SATURDAY NIGHT LIVE - Individual card from Base Set issued by Star Pics in 1992

Saturday Night Live (known simply as SNL) is an American late-night live television variety show created by Lorne Michaels and developed by Dick Ebersol. The show premiered on NBC on October 11, 1975, under the original title NBC's Saturday Night. The show's comedy sketches, which often parody contemporary culture and politics, are performed by a large and varying cast of repertory and newer cast members. Each episode is hosted by a celebrity guest, who usually delivers the opening monologue and performs in sketches with the cast as with featured performances by a musical guest. An episode normally begins with a cold open sketch that ends with someone breaking character and proclaiming, "Live from New York, it's Saturday Night!", properly beginning the show.

In 1980, Michaels left the series to explore other opportunities. He was replaced by Jean Doumanian, who was replaced by Ebersol after a season of bad reviews. Ebersol ran the show until 1985. Since Michaels's return he has held the job of show-runner. Many SNL cast members found national stardom while appearing on the show, and achieved success in film and television, both in front of and behind the camera. Others associated with the show, such as writers, have gone on to successful careers creating, writing, and starring in television and film.

Broadcast from Studio 8H at NBC's headquarters in the Comcast Building at 30 Rockefeller Plaza, SNL has aired 875 episodes since its debut, and began its forty-fifth season on September 28, 2019, making it one of the longest-running network television programs in the United States. The show format has been developed and recreated in several countries, meeting with different levels of success. Successful sketches have seen life outside the show as feature films including The Blues Brothers (1980) and Wayne's World (1992). The show has been marketed in other ways, including home media releases of "best of" and whole seasons, and books and documentaries about behind-the-scenes activities of running and developing the show.

Throughout four decades on air, Saturday Night Live has received a number of awards, including 71 Primetime Emmy Awards, four Writers Guild of America Awards, and two Peabody Awards. In 2000, it was inducted into the National Association of Broadcasters Hall of Fame. It was ranked tenth in TV Guide's "50 Greatest TV Shows of All Time" list, and in 2007 it was listed as one of Time magazine's "100 Best TV Shows of All-TIME." As of 2018, the show had received 252 Primetime Emmy Award nominations, the most received by any television program. The live aspect of the show has resulted in several controversies and acts of censorship, with mistakes and intentional acts of sabotage by performers as well as guests.

From 1965 until September 1975, NBC ran The Best of Carson reruns of The Tonight Show, airing them on either Saturday or Sunday night at local affiliates' discretion (originally known as The Saturday/Sunday Tonight Show Starring Johnny Carson). In 1974, Johnny Carson announced that he wanted the weekend shows pulled and saved so they could be aired during weeknights, allowing him to take time off.

In 1974, NBC president Herbert Schlosser approached his vice president of late night programming, Dick Ebersol, and asked him to create a show to fill the Saturday night time slot. At the suggestion of Paramount Pictures executive Barry Diller, Schlosser and Ebersol then approached Lorne Michaels. Over the next three weeks, Ebersol and Michaels developed the latter's idea for a variety show featuring high-concept comedy sketches, political satire, and music performances that would attract 18- to 34-year-old viewers. By 1975, Michaels had assembled a talented cast, including Dan Aykroyd, John Belushi, Chevy Chase, Jane Curtin, Garrett Morris, Laraine Newman, Michael O'Donoghue, Gilda Radner, and George Coe. The show was originally called NBC's Saturday Night, because Saturday Night Live was in use by Saturday Night Live with Howard Cosell on the rival network ABC. After the cancellation of the Cosell show, NBC purchased the rights to the name in 1976 and officially adopted the new title on March 26, 1977. The show was originally conceived with three rotating permanent hosts: Lily Tomlin, Richard Pryor, and George Carlin. When Pryor dropped out because his brand of comedy was not censor-friendly, the concept was dropped.

Debuting on October 11, 1975, the show quickly developed a cult following, eventually becoming a mainstream hit and spawning (in 1978) "Best of Saturday Night Live" compilations that reached viewers who could not stay awake for the live broadcasts. But during the first season in 1975 and 1976, according to a book about the show authored by Doug Hill and Jeff Weingrad, some NBC executives were not satisfied with the show's Nielsen ratings and shares. Lorne Michaels pointed out to them that Nielsen's measurement of demographics indicated that baby boomers constituted a large majority of the viewers who did commit to watching the show, and many of them watched little else on television. In 1975 and 1976, they were the most desirable demographic for television advertisers, even though Generation X was the right age for commercials for toys and other children's products. Baby boomers far outnumbered Generation X in reality but not in television viewership with the exception of Michaels's new show and major league sports, and advertisers had long been concerned about baby boomers' distaste for the powerful medium. NBC executives eventually understood Michaels's explanation of the desirable demographics and they decided to keep the show on the air despite many angry letters and phone calls that the network received from viewers who were offended by certain sketches.

They included a Weekend Update segment on April 24, 1976, the 18th episode, that ridiculed Aspen, Colorado murder suspect Claudine Longet and warranted an on-air apology by announcer Don Pardo during the following episode. Herminio Traviesas, a censor who was vice president of the network's Standards and Practices department, objected to cast member Laraine Newman's use of the term "pissed off" in the March 13, 1976, episode with host Anthony Perkins, according to the book by Hill and Weingrad, and was in the process of placing the show on a permanent delay of several seconds, instead of live, but he changed his mind after Newman personally apologized to him.

Chevy Chase left the show in November of the second season and was replaced a few months later by the then-unknown comic actor Bill Murray. Aykroyd and Belushi left the show in 1979 after the end of season four. In May 1980 (after season five), Michaels—emotionally and physically exhausted—requested to put the show on hiatus for a year to give him time and energy to pursue other projects. Concerned that the show would be cancelled without him, Michaels suggested writers Al Franken, Tom Davis, and Jim Downey as his replacements. NBC president Fred Silverman disliked Franken, and was infuriated by Franken's Weekend Update routine called "A Limo For A Lame-O", a scathing critique of Silverman's job performance at the network and his insistence on traveling by limousine at the network's expense. Silverman blamed Michaels for approving this Weekend Update segment. Unable to get the deal he wanted, Michaels chose to leave NBC for Paramount Pictures, intending to take his associate producer, Jean Doumanian, with him. Michaels later learned that Doumanian had been given his position at SNL after being recommended by her friend, NBC vice president Barbara Gallagher. Michaels's departure led to most of the cast and writing staff leaving the show.

The reputation of the show as a springboard to fame meant that many aspiring stars were eager to join the new series. Doumanian was tasked with hiring a full cast and writing staff in less than three months, and NBC immediately cut the show's budget from the previous $1 million per episode down to just $350,000. Doumanian faced resentment and sabotage from the remaining Michaels staff, particularly males who did not appreciate a woman believing she could take Michaels's place. The season was a disaster; ratings plummeted, and audiences failed to connect to the original cast's replacements, such as Charles Rocket and Ann Risley. Doumanian's fate was sealed when, during a sketch, Rocket said "fuck" on live television. After only ten months, Doumanian was dismissed. Although executives suggested that SNL be left to die, network chief Brandon Tartikoff wanted to keep the show on the air, believing that the concept was more important to the network than money. Tartikoff turned to Ebersol as his choice for the new producer. Ebersol previously had been fired by Silverman. Ebersol gained Michaels's approval in an attempt to avoid the same staff sabotage that had blighted Doumanian's tenure.

Ebersol's tenure saw commercial success, but was considered lackluster compared to the Michaels era, except for the breakout of new cast member Eddie Murphy during the 1980–81 sixth season. Murphy, the main draw of the cast, left in 1984 to pursue his already successful film career, and Ebersol decided to again rebuild the cast. He broke with history by hiring established comedians such as Billy Crystal and Martin Short who could bring their already successful material to the show. Ebersol's final year with this new cast is considered one of the series' funniest, but had strayed far from the precedent-shattering show Michaels had created. After that season, Ebersol wanted a more significant revamp, including departing from the show's established "live" format. Following unsuccessful forays into film and television, in need of money, and eager not to see Tartikoff cancel the show, Michaels finally returned in 1985 after Ebersol opted out. The show was again recast, with Michaels borrowing Ebersol's idea to seek out established actors such as Joan Cusack and Robert Downey Jr. The cast and writers struggled creatively, and in April 1986, Tartikoff made the decision to cancel the show, until he was convinced by producer Bernie Brillstein to give it one more year. The show was renewed but for the first time in its history, for only thirteen episodes instead of the usual twenty-two. Michaels again fired most of the cast and, learning his lesson from the previous seasons, sought out unknown talent such as Dana Carvey and Phil Hartman instead of known names.

The show ran successfully again until it lost Carvey and Hartman, two of its biggest stars, between 1992 and 1994. Wanting to increase SNL's ratings and profitability, then-NBC West Coast president Don Ohlmeyer and other executives began to actively interfere in the show, recommending that new stars such as Chris Farley and Adam Sandler be fired because Ohlmeyer did not "get" them, and critiquing the costly nature of performing the show live. The show faced increasing criticism from the press and cast, in part encouraged by the NBC executives hoping to weaken Michaels's position. Michaels received a lucrative offer to develop a Saturday night project for CBS during this time, but remained loyal to SNL. By 1995, Farley and Sandler were fired, and Mike Myers, another popular cast member, had left for a film career, but a new cast featuring Will Ferrell, Jimmy Fallon, and Tina Fey proved promising. The show focused on performers, and writers were forced to supply material for the cast's existing characters before they could write original sketches. By 1997, Ohlmeyer renewed his focus on limiting Michaels's independence, forcing the removal of writer Jim Downey and cast member Norm Macdonald.

Cast and crew

The original 1975 cast of SNL, titled "The Not Ready For Prime-Time Players," a term coined by writer Herb Sargent, included Laraine Newman, John Belushi, Jane Curtin, Gilda Radner, Dan Aykroyd, Garrett Morris, and Chevy Chase. Radner was the first person hired after Michaels himself. Although Chase became a performer, he was hired on a one-year writer contract and refused to sign the performer contract that was repeatedly given to him, allowing him to leave the show after the first season in 1976. Newman was brought aboard after having a prior working relationship with Michaels. Morris was initially brought in as a writer, but attempts to have him fired by another writer led Michaels to have Morris audition for the cast, where he turned in a successful performance. Curtin and Belushi were the last two cast members hired. Belushi had a disdain for television and had repeatedly turned down offers to appear on other shows, but decided to work with the show because of the involvement of Radner, and writers Anne Beatts and Michael O'Donoghue. Michaels was still reluctant to hire Belushi, believing he would be a source of trouble for the show, but Beatts, O'Donoghue, and Ebersol successfully argued for his inclusion.

After Chase left the show, he was replaced by Bill Murray, whom Michaels had intended to hire for the first-season cast, but was unable to because of budget restrictions. When Chase returned to host in 1978, he found the remaining cast resentful at his departure and his success, particularly Belushi. Murray, goaded by the rest of the cast, and Chase came to blows shortly before the show. Chase's departure for film made Michaels possessive of his talent; he threatened to fire Aykroyd if he took the role of D-Day in the 1978 comedy Animal House, and later refused to allow SNL musician Paul Shaffer to participate in The Blues Brothers (1980) with Aykroyd and Belushi after they left in 1979 to pursue film careers. Michaels began to struggle to hold the remaining cast together in the wake of Chase, Aykroyd, and Belushi's independent successes. Radner had a one-woman Broadway show and Murray starred in the 1979 comedy Meatballs. In 1980, Michaels chose to leave the series to pursue other interests and was replaced by Doumanian, who wanted to give the show a fresh start with a new cast and writing staff. Michaels was followed by the remaining original cast, Curtin, Newman, Radner, Morris, Murray, and additional cast members.

The Doumanian-era cast faced immediate comparison to the beloved former cast and were not received favorably. Ebersol fired the majority of her hires, except for two unknown comedians: Eddie Murphy and Joe Piscopo. Talent coordinator Neil Levy claimed Murphy contacted and pleaded with him for a role on the show, and after seeing him audition, Levy fought with Doumanian to cast him instead of Robert Townsend. Doumanian wanted only one black cast member and favored Townsend, but Levy convinced her to choose Murphy. Doumanian also claimed credit for discovering Murphy and fighting with NBC executives to bring him onto the show. Even so, Murphy would languish as a background character until Ebersol took charge, after which Murphy was credited with much of that era's success. Murphy's star exploded, and he quickly appeared in films such as 48 Hrs. and Trading Places, before leaving for his film career in early 1984. Much of the Ebersol cast departed after the 1983–84 season and were replaced with established comedians who could supply their own material, but at an inflated cost; Billy Crystal and Martin Short were paid $25,000 and $20,000 per episode, respectively, a far cry from earlier salaries. Michaels's return in 1985 saw a cast reset that featured established talent such as Robert Downey Jr., Jon Lovitz, and Dennis Miller. The season was poorly received, and another reset followed in 1986. Learning his lesson from the previous season, Michaels avoided known talent in favor of actual ability. He kept Lovitz, Miller, and Nora Dunn, and brought in new, untested talent such as Dana Carvey, Phil Hartman, and Jan Hooks, who together would define a new era on the show into the early 1990s.

In 1989–90, new talent such as Mike Myers, Adam Sandler, and Chris Farley was added. Afraid of cast members leaving for film careers, Michaels had overcrowded the cast, causing a divide between the veteran members and the new, younger talent, increasing competition for limited screen time. By 1995, Carvey and Hartman had left, taking with them a virtual army of characters, Myers quit for his movie career, and increasing network pressure forced Michaels to fire Sandler and Farley. The show saw its next major overhaul, bringing in a new cast including Will Ferrell, Tina Fey, and Jimmy Fallon. While cast members would leave over the following two decades, the show saw its next biggest transition in 2013, with the addition of six cast members to compensate for the departure of several longtime cast members like Bill Hader, Jason Sudeikis, and Fred Armisen.

As of Season 45, SNL has featured 153 cast members including, besides the above-mentioned players, Rachel Dratch, Amy Poehler, Chris Rock, David Spade, Will Forte, Julia Louis-Dreyfus, Tracy Morgan, Chris Parnell, Maya Rudolph, Andy Samberg, Kristen Wiig, and many others. Kenan Thompson is the show's longest-serving cast member. Thompson first joined the series in 2003, and is currently in his 17th season on the show. Those selected to join the cast of SNL are normally already accomplished performers, recruited from improvisational comedy groups such as The Groundlings (Ferrell, Hartman, Lovitz, Wiig) and The Second City (Aykroyd, Farley, Fey, Tim Meadows), or established stand-up comedians (Carvey, Sandler, Rock, Norm Macdonald), who already possess the training or experience necessary for SNL.

Of the many roles available in the show, one of the longest-running and most coveted is being the host of Weekend Update, a segment which has alternated between having one or two hosts, and which allows the cast members involved to perform as themselves and be on camera for an extended period of time. Many of the Weekend Update hosts have gone on to find greater success outside the show, including: Chase, Curtin, Murray, Miller, Macdonald, Fey, Fallon, and Poehler. From 2008, Seth Meyers was the solo host of Weekend Update, before being partnered with Cecily Strong in 2013. After Meyers left for Late Night with Seth Meyers in February 2014, Strong was paired with head writer Colin Jost. However, later that year, she was replaced by writer Michael Che. The cast is divided into two tiers: the more established group of repertory players; and newer, unproven cast members known as featured players, who may eventually be promoted to the repertory stable.


Reception

In 2002, SNL was ranked tenth on TV Guide's 50 Greatest TV Shows of All Time, while in 2007 it was honored with inclusion on Time magazine's list of "100 Best TV Shows of All-TIME." In June 2013, the show was placed at number 25 on the list of the 101 best written shows of all time by the Writers Guild of America, assessing series from the previous seventy years. In December 2013, TV Guide ranked it #18 on their list of the 60 Greatest Shows of All Time. A 2015 The Hollywood Reporter survey of 2,800 actors, producers, directors, and other industry people named SNL as their #7 favorite show. It is currently the 40th longest running television show in the U.S.

In 2016, a New York Times study of the fifty television shows with the most Facebook likes found that SNL "is very much an urban show. It is most popular in cities throughout the country, and college towns. Amherst, Mass.; Madison, Wis.; and Ithaca, N.Y. are all among the top 10."