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Acclaimed Recording Booklet Handsigned by the Legendary Harpist
Andrew Lawrence-King
After the Barocktage III Concert (01.12.2018) in PierreBoulez Saal, Berlin


The music of Shakespeare's England - ballad tunes, country dances and elegant consorts - seems at first quintessentially English. Yet many setting of these tunes, as popular dances or in the high-art variations of vivision music, were inpired by Celtic and Spanish styles. In variations from 17th-century manuscripts and in improvised divisions, "gypsy" ballads are metamorphosed into exquisite consort music.

Spanish Gypsies

Celtic and Spanish Music in Shakespeare's England

From John Playford: The English Dancing Master (1651)
Fitzwilliam Virginals Book (c.1610) / Playford: Musick's Hand-Maid (1663)
Tobias Hume: Captain Humes Poeticall Musicke (1607)
Anthony Holborne: Pavans, Galliards, Almains (1599) and others...


The Gypsy Lilt
1. Scotch Cap
2. The Gypsy Lilt
3. The Spanish Jeepsies
4. New Scotch Jig

The Irish Ho-Hoane
5. The Irish Ho-Hoane
6. An Ayre called Corke
7. Sarabande to Corke

A Spanish Humor
8. A Spanish Humour
9. Muy Linda
10. The Quadran Pavan
11. Buffins (Otley's Cittern Book)
12. The Hay de Gie
13. Trenchmore
14. Spagnioletta

The Dancing Master
15. The Hunt Sup
16. The Whirlygig
17. Mal Sims
18. Packington's Pound
19. Punk's Delight

Gypsies Metamorpgosed
20. Lulle me beside thee
21. The Lady Louthian's Lilt
22. The Gypsies Song
23. Gipsies Round


The Harp Consort
Rachel Podger - baroque violin
Nancy Hadden - renaissance flute
Hille Perl - viola da gamba, lira viol, baroque guitar
Keith McGowan - shawm
Steve Player - baroque guitar, gittern, bagpipes
Lee Santana - cittern, theorbo, baroque guitar
Michael Metzler - percussion
Andrew Lawrence-King - director & harps

(P) 1999

DHM 88883754552 (2013) Made in the EU


In Mint Condition / Top Zustand


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