Has dialogue ever been more perfectly hard-boiled? Has a femme fatale
ever been as deliciously wicked as Barbara Stanwyck? And has 1940s Los
Angeles ever looked so seductively sordid? Working with cowriter Raymond
Chandler, director Billy Wilder launched himself onto the Hollywood
A-list with this epitome of film-noir fatalism from James M. Cain’s pulp
novel. When slick salesman Walter Neff (Fred MacMurray) walks into the
swank home of dissatisfied housewife Phyllis Dietrichson (Stanwyck), he
intends to sell insurance, but he winds up becoming entangled with her
in a far more sinister way. Featuring scene-stealing supporting work
from Edward G. Robinson and the chiaroscuro of cinematographer John F.
Seitz, Double Indemnity is one of the most entertainingly perverse stories ever told and the standard by which all noir must be measured.
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