In the late 1970s and throughout the 1980s he was shooting with major fashion clients such as Bloomingdales, Saks Fifth Avenue, Macy's, Bill Blass, Anne Taylor, Christian Dior, Geoffrey Beene, Loden Frey, L'Oreal, Gillette, Revlon, Wrangler, ABC, Paramount Pictures, amongst others; with magazines GQ, Vogue, Elle, Esquire, Playboy, Viva, Cosmopolitan, and Vanity Fair; and with top supermodels Beverly Johnson, Gia Carangi, Linda Evangelista, Carol Alt, Christie Brinkley, Janice Dickinson, and Iman.

Farber has been described as a master of the nude and the "romantic mood." His visual sensibilities were influenced by "the directional light of the Dutch- and Flemish-school painters, and also by the soft focus of some impressionist painters." His early female nudes and still lives were often shot in locations in nature and pay direct homage to the Old Masters’ sense of color and texture while also employing his own custom filtering techniques. The "Farber" look is often characterized by discreet, elegant and architectural compositions of the female form and described as sensual, romantic, painterly, and moody while employing soft focus and grainy film texture. Farber now primarily shoots digitally, often achieving a filmic, grainy texture through digital film ‘noise’. His look is established with the camera and avoids Photoshop digital manipulation.

Please check out my other photographs from this collection in my ebay store.