Deep Purple – Deep Purple In Rock  Label: Warner Bros. Records – WS 1877, Warner Bros. Records – 1877 Format: Vinyl, LP, Album, Gatefold, Santa Maria Country: US Released: 1970 Genre: Rock Style: Hard Rock A1 Speed King 4:18 A2 Bloodsucker 4:12 A3 Child In Time 10:15 B1 Flight Of The Rat 7:52 B2 Into The Fire 3:29 B3 Living Wreck 4:30 B4 Hard Lovin' Man 7:10 Produced For – Edwards Coletta Productions Mastered At – Artisan Sound Recorders Pressed By – Columbia Records Pressing Plant, Santa Maria Manufactured By – Warner Bros. Records Inc. Designed At – Edwards Coletta Productions Published By – Hec Music Copyright © – Warner Bros. Records Inc. Arranged By – Deep Purple Artwork [Art Studios] – Nesbit, Phipps & Froome* Composed By – Deep Purple Engineer – Andy Knight, Martin Birch, Philip McDonald* Performer – Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, Roger Glover Photography By – Alan Hall (3), Mike Brown (22) Producer – Deep Purple Technician [Equipment] – Ian (Bige) Hansford*, Mick (Egg) Angus* Written-By – Gillan*, Paice*, Lord*, Blackmore*, Glover*

USA FIRST PRESSING VINYL ALBUM IN GATEFOLD SLEEVE WITH COMPANY INNER SLEEVE.

MATRIX:  SIDE A: WS-1877 39759-A-1A [Artisan logo] B-1 1 S 1 S; SIDE B: WS-1877 39760-B-1B [Artisan logo] A S 1.

SLEEVE: VERY GOOD+, SOME SHELF, CORNER, EDGE AND RING WEAR. INNER SLEEVE HAS TAPE REPAIRS ON EDGES.

DISC: VERY GOOD+. NO SCRATCHES BUT THERE ARE SOME PLAY SCUFFS, HAIRLINES AND FINGERPRINTS. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are clearer, the music tends to sound more ‘alive’ and vibrant and you 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  



  • 1. USA IS $6.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME.
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  • 2. INTERNATIONAL BY EBAY.