Wes Montgomery – March 6, 1925-June 15, 1968 Label: Riverside Records – RS-3036 Format: Vinyl, LP, Compilation, Remastered, Stereo, Monarch pressing Country: US Released: 1968 Genre: Jazz Style: Contemporary Jazz Tracklist Hide Credits A1 Jingles Written-By – Wes Montgomery Written-By – Wes Montgomery 5:29 A2 Satin Doll Written-By – Duke Ellington Written-By – Duke Ellington 3:53 A3 While We're Young Written-By – A. Wilder*, M. Palitz*, B. Engvick* Written-By – A. Wilder*, M. Palitz*, B. Engvick* 2:12 A4 Cotton Tail Written-By – Duke Ellington Written-By – Duke Ellington 3:38 A5 Groove Yard Written-By – Carl Perkins Written-By – Carl Perkins 2:58 B1 I'm Just A Lucky So And So Written-By – Ellington*, David* Written-By – Ellington*, David* 5:57 B2 Body And Soul Written-By – Heyman*, Green*, Sour* Written-By – Heyman*, Green*, Sour* 7:18 B3 Remember Written-By – Irving Berlin Written-By – Irving Berlin 5:34 B4 Sandu Written-By – Clifford Brown Written-By – Clifford Brown 3:21 Companies, etc. Distributed By – ABC Records, Inc. Published By – Taggie Music Published By – Tempo Music (6) Published By – Regent Music Published By – Robbins Music Corp. Published By – Paramount Music Corp. Published By – Harms, Inc. Published By – Irving Berlin Music Corp. Published By – Brent Music Pressed By – Monarch Record Mfg. Co. Lacquer Cut at – Longwear Plating Credits Design [Cover] – Byron Goto, Henry Epstein Engineer – Bob Arnold Liner Notes – Ralph J. Gleason Photography By [Cover Photos] – Byron Goto, Jim Marshall (3) Producer [Original] – Orrin Keepnews Supervised By [Re-mastering] – Bob Thiele Notes Gatefold sleeve. Published by: A1: Taggie Music - BMI A2: Tempo Music - ASCAP A3: Regent Music - BMI A4: Robbins Music Corp. - ASCAP A5: Unknown B1: Paramount Music Corp. - ASCAP B2: Harms Inc. - ASCAP B3: Irving Berlin Music Corp. - ASCAP B4: Brent Music - BMI Barcode and Other Identifiers Matrix / Runout (Runout Side 1 etched): RS - 3036 - A [MR] LW △12304 Matrix / Runout (Runout Side 2 etched): RS - 3036 - N [MR] LW △12304-X Rights Society: ASCAP Rights Society: BMI  

USA FIRST PRESSING VINYL ALBUM IN GATEFOLD SLEEVE WITH ORIGINAL WHITE INNER SLEEVE.

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR.   INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.

DISC: EXCELLENT MINUS. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are clearer, the music tends to sound more ‘alive’ and vibrant and you 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  



  • 1. USA IS $6.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME.
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    Add $12.00 for each additional LP [$10 to Canada] purchased at the same time