Great War Relics
Military Stuff Shop 

ADDITIONAL INFORMATION
As in Britain, American propaganda depicted the war as an issue of good versus evil, which allowed the government to encourage its population to fight a "just war," and used themes of resistance in and liberation to the occupied countries. In 1940, even prior to being drawn into World War II, President Roosevelt urged every American to consider the effect if the dictatorships won in Europe and Asia. Precision bombing was praised, exaggerating its accuracy, to convince people of the difference between good and bad bombing. Hitler, Tojo, Mussolini and their followers were the villains in American film, even in cartoons where characters, such as Bugs Bunny, would defeat them—a practice that began before Pearl Harbor. Cartoons depicted Axis leaders as not being human. Roosevelt proclaimed that the war against the dictatorships had to take precedence over the New Deal. Artists and writers were strongly divided on whether to encourage hatred for the enemy, which occasioned debates. The government rarely intervened in such debates, only occasionally suggesting lines for art to take. However, the OWI suggested plot lines using Axis agents in place of traditional villainous roles, such as the rustler in Westerns. In one speech, Henry Wallace called for post-war efforts to psychologically disarm the effect of the Axis powers, requiring schools to undo, as far as possible, the poisoning of children's minds by Hitler and the Japanese "warlords." Two days later, a Dr. Seuss's editorial cartoon showed Uncle Sam using bellows to drive germ out of the mind of the child "Germany," while holding the child "Japan" ready for the next treatment.