Watch your steps 4

Artist: Benny Aage Möller 1918 - ?

Danish painter

signed lower right

Age: dated 1991

Technique: aquatint 

Dimensions view: approx. 35.5 x 25.0 cm

Dimensions of the entire sheet: approx. 50.0 x 35.0 cm

Condition: signs of storage; Creases in the plate area, see photos



Weilbach information

Genealogy

Møller, Benny Aage, *1918, painter and graphic artist. *June 5, 1918 på Fr.berg. Forældre: Fmd., elektrikerm. Laurits Vilhelm m. and Julie Olsen. ~March 26, 1950 i Kbh. med tandlægeass. Betty Pedersen, *September 6, 1928 in Fr.sund, former typographer Karit Etlar Bernhardt P. and Karen Møller.

Biography

Benny Aage Møller finds the rule of inspiration in the Københavnske havnekvarterer, og skibe and game house listener to the motiver, han most beskæhafter sig med. Hans' style, which I began with forholdsvis naturalistisk, udviklede sig gennem årene i en stadig mere abstract retning, before often Kun en essens af lighed med virkeligheden he bevaret. I was a composer on days and at a time when the monster was abstract and lined, overlaid in the sand, the synths were mixed together with the bag and the lyrics. The strong materials and leather are fueled by the rust or the mud flap. From the mange of Hans painter he mennesketomme, he det generations eksistens, han gladly vil udtrykke noget om, ved på dene tired at omdanne house og skibe til material organismer. I work graphically on optical images to get direct information and often use the central theme. Foruden painting and graphics in m. work in the med collage and sculpture. Sammen with Michael Martinu established speech m. in 1971 artist groups CO-X, som desuden bestod by Henning Gjedde and Gil Johansen. CO-X stands for coexistence, same existence. The images and images of the country's art are available on TVs on land. The blev til adskillige international udstillinger in the mid-1970s, bl.a. with deltagelse af flere østeuropæiske artnere.

Education

Tegne- og maleundervisning hos R. Askou-Jensen 1955-60; forsk. grafiske teknikker hos Henning F. Larsen 1970-85; serigraphy by Berndt Werheit, Cologne 1978.

Travels

Greenland 1946-48, 1988; USA 1953, 1961; Tyskland 1973-74, 1978, 1986; Paris 1975; Poland 1975; Hungary 1976; Sweden 1984-85; Switzerland 1989; Rome 1992.

Occupations

Maskinmester, our previous orlogskaptajn in Søværnet 1933-72.

Scholarships

Exhibitions

Odsherredudst. 1967; CO-X 1971-77, 1982-84; Art I Hverdagen, Gal. KCH, Holbaek 1979; Meeting point for art, Westfalenpark park hall, Dortmund 1984. Separatudstillinger: Gal. Mette, Kbh. 1967; Stevn's Mus. 1973; Metalsk., Jørlunde 1973; Carlsberg art forums. 1974; Gal. Seekatz, Saarbrücken 1974; Gal. Nyhavn 47, Kbh. 1975 ( m. Henning Gjedde and Michael Martinu); Gal. Suburb, Cologne 1977, 1982-85; Brøndby Rådhus 1977; Gal. KCH, Holbaek 1978; SAK, Svendborg 1979; Gal. Old Town, Arnsberg 1979; Huset i Asnæs 1980 (see m. Voukko Johansen); Gal. Nordvästen, Helsingborg 1981, 1983; Gal. Kirke Sonnerup 1982, 1989; CO-X fraction, Gal. Jedig, Kbh. 1984 ( m. Michael Martinu and Gil Johansen); Gal. Lind, Esbjerg 1988; Gal. May, Spjellerup 1990-92; Gal. Ravnsager, Marbjerg 1991; Lillehammer art forums. 1992; Bankgal., Rødvig 1994.

Art works

Melankolsk damper (udst. 1974); Stonehenge (1975); Byen's organisms (graphics, 1978); Blå baggård (1982); Generational landskab (malericollage, 1984); Fangekoret (1992). Udsmykninger: 10 af AP Møllers skibe (1985-89); Byen's symbol (mursten's sculpture, 1987, Ungdomsbo, Tvillingernes kvarter, Sønderris, Esbjerg); tractørstedet Bøgeskoven (painter, 1992-93); theaters in St. Heddinge (udendørs murmaleri, malericollager i theatersal og på hovedtrappe, 1994).
Source: kid.dk
Benny Aage Møller finds the rule of inspiration in the Københavnske havnekvarterer, og skibe and game house listener to the motiver, han most beskæhafter sig med. Hans' style, which I began with forholdsvis naturalistisk, udviklede sig gennem årene i en stadig mere abstract retning, before often Kun en essens af lighed med virkeligheden he bevaret. I was a composer on days and at a time when the monster was abstract and lined, overlaid in the sand, the synths were mixed together with the bag and the lyrics. The strong materials and leather are fueled by the rust or the mud flap. From the mange of Hans painter he mennesketomme, he det generations eksistens, han gladly vil udtrykke noget om, ved på dene tired at omdanne house og skibe til material organismer. I work graphically on optical im