"Despite being more rooted in obvious genre conventions, and predicting themes of De Palma’s next film, The Fury, this shares the most DNA with Phantom of the Paradise — tales of betrayed loners, existing in rosy nostalgia, hellbent on exacting revenge for the wrongdoing done to them; it’s also De Palma at his most technically assured, fusing the gimmickry on display in (the very gimmicky) Sisters with the Hitchcock homages of the same year’s Obsession, culminating (and explicitly climaxing) in something wholly unique that would serve as a blueprint of what was to come — and it’s still the best Stephen King adaptation." -Justin La Liberty, Letterboxd