We are pleased to offer an Orenco Originals Counted Cross Stitch Chart, Pattern, Graph

Counted Cross Stitch Chart Specifics:

·        Size: 10 inches (140 stitches) by 14 inches (196 stitches)

·        Fabric Size: This chart is designed for 14 count fabric

·        Fabric Color: We suggest using ivory or white fabric

·        Thread: This chart is designed for DMC Cotton Floss

·        # Floss Colors: This chart calls for 40 colors

Note to Stitchers: You will receive a chart that is of the entire image including the background.  You can stitch the background or stitch on your choice of a 14-count solid cloth and create a raised embossed effect.

This is NOT  a Kit-Purchase for graph-pattern-chart only

What inspired this Chart-Pattern:

Jessie Willcox Smith, 1863-1935, Born in the Mount Airy neighborhood of Philadelphia, Pennsylvania, in 1884 Smith attended the School of Design for Women (which is now Moore College of Art & Design), and later studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins in Philadelphia, graduating in 1888. A year later, she started working in the production department of the Ladies' Home Journal, for five years.  She left to take classes under Howard Pyle, first at Drexel and then at the Brandywine School.  She was a prolific contributor to books and magazines during the late nineteenth and early twentieth centuries, illustrating stories and articles for clients such as Century, Collier's Weekly, Leslie's Weekly, Harper's, McClure's, Scribners, and the Ladies' Home Journal. Smith may be most well known for her covers on Good Housekeeping, which she painted from December 1917 through March 1933. She also painted posters and portraits. Her twelve illustrations for Charles Kingsley's The Water-Babies (1916) are also well known. On Smith's death, she bequeathed the original works to the Library of Congress' "Cabinet of American Illustration" collection. A thirteenth illustration remains in a private collection.  The Hall of Fame of the Society of Illustrators has inducted only 10 women since its inception in 1958. Smith was the second after Lorraine Fox. Of those ten, three of them occupied the same house, Cogslea, as the Red Rose Girls. Elizabeth Shippen Green and Violet Oakley were fellow Howard Pyle students who shared that space, which was arguably the finest assembly of illustrative talent ever in American life. Smith's papers are deposited in the collection of the Pennsylvania Academy of the Fine Arts.