MENDELSSOHN
Violin Concerto, Op. 64
MOZART
Violin Concerto No. 3
SEALED limited edition 180 gram Vinyl
LP. Testament Records SBTLP 1483. Mono, Limited edition 180 gram vinyl reissue. COVER &
VINYL: MINT still sealed, never played.
JOHANNA MARTZY (violin)
WOLFGANG SAWALLISCH conducts PHILHARMONIA ORCHESTRA
New release includes previously unpublished performances of Mozart, Mendelssohn concertos
This program completes Testament's reissue of the recordings made for
EMI by the fabled Hungarian violinist Johanna Martzy. At the same time
it features two of the earliest recordings made by the great German
musician Wolfgang Sawallisch, a master accompanist as both pianist and
conductor, as well as a profound interpreter of the symphonic
literature. The Mozart G major Concerto and this version of the
Mendelssohn Concerto were not issued at the time. They are here
receiving their first European and American releases.
After some recordings for Deutsche Grammophon, Johanna Martzy came to
the notice of EMI's most influential producer, Walter Legge. Her first
sessions for Columbia took place at Kingsway Hall, London, in February
1954, Paul Kletzki conducting for her in the Brahms Concerto with the
Philharmonia Orchestra. Further sessions were scheduled for June: Bach's
C major solo Sonata at Abbey Road Studios and the Mozart G major and
Mendelssohn E minor concertos with the Philharmonia and 30-year-old
Wolfgang Sawallisch at Kingsway Hall. These concertos were not released
at the time.
Martzy continued her Bach solo sessions at Abbey Road in July with
the D minor Partita; and the following March, April and May she
completed her exceptional set of Bach's unaccompanied masterpieces. Just
before Christmas 1955 the Mendelssohn was re-recorded with the
Philharmonia at Kingsway Hall, with Kletzki: One session was devoted to
the cadenza and Beethoven's two Romances were also taken down. In
September and November 1956, at the Electrola studios in Berlin, she and
Antonietti taped all Schubert's works for violin and piano. And that
was the end of Johanna Martzy's recording career. The capricious,
dictatorial and unpleasant Legge simply lost interest in her. It is
difficult to find artistic reasons as to why the Mozart and Mendelssohn
recordings were not issued in Martzy's lifetime. They are both excellent
performances ... . Martzy plays both concertos very well and since
their belated release on a Japanese CD, some critics have even suggested
that the Mendelssohn interpretation is superior to the substitute
version that Martzy made with Kletzki.
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