Background:
Gloucester Cathedral, formally the Cathedral Church of St Peter and the Holy and Indivisible Trinity, in Gloucester, England, stands in the north of the city near the River Severn. It originated in 678 or 679 with the foundation of an abbey dedicated to Saint Peter (dissolved by King Henry VIII)
Wardle records that in 1058 Ealdred, Bishop of Worcester at the time, rebuilt the church of St Peter. The foundations of the present church were laid by Abbot Serlo (1072–1104). Walter Frocester (d. 1412) the abbey's historian, became its first mitred abbot in 1381. Until 1541, Gloucester lay in the see of Worcester, but the separate see was then constituted, with John Wakeman, last abbot of Tewkesbury, as its first bishop. The diocese covers the greater part of Gloucestershire, with small parts of Herefordshire and Wiltshire. The cathedral has a stained glass window containing the earliest images of golf. This dates from 1350, over 300 years earlier than the earliest image of golf from Scotland. There is also a carved image of people playing a ball game, believed by some to be one of the earliest images of medieval football.
The cathedral, built as the abbey church, consists of a Norman nucleus (Walter de Lacy is buried there), with additions in every style of Gothic architecture. It is 420 feet (130 m) long, and 144 feet (44 m) wide, with a fine central tower of the 15th century rising to the height of 225 ft (69 m) and topped by four delicate pinnacles, a famous landmark. The nave is massive Norman with an Early English roof; the crypt, under the choir, aisles and chapels, is Norman, as is the chapter house. The crypt is one of the four apsidal cathedral crypts in England, the others being at Worcester, Winchester and Canterbury.
The south porch is in the Perpendicular style, with a fan-vaulted roof, as also is the north transept, the south being transitional Decorated Gothic. The choir has Perpendicular tracery over Norman work, with an apsidal chapel on each side: the choir vaulting is particularly rich. The late Decorated east window is partly filled with surviving medieval stained glass. Between the apsidal chapels is a cross Lady chapel, and north of the nave are the cloisters, the carrels or stalls for the monks' study and writing lying to the south. The cloisters at Gloucester are the earliest surviving fan vaults, having been designed between 1351 and 1377 by Thomas de Canterbury.
The most notable monument is the canopied shrine of King Edward II of England who was murdered at nearby Berkeley Castle (illustration below). The building and sanctuary were enriched by the visits of pilgrims to this shrine. In a side-chapel is a monument in coloured bog oak of Robert Curthose, eldest son of William the Conqueror and a great benefactor of the abbey, who was interred there. Monuments of Bishop Warburton and Dr Edward Jenner are also worthy of note.
Between 1873 and 1890, and in 1897, the cathedral was extensively restored by George Gilbert Scott.

Kip, Johannes (Jan) 1652 - 1722
Kip was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses.
Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow(c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill's A Collection of Voyages & Travels (first published 1704). He signed the African scenes in volume V of the 1732 edition as "J. Kip".
His most important works were the large fold-out folio illustrations for Britannia Illustrata, 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, The Ancient and Present State of Glostershire, 1712 (1st edition); and for Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne, 1715, an extended reprint in collaboration with other artists.
The linked careers of Jan Kip and Leonard Knyff made a specialty of engraved views of English country houses, represented in detail from the bird's-eye view, a pictorial convention for topography. Their major work was Britannia Illustrata: Or Views of Several of the Queens Palaces, as Also of the Principal seats of the Nobility and Gentry of Great Britain, Curiously Engraven on 80 Copper Plates, London (1707, published in the winter of 1708–9). The volume is among the most important English topographical publications of the 18th century. Architecture is rendered with care, and the settings of parterres and radiating avenues driven through woods or planted across fields, garden paths, gates and toolsheds are illustrated in detail. The images are staffed with figures and horses, coaches pulling into forecourts, water-craft on rivers, in line with the traditions of the Low Countries. Some of the plates are in the Siennese "map perspective".