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Description
Offered here is an original woodcut print on tissue by Hawaii artist Isami Doi, circa 1954. Print is hand signed in pencil at lower right and titled "Eventide". Image or block size is 5 1/8 x 7 1/4 inches. Has wide margins with sheet size of 7 3/4 x 11 inches. Included is original description sheet, which accompanied print when distributed to Honolulu Printmaker subscriber/members in 1954.
Condition is excellent. Print is unframed.
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Isami Doi (1903-1965)
Born at Ewa, on the island of Oahu in the Hawaiian islands, Isami Doi moved with his family to the island of Kauai, and thereafter he considered Kalaheo, Kauai his home. Best known for his printmaking and his painting, Doi is considered by many to be one of the most significant Hawaiian artists of his time, and was one of the earliest island-born artists of the twentieth century to achieve an international reputation.
Doi studied for two years at the University of Hawaii, went on to Columbia University for five years, and then continued his studies for a year in Paris. Aside from a brief visit back to Hawaii in 1934, Doi stayed in New York until 1938. He was a regular exhibitor at the Downtown Gallery in New York, first exhibiting there in 1929. He also had solo shows in Honolulu and San Francisco.
When he returned to the islands, Doi taught printmaking, drawing, and metal work, as well as designing jewelry for the S. and S. Gumps store, a San Francisco firm which had opened a store in Honolulu in 1929, and later for Mings jewelers. He also frequently exhibited his art in group exhibits. A noteworthy example of his work is Niyogi and Flute (1939, oil on canvas, Honolulu Academy of Arts), a portrait of a musician, simply painted with a limited color palette and skillful brushwork.
His first solo show at the Honolulu Academy of Arts took place in April 1929, and featured landscapes of the mountains of Kauai as well as fifteen prints. Following his sojourns in New York and Paris, when he returned to the islands, his work was again shown in Honolulu in January 1935. Dois subjects included themes of Hawaii and other locations, and he was widely praised as a modern artist who also embodied classic traditions in his work.
In 1946, Doi returned to Kauai, where he spent the rest of his life, until his death in 1965. A memorial exhibition was held at the Honolulu Academy of Art in 1966, at which time one critic wrote that of all the island born artists, he considered Isami Doi the most consistent in maintaining a passionate quest for quality and the highest degree of professional approach.
