom and Night Shift and stuff like that." Keaton studied The Dark Knight Returns for inspiration.

Tim Curry, David Bowie, John Lithgow, Ray Liotta and James Woods were considered for the Joker. Lithgow, during his audition, attempted to talk Burton out of casting him, a decision he would later publicly regret, stating, "I didn't realize it was such a big deal." Burton wanted to cast John Glover, but the studio insisted on using a movie star. Robin Williams lobbied hard for the part. Jack Nicholson had been the studio's top choice since 1980. Peters approached Nicholson as far back as 1986, during filming of The Witches of Eastwick; unlike Keaton, he was a popular choice for his role. Nicholson had what was known as an "off-the-clock" agreement. His contract specified the number of hours he was entitled to have off each day, from the time he left the set to the time he reported back for filming, as well as being off for Los Angeles Lakers home games. Nicholson demanded that all of his scenes be shot in a three-week block, but the schedule lapsed into 106 days. He reduced his standard $10 million fee to $6 million in exchange for a cut of the film's earnings (including associated merchandise), which led to remuneration in excess of $50 million—biographer Marc Eliot reports that Nicholson may have received as much as $90 million. He also demanded top billing on promotional materials.

Sean Young was originally cast as Vicki Vale, but was injured in a horse-riding accident prior to commencement of filming. Young's departure necessitated an urgent search for an actress who, besides being right for the part, could commit to the film at very short notice. Peters suggested Kim Basinger: she was able to join the production immediately and was cast. As a fan of Michael Gough's work in various Hammer Film Productions, Burton cast Gough as Bruce Wayne's mysterious butler, Alfred. Robert Wuhl was cast as reporter Alexander Knox. His character was originally supposed to die by the Joker's poison gas in the climax, but the filmmakers "liked [my] character so much," Wuhl said, "that they decided to let me live." Burton chose Billy Dee Williams as Harvey Dent because he wanted to include the villain Two-Face in a future film using the concept of an African-American Two-Face for the black and white concept, but Tommy Lee Jones was later cast in the role for Batman Forever, which disappointed Williams. Nicholson convinced the filmmakers to cast his close friend Tracey Walter as the Joker's henchman, Bob. Irish child actor Ricky Addison Reed was cast as Dick Grayson before the character was removed by Warren Skarren for the revised shooting script. The rest of the cast included Pat Hingle as Commissioner Gordon, Jerry Hall as Alicia, Lee Wallace as Mayor Borg, William Hootkins as Lt. Eckhardt, and Jack Palance as crime boss Carl Grissom.

Design

"On Batman, our vision of Gotham City was influenced by the tone of the 'Dark Knight' comics, and also Andreas Feininger's photographs of New York buildings and the work of Japanese architect Shin Takamatsu. (Blade Runner was consciously avoided as a reference; no one was allowed to watch it while we were designing the film and neon was shunned altogether!)"

—Art director Nigel Phelps

Burton had been impressed with the design of Neil Jordan's The Company of Wolves (1984), but was unable to hire its production designer Anton Furst for Beetlejuice as Furst had instead committed to Jordan's London-filmed ghost comedy High Spirits (1988), a choice he later regretted. A year later Burton successfully hired Furst for Batman, and they enjoyed working with each other. "I don't think I've ever felt so naturally in tune with a director," Furst said. "Conceptually, spiritually, visually, or artistically. There was never any problem because we never fought over anything. Texture, attitude and feelings are what Burton is a master at."

Furst and the art department deliberately mixed clashing architectural styles to "make Gotham City the ugliest and bleakest metropolis imaginable". Furst continued, "[W]e imagined what New York City might have become without a planning commission. A city run by crime, with a riot of architectural styles. An essay in ugliness. As if hell erupted through the pavement and kept on going". The 1985 film Brazil by Terry Gilliam was also a notable influence upon the film's production design, as both Burton and Furst studied it as a reference. Black and white charcoal drawings of key locations and sets were created by Furst's longtime draftsman, Nigel Phelps. Derek Meddings served as the visual effects supervisor, overseeing the miniatures and animation. Conceptual illustrator Julian Caldow designed the Batmobile, Batwing and assorted bat-gadgets that were later constructed by prop builder John Evans. Keith Short sculpted the final body of the 1989 Batmobile, adding two Browning machine guns. On designing the Batmobile, Furst explained, "We looked at jet aircraft components, we looked at war machines, we looked at all sorts of things. In the end, we went into pure expressionism, taking the Salt Flat Racers of the 30s and the Sting Ray macho machines of the 50s". The car was built upon a Chevrolet Impala when previous development with a Jaguar and Ford Mustang failed.

Jack Nicholson’s Joker makeup effects were designed by Nick Dudman, who was handpicked by the actor to design the look of the character

Costume designer Bob Ringwood turned down the chance to work on Licence to Kill in favor of Batman. Ringwood found it difficult designing the Batsuit because "the image of Batman in the comics is this huge, big six-foot-four hunk with a dimpled chin. Michael Keaton is a guy with average build", he stated. "The problem was to make somebody who was average-sized and ordinary-looking into this bigger-than-life creature." Burton commented, "Michael is a bit claustrophobic, which made it worse for him. The costume put him in a dark, Batman-like mood though, so he was able to use it to his advantage". Burton's idea was to use an all-black suit, and was met with positive feedback by Bob Kane. Vin Burnham was tasked with sculpting the Batsuit, in association with Alli Eynon. Jon Peters wanted to use a Nike product placement with the Batsuit. Ringwood studied over 200 comic book issues for inspiration. 28 sculpted latex designs were created; 25 different cape looks and 6 different heads were made, accumulating a total cost of $250,000. Comic book fans initially expressed negative feedback against the Batsuit. Burton opted not to use tights, spandex, or underpants as seen in the comic book, feeling it was not intimidating. Prosthetic makeup designer Nick Dudman used acrylic-based makeup paint called PAX for Nicholson's chalk-white face. Part of Nicholson's contract was approval over the makeup designer.

Filming

Knebworth House served as Wayne Manor in the film.

The filmmakers considered filming Batman entirely on the Warner Bros. backlot in Burbank, California, but media interest in the film made them change the location. It was shot at Pinewood Studios in England from October 10, 1988 to February 14, 1989 with 80 days of main shooting and 86 days of second unit shooting. 18 sound stages were used, with 7 stages occupied, including the 51 acre backlot for the Gotham City set, one of the biggest ever built at the studio. Locations included Knebworth House and Hatfield House doubling for Wayne Manor, plus Acton Lane Power Station and Little Barford Power Station. The original production budget escalated from $30 million to $48 million. Filming was highly secretive. The unit publicist was offered and refused £10,000 for the first pictures of Jack Nicholson as the Joker. The police were later called in when two reels of footage (about 20 minutes' worth) were stolen. With various problems during filming, Burton called it "Torture. The worst period of my life!"

Hamm was not allowed to perform rewrites during the 1988 Writers Guild of America strike. Warren Skaaren, who had also worked on Burton's Beetlejuice, did rewrites. Jonathan Gems and Charles McKeown rewrote the script during filming. Only Skaaren received screenplay credit with Hamm. Hamm criticized the rewrites, but blamed the changes on Warner Bros. Burton explained, "I don't understand why that became such a problem. We started out with a script that everyone liked, although we recognized it needed a little work." Dick Grayson appeared in the shooting script but was deleted, as the filmmakers felt he was irrelevant to the plot; Kane supported this decision.

Keaton used his comedic experience for scenes such as Bruce and Vicki's Wayne Manor dinner. He called himself a "logic freak" and was concerned that Batman's secret identity would in reality be fairly easy to uncover, Keaton discussed ideas with Burton to better disguise the character, including the use of contact lenses. Ultimately, Keaton decided to perform Batman's voice at a lower register than when he was portraying Bruce Wayne, which became a hallmark of the film version of the character, with Christian Bale later using the same technique.

Originally in the climax, the Joker was to kill Vicki Vale, sending Batman into a vengeful fury. Jon Peters reworked the climax without telling Burton and commissioned production designer Anton Furst to create a 38-foot (12 m) model of the cathedral. This cost $100,000 when the film was already well over budget. Burton disliked the idea, having no clue how the scene would end: "Here were Jack Nicholson and Kim Basinger walking up this cathedral, and halfway up Jack turns around and says, 'Why am I walking up all these stairs? Where am I going?' 'We'll talk about it when you get to the top!' I had to tell him that I didn't know."

Music

See also: Batman (album) and Batman (score)

Burton hired Danny Elfman of Oingo Boingo, his collaborator on Pee-wee's Big Adventure and Beetlejuice, to compose the music score. For inspiration, Elfman was given The Dark Knight Returns. Elfman was worried, as he had never worked on a production this large in budget and scale. In addition, producer Jon Peters was skeptical of hiring Elfman, but was later convinced when he heard the opening number. Peters and Peter Guber wanted Prince to write music for the Joker and Michael Jackson to do the romance songs. Elfman would then combine the style of Prince and Jackson's songs together for the entire film score.

Burton protested the ideas, citing "my movies aren't commercial like Top Gun." Elfman enlisted the help of Oingo Boingo lead guitarist Steve Bartek and Shirley Walker to arrange the compositions for the orchestra. Elfman was later displeased with the audio mixing of his film score. "Batman was done in England by technicians who didn't care, and the non-caring showed," he stated. "I'm not putting down England because they've done gorgeous dubs there, but this particular crew elected not to." Batman was one of the first films to spawn two soundtracks. One of them featured songs written by Prince while the other showcased Elfman's score. Both were successful, and compilations of Elfman's opening credits were used in the title sequence theme for Batman: The Animated Series, also composed by Shirley Walker.

Themes

When discussing the central theme of Batman, director Tim Burton explained, "the whole film and mythology of the character is a complete duel of the freaks. It's a fight between two disturbed people", adding that "The Joker is such a great character because there's a complete freedom to him. Any character who operates on the outside of society and is deemed a freak and an outcast then has the freedom to do what they want... They are the darker sides of freedom. Insanity is in some scary way the most freedom you can have, because you're not bound by the laws of society".

Burton saw Bruce Wayne as the bearer of a double identity, exposing one while hiding the reality from the world. Burton biographer Ken Hanke wrote that Bruce Wayne, struggling with his alter-ego as Batman, is depicted as an antihero. Hanke felt that Batman has to push the boundaries of civil justice to deal with certain criminals, such as the Joker. Kim Newman theorized that "Burton and the writers saw Batman and the Joker as a dramatic antithesis, and the film deals with their intertwined origins and fates to an even greater extent".

Batman conveys trademarks found in 1930s pulp magazines, notably the design of Gotham City stylized with Art Deco design. Richard Corliss, writing for Time, observed that Gotham's design was a reference to films such as The Cabinet of Dr. Caligari (1920) and Metropolis (1927). "Gotham City, despite being shot on a studio backlot", he continued, "is literally another character in the script. It has the demeaning presence of German Expressionism and fascist architecture, staring down at the citizens." Hanke further addressed the notions of Batman being a period piece, in that "The citizens, cops, people and the black-and-white television looks like it takes place in 1939"; but later said: "Had the filmmakers made Vicki Vale a femme fatale rather than a damsel in distress, this could have made Batman as a homage and tribute to classic film noir." Portions of the climax pay homage to Vertigo (1958).

Marketing

The B.D. Fox ad agency created hundreds of unused logos and posters for promotion, many by John Alvin. In the end Burton and producers decided on only using a gold and black airbrush logo created by Bill Garland with no other key art variation, to keep an air of mystery about the film. Earlier designs "had the word 'Batman' spelled in RoboCop or Conan the Barbarian-type font". Jon Peters unified all the film's tie-ins, even turning down $6 million from General Motors to build the Batmobile because the car company would not relinquish creative control.

During production, Peters read in The Wall Street Journal that comic book fans were unsatisfied with the casting of Michael Keaton. In response, Peters rushed the first film trailer that played in thousands of theaters during Christmas. It was simply an assemblage of scenes without music, but created enormous anticipation for the film, with audiences clapping and cheering. DC Comics allowed screenwriter Sam Hamm to write his own comic book miniseries. Hamm's stories were collected in the graphic novel Batman: Blind Justice (ISBN 978-1563890475). Denys Cowan and Dick Giordano illustrated the artwork. Blind Justice tells the story of Bruce Wayne trying to solve a series of murders connected to Wayne Enterprises. It also marks the first appearance of Henri Ducard, who was later used in the rebooted Batman Begins, albeit as an alias for the more notable Ra's al Ghul.

In the months before Batman's release in June 1989, a popular culture phenomenon known as "Batmania" began. Over $750 million worth of merchandise was sold. Cult filmmaker and comic book writer Kevin Smith remembered: "That summer was huge. You couldn't turn around without seeing the Bat-Signal somewhere. People were cutting it into their fucking heads. It was just the summer of Batman and if you were a comic book fan it was pretty hot." Hachette Book Group USA published a novelization, Batman, written by Craig Shaw Gardner. It remained on the New York Times Best Seller list throughout June 1989. Burton admitted he was annoyed by the publicity. David Handelman of The New York Observer categorized Batman as a high concept film. He believed "it is less movie than a corporate behemoth".

Reception

Box office

Batman grossed $2.2 million in late night previews on June 22, 1989 on 1,215 screens and grossed $40.49 million in 2,194 theaters during its opening weekend. This broke the opening weekend records held by Indiana Jones and the Last Crusade (which had a 4-day Memorial Day weekend gross of $37.0 million the previous month) and Ghostbusters II (which had a $29.4 million 3-day weekend the previous weekend). The film also set a record for a second weekend gross with $30 million (also the second biggest 3-day weekend of all-time) and became the fastest film to earn $100 million, reaching it in 11 days (10 days plus late night previews), The film closed on December 14, 1989, with a final gross $251.2 million in North America and $160.15 million internationally, totaling $411.35 million. and was the highest grossing film based on a DC comic book until 2008's The Dark Knight. The film's gross is the 66th highest ever in North American ranks. Although Indiana Jones and the Last Crusade made the most money worldwide in 1989, Batman was able to beat The Last Crusade in North America, and made a further $150 million in home video sales. Box Office Mojo estimates that the film sold more than 60 million tickets in the US.

Despite the film's box office, Warner Bros. claimed it ended up losing $35.8 million and "not likely to ever show a profit," which has been attributed to a case of Hollywood accounting.

Critical response

Batman was criticized by some for being too dark, but nonetheless received positive reviews from critics. On Rotten Tomatoes, the film has an approval rating of 71% based on 75 reviews, with an average rating of 6.56/10. The site's critical consensus reads: "An eerie, haunting spectacle, Batman succeeds as dark entertainment, even if Jack Nicholson's Joker too often overshadows the title character." Metacritic gives an aggregated score of 69 out of 100, based on 21 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.

Many observed that Burton was more interested in the Joker and the art and set production design than Batman or anything else in terms of characterization and screentime. Comic book fans reacted negatively over the Joker murdering Thomas and Martha Wayne; in the comic book, Joe Chill is responsible. Writer Sam Hamm said it was Burton's idea to have the Joker murder Wayne's parents. "The Writer's Strike was going on, and Tim had the other writers do that. I also hold innocent to Alfred letting Vicki Vale into the Batcave. Fans were ticked off with that, and I agree. That would have been Alfred's last day of employment at Wayne Manor," Hamm said.

The songs written by Prince were criticized for being "too out of place". While Burton has stated he had no problem with the Prince songs, he was less enthusiastic with their use in the film. On the film, Burton remarked, "I liked parts of it, but the whole movie is mainly boring to me. It's OK, but it was more of a cultural phenomenon than a great movie."

Despite initial negative reactions from comics fans prior to the film's release, Keaton's portrayal of Batman was generally praised. James Berardinelli called the film entertaining, with the highlight being the production design. However, he concluded, "the best thing that can be said about Batman is that it led to Batman Returns, which was a far superior effort." Variety felt "Jack Nicholson stole every scene" but still greeted the film with positive feedback. Roger Ebert was highly impressed with the production design, but claimed "Batman is a triumph of design over story, style over substance, a great-looking movie with a plot you can't care much about." He also called the film "a depressing experience". His reviewing partner Gene Siskel disagreed, describing the film as having a "refreshingly adult" approach with performances, direction and set design that "draws you into a psychological world."

Legacy

Anton Furst and Peter Young won the Academy Award for Best Art Direction, while Nicholson was nominated for the Golden Globe Award for Best Actor (Musical or Comedy). The British Academy of Film and Television Arts nominated Batman in six categories (Production Design, Visual Effects, Costume Design, Makeup, Sound and Actor in a Supporting Role for Nicholson), but it won none of the categories. Nicholson, Basinger, the makeup department, and costume designer Bob Ringwood all received nominations at the Saturn Awards. The film was also nominated for the Saturn Award for Best Fantasy Film and the Hugo Award for Best Dramatic Presentation.

The success of Batman prompted Warner Bros. Animation to create the acclaimed Batman: The Animated Series, as a result beginning the long-running DC animated universe and helped establish the modern day superhero film genre. Series co-creator Bruce Timm stated the television show's Art Deco design was inspired from the film. Timm commented, "our show would never have gotten made if it hadn't been for that first Batman movie." Burton joked, "ever since I did Batman, it was like the first dark comic book movie. Now everyone wants to do a dark and serious superhero movie. I guess I'm the one responsible for that trend."

Batman initiated the original Batman film series and spawned three sequels: Batman Returns (1992), Batman Forever (1995) and Batman & Robin (1997); the latter two of which were directed by Joel Schumacher instead of Burton, and replaced Keaton as Batman with Val Kilmer and George Clooney, respectively.

Executive producers Benjamin Melniker and Michael E. Uslan filed a breach of contract lawsuit in Los Angeles County Superior Court on March 26, 1992. Melniker and Uslan claimed to be "the victims of a sinister campaign of fraud and coercion that has cheated them out of continuing involvement in the production of Batman and its sequels. We were denied proper credits, and deprived of any financial rewards for our indispensable creative contribution to the success of Batman." A superior court judge rejected the lawsuit. Total revenues of Batman have topped $2 billion, with Uslan claiming to have "not seen a penny more than that since our net profit participation has proved worthless." Warner Bros. offered the pair an out-of-court pay-off, a sum described by Melniker and Uslan's attorney as "two popcorns and two Cokes".

Reflecting on the twentieth anniversary of its release in a retrospective article on Salon.com, film commentator Scott Mendelson noted the continuing impact that Batman has had on the motion film industry, including the increasing importance of opening weekend box office receipts; the narrowing window between a film's debut and its video release that caused the demise of second-run movie theaters; the accelerated acquisition of pre-existing, pre-sold properties for film adaptations that can be readily leveraged for merchandizing tie-ins; the primacy of the MPAA PG-13 as the target rating for film producers; and more off-beat, non-traditional casting opportunities for genre films.

The American Film Institute anointed Batman the 46th greatest movie hero and the Joker the 45th greatest movie villain on AFI's 100 Years...100 Heroes and Villains.

American Film Institute lists

Robert Wuhl reprises his role as Alexander Knox in The CW's Arrowverse crossover, Crisis on Infinite Earths. The event also retroactively established that the world of the film and its sequel, Batman Returns, takes place on Earth-89; which is one of the worlds destroyed by the Anti-Monitor (LaMonica Garrett) during the Crisis.

Home media

Batman has been released on various formats, including VHS, LaserDisc, DVD and Blu-ray. In an unprecedented move at the time, it was made available to buy on VHS in the US on November 15, less than six months after its theatrical release, at a suggested retail price of only $24.95 although most sellers sold it for less. The 2005 Batman: The Motion Picture Anthology 1989-1997 included 2-disc special edition DVDs of the film and all three of its sequels. The anthology was also released as a 4-disc Blu-ray set in 2009, with each film and its previous extras contained on a single disc. Other Blu-ray reissues include a "30th Anniversary" Digibook with 50-page booklet, and a steelcase edition; both also include a Digital Copy. Most recently the "25th Anniversary" Dimandluxe reissue contained the same disc as before and on a second disc, a new 25-minute featurette: "Batman: The Birth of the Modern Blockbuster".

The film was also included in The Tim Burton Collection DVD and Blu-ray set in 2012, alongside its first sequel, Batman Returns.

Batman was released on Ultra HD Blu-ray on June 4, 2019.