UP FOR YOUR CONSIDERATION.

A VERY RARE ORIGINAL, BEHIND THE SCENES, 
PHOTO OF SESSUE HYAKAWA. WHILE FILMING...
THE IMAGE IS BRIGHTER THEN IT LOOKS, WHEN I MARKED IT "DO NOT COPY" THE PLASTIC I USED DULLED THE IMAGE

"THE HIDDEN PEARLS", 
1918, SILENT FILM STAR. 
FILMED AT
HAWAIIS "BLACK SAND BEACH", 
IT'S NO LONGER THERE. PELE DESTROYED IT.
HAWAII'S (1ST.?) SILENT FILM? 

STARING:
SESSUE HYAKAWA
"THE HIDDEN PEARLS", 

*THAT'S HIM IN THE WHITE PANTS AND SHIRT. PLAYING AN UKULELE.
THIS WAS TAKEN ON MY HUSBAND'S GREAT-GRANDFATHERS HOUSEBOAT THAT FLOATED IN HILO BAY.

PHOTO SIZE: 4 7/8 INCHES BY 2 3/4 INCHES. 

THE HOUSEBOAT WAS CALLED THE "MARY ANN"
IT NOW SIT ON THE BOTTOM OF THE BAY.


The Hidden Pearls
Film poster
Directed byGeorge Melford
Claude Mitchell (asst. director)
Written byBeulah Marie Dix (story and screenplay)
Produced byJesse Lasky
StarringSessue Hayakawa
CinematographyPaul Perry
Distributed byFamous Players–Lasky
Paramount Pictures
Release date
  • February 18, 1918
Running time
5 reels
CountryUnited States
LanguageSilent (English intertitles)


Sessue Hayakawa
早川 雪洲
Hayakawa, 1918
Born
早川 金太郎 (Hayakawa Kintarō)

June 10, 1886
DiedNovember 23, 1973 (aged 87)
Tokyo, Japan
OccupationActor
Years active1914–1966
Spouse
(m. 1914; died 1961)​
[1]
Children3
  
"I'M NOT SURE, THIS COULD HAVE BEEN THE FIRST SILENT FILM MADE IN HAWAII. 

A MUSEUM IN FRANCE HAS THE ONLY COPY OF THE MOVIE LEFT.

I DID CONTACT THEM REGARDING THE PHOTOS."

Kintarō Hayakawa (Japanese: 早川 金太郎, HepburnHayakawa Kintarō, June 10, 1886 – November 23, 1973), known professionally as Sessue Hayakawa (早川 雪洲, Hayakawa Sesshū), was a Japanese actor and a matinée idol. He was a popular star in Hollywood during the silent film era of the 1910s and early 1920s. Hayakawa was the first actor of Asian descent to achieve stardom as a leading man in the United States and Europe. His "broodingly handsome"[2] good looks and typecasting as a sexually dominant villain made him a heartthrob among American women during a time of racial discrimination, and he became one of the first male sex symbols of Hollywood.[3][4][5]

After withdrawing from the Japanese naval academy and attempting suicide at 18, Hayakawa attended the University of Chicago, where he studied political economics in accordance with his wealthy parents' wish that he become a banker. Upon graduating, he traveled to Los Angeles in order to board a scheduled ship back to Japan, but decided to try out acting in Little Tokyo. There, Hayakawa impressed Hollywood figures and was signed on to star in The Typhoon (1914). He made his breakthrough in The Cheat (1915), and thereafter became famous for his roles as a forbidden lover. Hayakawa was one of the highest paid stars of his time, earning $5,000 per week in 1915, and $2 million per year through his own production company from 1918 to 1921.[6][7][8] Because of rising anti-Japanese sentiment and business difficulties,[9] Hayakawa left Hollywood in 1922 and performed on Broadway and in Japan and Europe for many years before making his Hollywood comeback in Daughter of the Dragon (1931).[10]

Of his talkies, Hayakawa is probably best known for his role as Kuala, the pirate captain in Swiss Family Robinson (1960) and Colonel Saito in The Bridge on the River Kwai (1957), for which he earned a nomination for the Academy Award for Best Supporting Actor.[11] Hayakawa starred in over 80 feature films, and three of his films (The Cheat, The Dragon Painter, and The Bridge on the River Kwai) stand in the United States National Film Registry.[12][13][14]

Many of Hayakawa's films are lost. However, most of his later works, including The Bridge on the River Kwai, the Jerry Lewis comedy The Geisha Boy in which Hayakawa lampoons his role in The Bridge on the River Kwai, Swiss Family Robinson (1960 film), Tokyo Joe, and Three Came Home are available on DVD. In 1960, Hayakawa was awarded a star on the Hollywood Walk of Fame at 1645 Vine Street, in Hollywood, Los Angeles, California for his contributions to the motion picture industry.[21][65]

A musical based on Hayakawa's life, Sessue, was performed in Tokyo in 1989. In September 2007, the Museum of Modern Art held a retrospective on Hayakawa's work entitled: Sessue Hayakawa: East and West, When the Twain Met. Japanese film director Nagisa Oshima planned to create a biopic entitled Hollywood Zen based on Hayakawa's life. The script was allegedly completed and set to film in Los Angeles, but due to constant delays and the death of Oshima in 2013, the project has yet to be filmed.[66][67]

In 2020, Hayakawa's life story was told as part of PBS's documentary Asian Americans.[68]

His legacy is lasting, especially in the Asian-American community.[69][70] Media professor Karla Rae Fuller wrote in 2010: "What is even more remarkable about Hayakawa's precedent-setting career in Hollywood as an Asian American is the fact that he is virtually ignored in film history as well as star studies. [...] Furthermore, the fact that he reached such a rare level of success whereby he could form and run his own production company makes his omission from the narrative of Hollywood history even more egregious."[37]


WE HAVE A SMALL COLLECTION OF THESE HISTORICAL PHOTOS. 

CONDITION IS AS YOU SEE IT. 



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