Autor(en)

YASUJI, TOITA, Tsuruo Ando Masakatsu Gunji a. o.:

Auflage

Performig Arts of Japan Vol. I,II,III,V

Verlag / Jahr

Distributed in the U.S. by Walker and Co, 1970.

Format / Einband

hardcover with dustjacket. Vol.1 222 p.; Vol.2 245 p.; Vol.3 207 p.; Vol.5 207 p., All volumes illustrated.

Sprache

Englisch

Gewicht

ca. 495 g

ISBN

0802724248

EAN

9780802724243

Bestell-Nr

1223738

Bemerkungen

Vol.1 - Dust jacket rubbed, otherwise good copy without annotations./Schutzumschlag berieben, sonst gutes Exemplar ohne Anstreichungen. - Vol.2 - Dust jacket slightly rubbed, otherwise good copy without annotations/Schutzumschlag leicht berieben, sonst gutes Exemplar ohne Anstreichungen. - Vol.3 - Dust jacket rubbed, edges a bit bumped, otherwise good and clean copy, no markings./Schutzumschlag berieben, Kanten etwas bestoßen, sonst gutes und sauberes Exemplar, keine Anstreichungen - Vol.5 - spine a bit faded due to light, dust jacket rubbed and edges minimally bumped, otherwise a good copy, no markings./Buchrücken lichtbedingt etwas ausgeblichen, Schutzumschlag berieben und Kanten minimal bestoßen, sonst gutes Exemplar, keine Anstreichungen. Vol.1 Contents - Bunraku : An Appreciation, by Charles. Dunn - 1.The Black Stage - 2.Gorobei from Tennoji - 3.Gidayu-bushi Is Born - 4.The Hearts and Minds of the Artists - 5.Gidayu and the Takemoto-za - 6.The Continuation of the Line - 7.The Playwright Chikamatsu - 8.The People of the Takemoto-za and the Toyotake-za - 9.The Bunraku-za of the Meiji Period and After - 10.Bunraku Artists of Late Edo and Meiji - 11.Recent and Present Artists - 12.The Meaning of Tradition - Chronology - Commentaries on the Illustrations - Contents Vol.2 - Kabuki: An Appreciation, by Donald Keene - Kabuki as Theater - The Repertory - The History - The Actors - The Audience - 1.The Idiosyncrasies of Kabuki - Function of the Female Impersonator - Male Roles - Kabuki Sensuality - Characters and Costumes - Range of Roles - The Stage as a Picture - Idealized Reality - Good-humored Roles - Use of Hand Properties Construction of the Theater Costume Color - Actors’ Names and Crests - The Kojo Ceremony Self-Sacrifice for Superiors Position of the Stage Assistant - 2.Kabuki History - Origins - The Awakening of Kabuki - Birth of the Onnagata - Aragoto of the Genroku Era Wagoto of the Genroku Era Character-Type Divisions Introduction of Puppet Joruri Early Kabuki Theaters Scripts and Dialogue - Preservation of Acting Styles and Patterns Shibai-e - Accompaniment Music - Dance Dramas Based on Noh Plays Realistic Techniques - Witch or Wicked-Woman Plays - Veteran Supporting Actors - Living-History Plays - New Kabuki - Zangiri-mono - Reformation in the Theater - Kabuki and Actresses - Kabuki in Retrospect - 3.Kabuki Today - The National Theater - Major Actors from Early Meiji to Today - Popularity of Young Actors - Production Problems - New-Style Kabuki - Actresses in Present-Day Kabuki New Interpretations of Kabuki Classics Takechi Kabuki - Zenshin-za Production Innovations - Drama Critics as Directors - Actor-Training Performances - Improved Social Standing of Actors - Documentary Films of Kabuki - Kabuki Actors in Other Entertainment Media New Meanings for the Word “Kabuki” - viii Contents - Foreigners in the Kabuki Audience Kabuki Performances Abroad - Actors and Theaters Today Kabuki on Television - Shingeki and Kabuki - Chronology - Commentaries on the Illustrations - Kabuki Dance: A View from the Outside, bj James R. Brandon - 1.The Aesthetics of Japanese Dance - Oriental Dance - Kakucho: Rank and Style - Iki: Spirit - Ma: Time-Space - Utsuri: Transition - Mai and Odori: Two Basic Styles of Dance - Kabuki Dance - The Special Characteristics of Kabuki Dance Character of Dance Determined by Music - Su Odori: Dancing in Formal Kimono - The Spirit of Play - vi Contents - The Place for Dance - 2.Japanese Dance from Ancient to Early Modern Times Ancient Dance - Religious Dances - Dance in the Rice-planting Ritual - The Meeting of Foreign and Native Dance - Medieval Dance - Dance and Religion - Dance and the Warrior Class : Dengaku Dance and the Warrior Class: Kowaka Mai - Dance and the Warrior Class: Noh - Dance and the Warrior Class : Kyogen Komai The Dawn of Buyo: Furyu Odori - Kabuki Dance - The Birth of Kabuki Dance - The Dances of Young Men’s Kabuki - Men’s Kabuki and the Birth of Onnagata Dance - Development of the Shosagoto - The Perfection of Onnagata Dance - The Evolution of Dance Drama in the Temmei - Era - The Age of Henge-mono Dances Matsubame-mono and Living-History Dance - Dramas - 3.Japanese Dance in the Twentieth Century - Tsubouchi Shoyo and the Dance - The New Dance Movement of the Taisho Era - Japanese Dance Today - Schools and Headmasters - Chronology - Commentaries on the Illustrations - Contents Vol.5 - The Special Characteristics of Gagaku, by William P. Malm - 1.What Is Gagaku? - The Morning of a Public Performance - The Classifications of Gagaku - String and Percussion Instruments - Songs and Dances of Japanese Origin - Wind Instruments - Music Notation - Kangen and Bugaku - Masks and Costumes - 2.A Brief History of Gagaku - Ancient Songs and Dances of Japan - Introduction of Foreign Music and Dance - Blending of Foreign and Domestic Styles - Shadows of Decline - Gagaku During the Edo Period - 3.Gagaku in the Modern Age Renovations and Reorganization Gagaku Throughout Japan Today Posture of Musicians - Dance Poses and Movement Patterns Postscript - Chronology - Commentaries on the Illustrations. ISBN 9780802724243

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