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ADDITIONAL INTERESTING INFORMATION
War effort propaganda. Service on the Home Front Americans were called upon to support the war effort in many ways. Cartoons depicted those who talked about victory but clearly were sitting around waiting for others to ensure it or showed how red tape was detrimental to the war effort. Defeatism was attacked, national unity was promoted, and themes of community and sacrifice were emphasized. Fictional characters were sharply divided into selfish villains and heroes who put the needs of others first and learned to identify with the defenders of freedom. Propagandists were instructed to convey the message that the person viewing the propaganda media stood to personally lose if he or she failed to contribute; for example, the appeal for women to contribute to the war effort more closely personalized the soldiers dependent on their work as their sons, brothers and husbands. Considerable complications were caused by censorship and the need to prevent the enemy from learning how much damage they had inflicted. For example, Roosevelt's fireside chat described the damage at Pearl Harbor as "serious" but he could not "give exact damage." Many artists and writers knew that keeping up morale was important, but considerable debate arose over whether to go for light frivolous diversions, or to impress the severity of the war to stir up support. Authors of fiction were encouraged to show their characters buying warbonds, conserving, planting victory gardens, and otherwise acting war-mindedly; characters could refrain from calling loved ones to avoid straining the phone system, or a romance would start when a man and woman carpooled. Many stories were set in the frontier era or on family farms, to emphasize traditional virtues such as hard work, innocence, piety, independence and community values.