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TITLE: AMERICAN ARTIST Magazine
[Artist magazine of largest circulation. Artist profiles/interviews include multiple photos and reproductions over multiple pages, PLUS: Illustrations, technical features, columns, vintage ads and MORE --Exclusive MORE MAGAZINES detailed content description, below!]
ISSUE DATE: AUGUST 1991; Vol. 55, No. 589
CONDITION: Standard sized magazine, Approx 8½" X 11". COMPLETE and in clean, VERY GOOD condition. (See photo)

IN THIS ISSUE:
[Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

COVER: Morning Sunshine (detail), by Edward Dufner (1871-1957), oil, 28 x 33. Private collection. Courtes John H. Surovek Gallery. Palm Beach. Florida.

FEATURES:
SUCCESS STORIES: THE MARKET FOR EQUINE ART by Lynn Kari Petrich.

SAME PLACE, DIFFERENT PAINTINGS by Gene Thornton. The husband-and-wife team of Robert Baxter and Ann Toulmin-Rothe organized a workshop in Provence, France, where they paint the same scenes side by side but with completely different results.

THE PERFECT FINISH by Lori Simmons Zelenko. Painting in rustic Nova Scotia, Richard Thomas Davis manages to achieve contemporary polish in his paintings without sacrificing country charm.

MIXING STYLES AND PATTERNS WITH ASSURANCE by Laurie S. Hurwitz. Finding beauty in even the most banal objects, Diana Kurz fashions decorative still lifes and flower paintings.

THE WATERCOLOR PAGE: WIDENING YOUR COLOR-PALETTE HORIZON by Dean Minor. After years of using a limited palette, this Massachusefts artist decided to swap old colors for brighter ones.

MOVING FROM ONE MEDIUM TO ANOTHER by Peggy Arenz. Mary Russell, an Oklahoma artist and teacher, has learned to use both oil and pastel with success.

BRANCHING OUT: EXPLORING THE CONTRASTS OF CITY AND COUNTRY PAINTING by Edward Feit and Rosemary Biery. Seldom does success come without exploring new territory, as Jerry Fresia's landscapes and cityscapes reveal.

QUOTING OTHER PAINTERS by Laurie S. Hurwitz. Kathryn Freeman's narrative paintings borrow from numerous artistic and literary sources.

PAINTING WITH A SENSE OF PURPOSE by Tim Folzenlogen. The dominating pattern of cast shadows in Tim Folzenlogen's paintings adds definition and drama to them.

NUTS & BOLTS: Resources and practical information for artists, including demonstrations, studio tips, and news.

DEPARTMENTS:
EDITOR'S NOTE.
LETTERS.
TECHNICAL PAGE by Steven Sheehan.
ART MART.
BULLETIN BOARD.
INDEX TO ADVERTISERS.
COMING IN SEPTEMBER.


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