side;? J
4. When I See His Face (Talley) 2 A ~
2. I Want to Walk Your way Everyday (Triplett) 4:00 C
3. The Streets of Gold (Thacker) 2:21
Lord, I Need a Blessing (Croft-Croft) 2:53
5. There’ll Be Shouting (Bartlett? 2.21
i . I ; ■ !
4.
SIDE 2
1. Sunshine and Roses (Taunton) 4:59
2. I Know My Sayior is ThereO/s) 2:38
I 3. Clqsecto'You/C/ar/d 3:32
i 4. Me, rap, and Mother—4:12
' 5. Even the Winds whisper His Name (Taunton) 4:15
Gospel music, cathedral style, is an expression of fa
lonu
Ian love.
ion is high
SUNSHINE AND ROSES' distinctive choral style is music with clostfeasy on th®
ear harmony—smooth, soothing and sophisticated. their repu
respected among their peers which, in itself, is a tribute’tb thei
talents and dedication to their work. ; < :
This album is one of variations. / Want to WallcYour ifey Eye/ydavifiuid and
easy flowing, is counterbalanced by the innovative sffle 5f Sunshine and
Roses. Mack Taunton, a former Cathedral tenor, has authored this beautiful ’
song as well as another recorded here, Even Winds Whisper His ftame.
- ’r ■. v I
Glen Payne, their incomparable lead singer, is ably assisted by thp-vi/arm, ’
vibrant bass voice of George Younee. George Aman A/Vebster, a great
baritone, adds to their harmony and Roy Tremble puts in the brilliant
tenor notes. This all adds up to the sweetest harmony this side of ^,
heaven, when you add the jafano artistry of Haskell Cooley, y
easily realize why their popularity is so universal.
Lord, l Need a Blessing is a pew slow song com
Colbert and Joyce Croft. TJpe album is furth
a moving recitation by George Younee, Me,
Mother.
May we invite you to listen to these PS®
giants in the gospel industry astheystfiyetb
God and you, His children?
7 I
Cecile Norcross
-Producer: Ken Harding
Arranger: Vic Clay
Recorded and Remixed at Artist Recording studio, Cincinnati
Engineer: Tpm Baker
Mastered at Columbia Recording studio, Nashville
Engineer: M. C. Rather
Photographer: Roy Tremble
Cover Design: Dennis Hill
There are a number of creative and
special people who are responsible
not only for the growth of The
Cathedral Quartet, but for the
upsurge of gospel music Itself, I
would like to take this opportunity
to express my appreciation for
the dedication and diligence of these
talented people: Piers Bateman, Vic
Clay, Haskell Cooley, Bob
Crawford, Herman Harper, Dennis
Hill, Dan Johnson, Carol Kilpatrick,
Roland Lundy and our “Super
Salesmenl”, Stan Moser, Marvin
Norcross, Sharon Renfroe.
Ken Harding