Biography from artnet: John Barber moved to New York City with his British father
and Romanian mother around 1908. Entered the National Academy of Art at
fifteen. Then at the Ferrer Center School studied with Ash Can pioneers Robert
Henri and William Gropper. Also encouraged by Jules Pascin. Contributing art
editor for the publication The Masses. Avoided WWI draft and
illustrated The Masses' heir-apparent publication, The Liberator. In
1922, Barber left for Paris, France. While Pascin further influenced Barber's
drawing style, André Lhote's cubism made its mark. In the fall of 1923, six of
the seven works Barber submitted to the Salon d'Automne were accepted. Barber
made further trips to Europe and North Africa. The majestic geometry of Piero
della Francesca entered as yet another influence. He discovered Lisbon in 1928
which became a source of heavy artistic inspiration. The Paris Galerie Zak
organized a one-man show for Barber in October 1929. Another one-man show came
in 1935 at the Ehrich-Newhouse Gallery in New York. By October of that year he
was back in Portugal but he returned to New York in April 1936.
Etching on paper.
Pencil signed John Barber.
Circa 1922.
Measures 11" x 11" plate.
Framed size 19 7/8" x 19 7/8".
Hinge mounted.
Good condition with overall toning.
Marks on frame.
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