THE VATICAN HOURS OF JEAN BOURDICHON. (OFFICE OF THE
MADONNA). Vat. Lat. 3781, Biblioteca Vaticana, Rome.
FACSIMILE AND COMMENTARY – 2 VOLUMES
Published by Belser Verlag, Zurich, 1984.
Full-size color reproduction of the entire original document,
Vatican Book of Hours from the Circle of Jean Bourdichon: the facsimile
attempts to replicate the look-and-feel and physical features of the original
document, pages are trimmed according to the original format.
The Facsimile is accompanied by an introductory volume to the
facsimile by Eberhard König, with 22 illustrations as well as 17 full-page,
colored miniatures.
Facsimile volume in gold embossed brown leather binding,
three-sided gilt edging and printed on parchment paper. Both volumes in hinged linen
case with mounted, colored illustration on the front cover.
Facsimile in Latin, commentary volume in German.
Both volumes and case in As New Condition.
About the Original Manuscript
The Book of Hours Vat. Lat. 3781 has neither title nor name.
Who created it, for whom it was intended and where and when it was crafted are
information that still remain unclear; there are no written documents about its
history or provenance.
It was common for owners to request their names to be clearly
shown in manuscripts and books (or to attach collectors' stamps), and often the
subsequent owners erased traces of its origins or previous belongings. The
simplest thing was to tear out whole leaves, just as it happened for this
manuscript: the first leaf of the original book-block is lost.
Thanks to the two coats of arms of the front and back covers
of the manuscript, it is possible to recognize a Pope and a Cardinal who
adorned the book of hours with the current binding: Pius VI Braschi (1775-1799)
and Cardinal Francisco Zelada, prefect of the Pontifical library.
Codex 3781 survived Napoleon’s campaign that saw the
abduction of several documents from the Vatican Library.
Later on, scholars were led to believe that the book was
altered, to say the least, by Pope Paul V (1605 and 1621) who is believed to
have gifted it to the Vatican Library.
The style of the miniatures and the landscapes present in the
calendar, allow conjectures on the place and date of creation. The book could
have been created in France, possibly in the Limoges area, during the 15th
century.
The use of foreground, realism, and perspective in the
illuminations are features related to master Jean the Bourdichon and his
workshop.