Fine African DRC Luba Gorilla Mask

Inches:                     Height: 23 Inches
Centimeters:           Height: 58.50 Centimeters
                                 Measurements Mask Only
Material:                 Wood, Pigment
Estimated Age:       Early 20th Century
Condition:               Fair
Remarks:                Stylized mask zoomorphic form exaggerated features weathered aged surface
                         

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Any Available Provenance Will Be Included With This Piece.

CONDITION
Wood deterioration, age cracks, chips, worn areas, numerous insect holes, overall condition fair. Thank you and please view my other items.

BACKGROUND
Historically, the Luba Empire is said to have developed from a migration led by the Songye king Nkongolo. Rapidly turning tyrant, he was killed by his nephew Kalala Ilunga. His direct successor flunga Lui, had as brother the famous Tshibinda Ilunga, who was himself founder of the Chokwe Empire. This illustrious family is, in myths, at the origin of kingdoms covering a vast region. In the eighteenth century, the Luba Empire-established in the savannas of Shaba, in the southeast of the Democratic Republic of Congo-was geographically very extensive and included numerous provinces governed by members of the royal lineage. They were subject to attack by the Chokwe and the Yeke at the end of the nineteenth century, attacks which in the end succeeded in dismantling Luba power Thus the Hemba located in the northern region of the Luba Empire, for long came under this yoke as well. They are primarily farmers and hunters, and have kept their cultural and religious identify intact over several centuries. The Hemba chiefs, holders of authority over all members of their clan, are also the officials in charge of the ancestor cult that relies on the use of these magnificent hierarchical figures. These works, noted by their meditative appearance, have made the reputation of their art. Certain families of the royal lineage possess a great number of these funerary effigies, which convey the legitimacy and venerability of their origins.

Painter Fred Uhlman words - Most of the artists I admired, Picasso, Modigliani, Deraini, to mention only a few, had collected African art and had been profoundly influenced by it. Shortly afterwards I bought the Baule Fetish and the Baule bobbin which are still two of the finest pieces in my collection. It is easy to see why I bought them and why from that moment I have never stopped collecting. The head of the bobbin or heddle - pulley which is after all only a functional object for the purpose of weaving seemed to me then and today as beautiful as a Greek goddess. The fetish moved me as deeply as the bobbin by its silent tragic dignity and its air of profound meditation.

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