- Great vintage 1970's D.C. LARUE PINUP!!!
- Measures approximately 8 X 11 inches.
- Original - not a copy or reprint.
- There is a bit of moisture discoloration in upper left corner.
- Fast ship. Satisfaction guaranteed.
- FREE SHIPPING for First Class Mail in USA.
- Priority Mail upgrade available.
- International shipping available.
MAGAZINE PINUPS & PRINT ADS make fantastic keepsakes and spectacular one-of-a-kind display items!
Buy as many as you like...
Combine several together to make spectacular collections with stunning display effects!
BUY MORE AND SAVE WITH COMBINED SHIPPING!
On our magazine pinups and print ads, there is no additional shipping charge for multiple items!
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We ship WORLDWIDE.
Yes, we combine shipping.
See ITEM DETAILS for current rates and services.
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A pinup is a picture, usually from a magazine or book, intended for display.
A pinup is not a "hard copy" photograph on photo stock paper.
D.C. LaRue (born David Charles L'Heureux on April 26, 1948 in Meriden, Connecticut, U.S.A.) was a disco artist. His music was successful in dance/disco clubs and on dance music charts worldwide during the late '70s and early '80s. His first big hit happened in 1976 and was titled "Cathedrals". With its release on Pyramid Records D.C. proved he could write, sing, produce and perform like a true veteran. LaRue's 1976 "Cathedrals" 12" 45 RPM caused an immediate sensation in the disco/dance clubs throughout the world. D.C. was the first white male to ever hold the #1 R&B/Soul chart position in England. Cathedrals was the first commercially available 12" disco single in the USA and the only 12" single to be charted on Billboard Magazine's Top 100 Singles chart before or since. In less than a year he began work on his second album, The Tea Dance. The 1976 recording featured such notable background singers as Lani Groves and Sharon Redd. It also included a duet with legendary 1960s rock/pop icon Lou Christie. The stand out cuts included the 12" of "Face Of Love," "Overture" and "Don't Keep It In The Shadows." The album presented itself was a concept capturing the essence and feel of a Broadway show and all the cuts from this album would peak at number two for two weeks on the disco chart [1]. LaRue's Cathedrals album sold over 100,000 copies in its first three weeks of release but The Tea Dance more than doubled that sales figure and over the course of its life and became a bigger hit.
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