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THE ARTIST - JOHN PAUL STRAIN
Artist John Paul Strain captures the color, drama and heroism of the Civil War with a vivid realism that is unique among the nation's top-ranking historical artists. A native Southerner born in Nashville, Tennessee, John Paul Strain has studied American History and the War Between the States in particular practically all of his life. He received his formal training at BYU, polished his professional techniques as an illustrator for the U.S. Department of Energy, and soon afterwards entered the field of historical fine art, prints and posters.
His work met immediate success and was showcased at a premiere gallery in the Rocky Mountains. Acclaimed for his paintings of the Old West, he eventually moved to Texas to work full time in the field of historical art. His early art, prints and posters depicting Civil War subjects produced the same enthusiastic response as his Western Art, and in the 1980s John Paul Strain began to concentrate on the Civil War. Few artists in the field have gained such widespread popularity so quickly.
His art, prints and posters are now acclaimed among collectors, who prize his studies of Lee, Jackson, Forrest and other Civil War leaders, as well as his scenes of conflict and pageantry. His distinctive artistic style, which combines bright colors and contrasting shadows, and his devotion to historic authenticity have dramatically increased his popularity. Today, his original art is displayed throughout America and among collectors of fine art limited-edition Civil War prints. Artist John Paul Strain has become an American favorite.
"In War a Tower of Strength" John Paul Strain S/N Limited Edition Classic Canvas Giclee
Virginia Military Institute Cadets
New Market, Virginia - May 15, 1864
The year was 1864, and for three years the Federal Army had tried everything to defeat the Confederate forces. Many battles had been fought with both sides winning and losing. Casualty counts were far beyond what anyone had considered possible. General Lee's Army of Northern Virginia had lost a major battle at Gettysburg, but the South's willingness to fight for their independence had not diminished.
Federal strategy began to focus on destroying the South's infrastructure which supplied Confederate forces in the field. In May, Federal General Franz Sigel's army began its march from Winchester, intent on destroying the Virginia Central Railroad located in Staunton. If successful, General Lee's Army would no longer receive the rich stores and supplies from the Shenandoah Valley.
To stop the Federal advance, the sparse Confederate forces under the command of General John C. Breckinridge and General John D. Imboden gathered all the troops they could muster. The Virginia Military Institute's Superintendent Francis Smith was asked if his "School Boy Soldiers" would fall in. Taught from the very beginning at VMI the principles of duty and honor, the young men were eager to prove their worth as soldiers. The cadets marched for 4 days covering 80 muddy miles from Lexington to New Market in the drenching rain.
The battle of New Market began in earnest on the stormy morning of the 15th with lightning, thunder, and cannon fire echoing across the valley. General Breckinridge had not wanted to deploy his 250 young VMI cadets, and held them in a reserve position on the battlefield. But when a large gap opened in the center line of battle, Breckinridge with tears in his eyes said, "Put the boys in, and may God forgive me for the order."
As the boys moved forward behind their colors the storm greatly intensified, with lightning, thunder and driving rain. Now in the eye of the storm, under heavy cannon and musket fire the cadets began taking casualties. Undeterred, they fought forward through a low section of the field with standing water and deep mud, with a number of the boys losing their socks and shoes. A 12 pound Napoleon cannon was abandoned in the face of the cadet's charge, which the cheering boys captured. A Confederate officer watching the cadets said their charge "surpassed anything that I witnessed during the war."
General Breckinridge would later ride to their position and say "Young gentlemen, I have you to thank for the result of today's operations. Well done, Virginians...well done men!"
The actions of those brave cadets fulfilled the motto of VMI, and would be remembered daily from that day forward. "In Bellō Praesidium - In War A Tower Of Strength".
21-1/2" x 33-1/2" Signed and Numbered Classic Canvas Giclee, limited to 65 - $525
Also available in these formats:
19-1/2" by 29" image size, Signed and Numbered Giclee Print, limited to 200 - $225
19-1/2" by 29" Signed and Numbered Artist Proof Giclee Print, limited to 50 - $325 (Comes with two Remarques)
16-1/2" by 24-1/2" Signed and Numbered Studio Canvas Giclee, limited to 120 - $275
16-1/2" by 24-1/2" Signed and Numbered Studio Canvas Giclee Artist Proof, limited to 15 - $325
21-1/2" x 33-1/2 Signed and Numbered Classic Canvas Giclee, Artist Proof, limited to 15 - $675
26-3/4" by 40" Signed and Numbered Executive Canvas Giclee, limited to 10 - $1200
26-3/4" by 40" Signed and Numbered Executive Canvas Giclee Artist Proofs, limited to 4 - $1400
Remarques on Artist Proof Giclee Print Edition Only
All Limited Edition prints are signed and numbered (S/N) by the artist and include a Certificate of Authenticity. Limited Edition prints are restricted to a certain number. For example, if 400 prints are made from an original painting, once they’re gone, that’s it. There is no limit to the number of open edition prints of a particular painting. That’s why Limited Edition prints are more expensive — and more valuable to collectors — than "open" edition. Rare objects are more valuable.
An Artist’s Proof (AP), generally, is the first 10% of the Limited Edition prints that come off the press. If the Limited Edition is 400 s/n, there would be 40 APs. This status is noted on the print. Collectors prefer APs because their value increases even more than a Limited Edition as time goes by.
A remarque is a pencil drawing done in the white border area of an art print. The subject of the remarque is usually determined by the artist. Each remarque is a piece of original art which adds to the value of the print by making that particular print unique and exclusive from the rest of the prints in the edition.
All Limited Edition artwork is subject to availability at time of order. Although seller strives to remain current as to inventory, seller reserves the right to cancel a sale if item is no longer available at time of purchase.
Artist John Paul Strain captures the color, drama and heroism of the Civil War with a vivid realism that is unique among the nation's top-ranking historical artists. A native Southerner born in Nashville, Tennessee, John Paul Strain has studied American History and the War Between the States in particular practically all of his life. He received his formal training at BYU, polished his professional techniques as an illustrator for the U.S. Department of Energy, and soon afterwards entered the field of historical fine art, prints and posters.
His work met immediate success and was showcased at a premiere gallery in the Rocky Mountains. Acclaimed for his paintings of the Old West, he eventually moved to Texas to work full time in the field of historical art. His early art, prints and posters depicting Civil War subjects produced the same enthusiastic response as his Western Art, and in the 1980s John Paul Strain began to concentrate on the Civil War. Few artists in the field have gained such widespread popularity so quickly.
His art, prints and posters are now acclaimed among collectors, who prize his studies of Lee, Jackson, Forrest and other Civil War leaders, as well as his scenes of conflict and pageantry. His distinctive artistic style, which combines bright colors and contrasting shadows, and his devotion to historic authenticity have dramatically increased his popularity. Today, his original art is displayed throughout America and among collectors of fine art limited-edition Civil War prints. Artist John Paul Strain has become an American favorite.
"In War a Tower of Strength" John Paul Strain S/N Limited Edition Classic Canvas Giclee
Virginia Military Institute Cadets
New Market, Virginia - May 15, 1864
Also available in these formats:
19-1/2" by 29" image size, Signed and Numbered Giclee Print, limited to 200 - $225
19-1/2" by 29" Signed and Numbered Artist Proof Giclee Print, limited to 50 - $325 (Comes with two Remarques)
16-1/2" by 24-1/2" Signed and Numbered Studio Canvas Giclee, limited to 120 - $275
16-1/2" by 24-1/2" Signed and Numbered Studio Canvas Giclee Artist Proof, limited to 15 - $325
21-1/2" x 33-1/2 Signed and Numbered Classic Canvas Giclee, Artist Proof, limited to 15 - $675
26-3/4" by 40" Signed and Numbered Executive Canvas Giclee, limited to 10 - $1200
26-3/4" by 40" Signed and Numbered Executive Canvas Giclee Artist Proofs, limited to 4 - $1400
Remarques on Artist Proof Giclee Print Edition Only
All Limited Edition prints are signed and numbered (S/N) by the artist and include a Certificate of Authenticity. Limited Edition prints are restricted to a certain number. For example, if 400 prints are made from an original painting, once they’re gone, that’s it. There is no limit to the number of open edition prints of a particular painting. That’s why Limited Edition prints are more expensive — and more valuable to collectors — than "open" edition. Rare objects are more valuable.
An Artist’s Proof (AP), generally, is the first 10% of the Limited Edition prints that come off the press. If the Limited Edition is 400 s/n, there would be 40 APs. This status is noted on the print. Collectors prefer APs because their value increases even more than a Limited Edition as time goes by.
A remarque is a pencil drawing done in the white border area of an art print. The subject of the remarque is usually determined by the artist. Each remarque is a piece of original art which adds to the value of the print by making that particular print unique and exclusive from the rest of the prints in the edition.
All Limited Edition artwork is subject to availability at time of order. Although seller strives to remain current as to inventory, seller reserves the right to cancel a sale if item is no longer available at time of purchase.
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