Stop Making Sense is an independently produced 1984 American concert film featuring a live performance by the American rock band Talking Heads. Directed by Jonathan Demme, it was shot over four nights at Hollywood's Pantages Theatre in December 1983, when Talking Heads were touring to promote their 1983 album Speaking in Tongues. Stop Making Sense includes performances of the early Talking Heads single, "Psycho Killer" (1977), through to their most recent hit at the time, "Burning Down the House" (1983). It also includes songs from the solo career of frontman David Byrne and by Tom Tom Club, the side project of drummer Chris Frantz and bassist Tina Weymouth.

The band raised the budget of $1.2 million themselves. The four core members of Talking Heads are joined by the backing singers Lynn Mabry and Ednah Holt, the guitarist Alex Weir, the keyboardist Bernie Worrell and the percussionist Steve Scales. Stop Making Sense is considered by many critics to be a classic and one of the greatest concert films of all time. The film is a pioneering example of the use of early digital audio techniques. In 2021, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."

REAR COVER

This quintessential music film features the incredible music of Talking Heads. Jonathan Demme revolutionised the art of shooting rock concerts with this innovative and lively record of Talking Heads. Filmed at the Pantages Theater in Los Angeles, California, this video cements the group's place as one of the day's most unique rock groups.

Among the 18 songs included are "Take Me to the River," "Once in a Lifetime," and

"Burnin' Down the House." Starting with a solo by David Byrne, the film escalates as the other members join in. Those who aren't familiar with the work of seminal 1980s band Talking Heads may find themselves becoming instant fans after viewing this incredibly entertaining concert film. Academy Award® winning director Jonathan Demme (Silence of the Lambs, Philadelphia) expertly captures the music's energy, fusing cinema with performance to create something more than the sum of its parts.

DVD Special Feature: Audio Commentary with the band & Jonathan Demme

DETAILED PLOT

Lead singer David Byrne walks on to a bare stage with a portable cassette tape player and an acoustic guitar. He introduces "Psycho Killer" by saying he wants to play a tape, but in reality a Roland TR-808 drum machine starts playing from the mixing board. The gunshot-like beats cause Byrne to stagger "like Jean-Paul Belmondo in the final minutes of Breathless, a hero succumbing, surprised, to violence that he'd thought he was prepared for."

With each successive song, Byrne is joined by more members of the band: first by Tina Weymouth for "Heaven" (with Lynn Mabry providing harmony vocals from backstage), second by Chris Frantz for "Thank You for Sending Me an Angel", and third by Jerry Harrison for "Found a Job". Performance equipment is wheeled out and added to the set to accommodate the additional musicians: back-up singers Lynn Mabry and Ednah Holt, keyboardist Bernie Worrell, percussionist Steve Scales, and guitarist Alex Weir. The first song to feature the entire lineup is "Burning Down the House", although the original 1985 RCA/Columbia Home Video release (which featured three additional songs in two performances edited into the film) has the entire band (minus Worrell) performing "Cities" before this song. Byrne leaves the stage at one point for a costume change, during which the Weymouth–Frantz-led side-band Tom Tom Club perform their song "Genius of Love". The band also performs two songs from Byrne's soundtrack album The Catherine Wheel, "What a Day That Was" and (as a bonus song on the home video release) "Big Business".

The film includes Byrne's "big suit", an absurdly large business suit that he wears for the song "Girlfriend Is Better". The suit was partly inspired by Noh theatre styles, and became an icon not only of the film – as it appears on the movie poster, for instance – but of Byrne himself. Byrne said: "I was in Japan in between tours and I was checking out traditional Japanese theater – Kabuki, Noh, Bunraku – and I was wondering what to wear on our upcoming tour. A fashion designer friend (Jurgen Lehl) said in his typically droll manner, 'Well, David, everything is bigger on stage.' He was referring to gestures and all that, but I applied the idea to a businessman's suit." Pauline Kael stated in her review: "When he comes on wearing a boxlike 'big suit' – his body lost inside this form that sticks out around him like the costumes in Noh plays, or like Beuys' large suit of felt that hangs off a wall – it's a perfect psychological fit." On the DVD he gives his reasoning behind the suit: "I wanted my head to appear smaller and the easiest way to do that was to make my body bigger, because music is very physical and often the body understands it before the head."

The film's title is derived from a lyric in the song "Girlfriend Is Better."