SMALLVILLE - SEASON ONE - Complete VINTAGE Base Set (90 cards) - Inkworks 2002

Smallville is an American television series developed by writer-producers Alfred Gough and Miles Millar, based on the DC Comics character Superman created by Jerry Siegel and Joe Shuster. The series, initially broadcast by The WB, premiered on October 16, 2001. After Smallville's fifth season, The WB and UPN merged to form The CW, the series' later United States broadcaster. Smallville, which ended its tenth and final season on May 13, 2011, follows Clark Kent (Tom Welling) in the fictional town of Smallville, Kansas, before he becomes known as Superman. The first four seasons focus on Clark and his friends in high school. After season five Smallville ventures into adult settings, eventually focusing on his career at the Daily Planet and introducing other DC comic-book superheroes and villains.

Before the series' production, Bruce Wayne, chronicling the young protagonist's journey toward Batman, was proposed first. Although that series failed to generate interest, it inspired Smallville. Series developers Gough and Millar pitched their "no tights, no flights" rule to the president of Warner Bros. Television, reducing Superman to the bare essentials and examining what led Clark Kent to become the Man of Steel. After seven seasons with the show, Gough and Millar departed with little explanation. Smallville was primarily filmed in and around Vancouver, British Columbia, with local businesses and buildings substituting for Smallville locations. Most of the music for the first six seasons was composed by Mark Snow, who incorporated elements of John Williams' musical score from the Superman film series. In season seven, Louis Febre (who worked with Snow from the beginning) became the series' primary composer.

Smallville was generally positively received when it began. Former Superman star Christopher Reeve expressed approval for the series, making two guest appearances before his death. The pilot episode set a ratings record for a WB debut, with 8.4 million viewers. Over ten seasons the series averaged about 4.34 million viewers per episode, with season two the highest-rated at 6.3 million. By the end of its run, Smallville passed Stargate SG-1 as the longest-running North American science-fiction series by episode count. Since its first season, the series received accolades ranging from Emmys to Teen Choice Awards. Smallville spawned a series of young-adult novels, a DC Comics bimonthly comic book, soundtrack recordings and series-related merchandise. All ten seasons are available on DVD in regions 1, 2 and 4. In April 2012, it continued in comic-book form with a storyline resuming shortly after the series finale, which ended in 2011.

The regular cast is introduced in season one, with storylines involving a villain deriving power from kryptonite exposure. The one-episode villains were a plot device developed by Gough and Millar. Smallville's first season primarily dealt with Clark Kent's coming to terms with his alien origin and the revelation that his arrival on Earth was connected to the death of Lana Lang's parents. After the first season the series had fewer villain-of-the-week episodes, focusing instead on individual-character story arcs and exploring Clark's origins. Major storylines include Clark's discovery of his Kryptonian heritage and Lex Luthor's escalating conflict with his father, Lionel. The disembodied voice of Clark's biological father, Jor-El, is introduced; he communicates to Clark through his spaceship, setting the stage for plots involving his role in fulfilling Clark's earthly destiny. In a fourth-season arc Clark, instructed by Jor-El, searches for three Kryptonian stones which contain the knowledge of the universe and form his Fortress of Solitude. Clark battles Brainiac in his attempts to release the Kryptonian criminal General Zod, and must capture (or destroy) other escaped Phantom Zone criminals. His cousin Kara arrives, and Lex Luthor discovers Clark's secret. The eighth season introduces Davis Bloome (Smallville's version of Doomsday), and Tess Mercer replaces the departing Lex Luthor. Justin Hartley becomes a series regular as Oliver Queen (Green Arrow) after being a recurring guest in season six. In the ninth season Major Zod (Callum Blue) and other members of Zod's military group are revived (without their Kryptonian powers) by Tess Mercer, and their efforts to regain their powers are the season's central conflict. The final season revolves around Clark's attempts to lose his doubts and fears and become the hero he is meant to be, while confronting his biggest challenges: the coming of Darkseid and the return of Lex Luthor.

Cast

Production

Development

Tollin/Robbins Productions originally wanted to do a series about a young Bruce Wayne, but the feature-film division of Warner Bros. decided to develop an origin movie for Batman and did not want to compete with a television series. In 2000 Tollin/Robbins approached Peter Roth, president of Warner Bros. Television, about developing a series on a young Superman. That year, Alfred Gough and Miles Millar developed a pilot based on the film Eraser. After watching the pilot, Roth approached Gough and Millar about developing a pilot about a young Superman; the two made a "no tights, no flights" rule that Clark would not fly or wear the Superman suit during the series.

Gough and Millar wanted to strip Superman to his "bare essence", exploring why Clark Kent became the Man of Steel. They felt that because they were not comic-book fans or familiar with the universe, they would have an unbiased approach to the series. Gough and Millar learned about the characters, researching the comics and choosing what they liked. They pitched their idea to The WB and Fox on the same day. A bidding war between the networks followed, with The WB committing to thirteen episodes.

Although Roth, Gough and Millar knew the show would be action-oriented, they wanted to reach 7th Heaven's "middle America iconography". To create atmosphere, the team decided the meteor shower bringing Clark to Earth would be the ironic foundation of the show. The primary source of his life on Earth and the super-powered beings Clark must fight, it would take away the parents of the girl he loves and start Lex Luthor down a dark path. Roth appreciated Clark's conflict in dealing with the fact that his arrival caused so much pain.

The creators also had to address why Lex Luthor would socialize with young people. They created a loneliness in the character which they felt would drive him to reach out to the teenagers, a loneliness echoed in Clark and Lana. Gough and Millar wanted a parallel to the Kents and created Lionel Luthor, Lex's father, whom they saw as conducting an "experiment in extreme parenting." They wanted a younger Kent couple, to be involved in Clark's life and help him on his journey. Chloe Sullivan (another character created for the series) was considered the "outsider" the show needed to ensure that someone would notice the strange happenings in Smallville rather than a "precursor to Lois Lane".

Smallville has been described by Warner Bros. as a from-the-roots reinterpretation of Superman mythology. Since the November 2004 reacquisition of Superboy by the Siegel family, a copyright infringement dispute has arisen over ownership of the fictional town of Smallville and a claimed similarity between Superboy and Smallville's Clark Kent. According to the Siegel heirs, "Smallville is part of the Superboy copyright" (which they hold).

Crew changes

On April 3, 2008, after seven seasons with the series, Gough and Millar announced that they were leaving Smallville. The developers thanked the cast and crew for their work, acknowledging that they never stopped fighting for what they saw as "their vision" of the show. A reason for their departure was not provided. Gough and Millar were replaced as showrunners by Todd Slavkin, Darren Swimmer, Kelly Souders and Brian Peterson. All began writing for the series at the start of the second season, and were executive producers by the seventh season. On February 6, 2009, after one season, the L.A. Times confirmed that Swimmer and Slavkin would take over the new CW series Melrose Place and not return for Smallville's ninth season; Souders and Peterson would continue as showrunners. On July 24, 2009, it was reported Tom Welling was a co-executive producer of the series. On March 26, 2010, The Hollywood Reporter disclosed that Millar, Gough and co-producer Tollin/Robins Productions filed a lawsuit against Warner Bros. and The CW charging that Hollywood's "vertical integration" cost Millar and Gough millions of dollars. The suit claimed that Warner Bros. failed to "maximize profits" in marketing Smallville, misrepresented production costs and sold the show to foreign markets at "well below the value of the series", not specifying the amount of compensation sought by the plaintiffs. In a May 20, 2010 press release from The CW, Tom Welling was appointed an executive producer for Smallville's tenth season.

Filming

The series was produced at BB Studios in Burnaby, British Columbia. Although production was initially planned for Australia, Vancouver had more of a "Middle America landscape". The city provided a site for the Kent farm, doubled for Metropolis, provided a cheaper shooting location and was in the Los Angeles time zone. Smallville's Main Street is a combination of two locations in the town of Merritt and Cloverdale.

Vancouver Technical School doubled as the exterior for Smallville High, since the school had the "mid-American largess" wanted by the filmmakers and was in keeping with Millar's idea that Smallville should be the epitome of "Smalltown, USA". Templeton Secondary School was used for Smallville High's interior. During season one, the production team repainted most of Templeton in Smallville High's red and yellow and distributed large Smallville High Crows logos; so much of the school was painted that it adopted red and yellow as its school colors. The students became accustomed to the film crew (which had to shoot when school was in session), and when a class was dismissed the crew stepped aside so the students could move the equipment to get to their lockers for the next class.

The Kent farm is a working farm in Aldergrove. Owned by the Anderlinis, the crew painted their home yellow for the show. Exterior shots of Luthor Mansion were filmed at Hatley Castle in Victoria. The interiors were filmed at Shannon Mews in Vancouver, also the set for the Dark Angel pilot and the film Along Came a Spider. Clova Cinema, in Cloverdale was used for exteriors of the Talon, Smallville's coffeehouse.

The series made extensive use of Steadicam and crane shots. Some episodes also featured camera shots from helicopters.

The story is told from Clark's point of view, so color schemes and camera selection illustrate how he interprets his environment. When he is safe at home, the colors are "warm and gentle" earth tones and the camera movement is "very gentle". When Clark is keeping his secret and not in danger, the lighting is more neutral and the camera more mobile. When danger is present, the lighting becomes colder and the camera is handheld to allow for more "extreme angles". In Metropolis "clean, hard-lined architecture" predominates, with blues, purples and reflective metals the dominant scheme. The same concept is used for the characters; Lex usually has a "glass, steel background", and Lionel has a white or "clinical blue" background. Lex typically wears black, grey and "cool tones" (purples and blues). Clark is represented by red, yellow and blue, similar to the traditional Superman costume, and "All-American" red, white and blue. From season two onward, Entity FX produced all of the visual effects for Smallville, including the view of the Metropolis skyline.

Music

Composer Mark Snow worked with producer Ken Horton to create Smallville's score. Snow composed music as he watched the picture, and tweaked his performance when he reviewed his initial recordings. He then sent the music to the producers, who sent it back for recomposition if needed. Individual episodes have their own soundtrack, comprising one (or more) songs. Jennifer Pyken and Madonna Wade-Reed of Daisy Music looked for songs for the soundtrack. Their choices were discussed by the producers, who decided which songs they wanted and secured their rights. Although Snow said it initially seemed odd to combine two types of music on a "typical action-adventure" television show, "the producers seem to like the contrast of the modern songs and the traditional, orchestral approach to the score".

The main Smallville theme was not composed by Snow, although he composed opening themes for other shows (including The X-Files). The series' opening music is "Save Me" by Remy Zero. Snow composed the closing-credits music, which was intended as Smallville's theme. During the first two seasons, the closing-credits music was a potential theme for the series (before "Save Me" was selected); it was more "heroic" and "in-your-face". Snow was told during season two that the closing credits needed new music, since the show had evolved and the existing music was no longer suitable, and he created a new, toned-down score with a more "melodic" sound. Snow has also reworked music from the previous Superman films. John Williams' musical score for the Krypton sequence in the opening credits of Superman was used in season two's "Rosetta" (which featured a guest appearance by Christopher Reeve) and several times in the season-two finale. To save money Snow recorded his version of Williams' score, since using the original version would have required the team to pay Williams' orchestra.

In an interview with Randall Larson on May 23, 2008 Snow said that he would not be returning to Smallville, citing the joint workload of Smallville and Ghost Whisperer, but would return for Ghost Whisperer. Reminiscing about his work on the show, Snow said that much of the music had not changed during the series and agreed with Larson that it was "more [about] maintaining the heroic concept and the mythology than progressing through specific changes". Louis Febre, who worked closely with Snow from the beginning, became the sole composer for Smallville in season seven. Febre said that since he began composing for Smallville there was a shift to "thematic development" in the score, paralleling the characters' growth: "As Clark grew emotionally and intellectually more complex, I found a need to comment musically on his growth, and as he drew closer to his Superman persona, it became obvious that a 'Superman' theme would be required."

The creative team had a number of opportunities to try different music to enhance an episode's storyline. Pyken and Wade-Reed chose and coordinated music on the show when Snow and Febre's scores were not used. In season three's "Slumber", producer Ken Horton wondered if they could get a band to provide music for the entire episode. During a breakfast meeting with the music department of Warner Bros. R.E.M. was suggested, and Pyken and Wade-Reed immediately saw an opportunity to connect the episode's featured band with its story (which revolved around REM sleep). That season, Al Gough wanted to use Johnny Cash's cover of the Nine Inch Nails song "Hurt" for the final scene of "Shattered" (when Lionel Luthor looks at Lex through a one-way mirror at Belle Reve sanitarium) as soon as he read the episode's script. Cash died while Wade-Reed was trying to obtain the rights for the song and his heirs, believing that the song's use in the episode would honor his memory, gave Smallville the rights.

For season three's "Resurrection" and "Memoria", songs were chosen as symbolism for the characters. In "Resurrection", The Rapture's "Infatuation" was used during a scene with Lex and Lana to symbolize the question, "Are we ever going to figure out what these two people think of each other?" For "Memoria" Gough wanted to use Evanescence's "My Immortal" for the episode's final scene, telling Wade-Reed that he saw the song as being about mothers. In that scene Clark tells Martha that his first childhood memory was of his mother, Lara.

Season three's "Velocity" provided the music editors with the opportunity to use hip-hop, rarely used in the series. The episode, similar to The Fast and the Furious, focused on Pete. Wade-Reed heard of British hip-hop artist Dizzee Rascal, and was the first person in the United States to secure the rights to Rascal's album. Greg Beeman directs episodes, and sometimes scenes, with particular songs in mind. For "Vortex" in season two, he used Coldplay's "In My Place" for the final scene. In the season-two finale "Exodus", Beeman directed the scene where Lana shows up at the Kent barn before Lex's wedding to Matthew Good's "Weapon". The lyrics speak of an angel and devil "by my side", and Beeman timed specific shots to the song's lyrics.

Broadcasting

Smallville premiered at 9:00 pm on Tuesday, October 16, 2001 on The WB. For the next five seasons the series aired on The WB, moving from Tuesday at 9:00 pm to Wednesday at 8:00 pm and eventually to Thursday at 8:00 pm. In 2006, before the start of Smallville's sixth season, it was announced The WB and UPN would merge into The CW and the network reported that the series would continue in its lineup. During its seventh season, the series aired in Canada a day earlier than it did in the United States. On May 21, 2009 it was announced that Smallville's ninth season would move to Friday at 8:00 pm, considered the "death slot" for television programs. By the end of its tenth season it was the longest-running science-fiction TV show in the United States, breaking the record held by Stargate SG-1. Syndication rights became available in 2011, and TNT began airing episodes on October 3, 2011. Smallville began streaming on Hulu on October 1, 2016.

Reception

Smallville set a WB record as its highest-rated series debut, with 8.4 million viewers tuned in for the pilot. Its premiere set a WB record for adults aged 18–34 and finished first among viewers aged 12–34, with Warner Bros. president Jordan Levin crediting the series with invigorating the network's Tuesday-night lineup. Smallville appeared on the cover of Entertainment Weekly as one of five new shows to watch. After its first season, the series was sixth on the Parents Television Council's 10-best list of broadcast programs. Levin, acknowledging early concerns that Smallville had become a villain of the week series, said that season two would introduce "smaller mini-arcs over three to four episodes" and become less of a "serialized show". According to Gough, although each succeeding season relied more on season-long story arcs, an occasional villain-of-the-week story was necessary. The villain-of-the-week stories were more harshly criticized by fans of the Superman mythology, but Gough wanted to please them and The WB's general audience (teenagers who preferred villain-of-the-week stories over episodes focusing on the Superman mythology).

Christopher Reeve, star of the Superman films, expressed his approval of the show:

I was a little bit skeptical when I heard about [Smallville] at first, but I must say the writing, the acting, and the special effects are quite remarkable. In 1977, a big stunt scene would have taken us a week to film—it's pretty impressive what they are able to do with computers and effects technology today on a weekly TV show. It gives it a lot more production value and inventiveness than I thought I was going to see when I first heard about the series. I think the show is doing a really good job following the mythology, and Tom is doing a good job following the tradition.