Passaggio in Italia
by Dinko Fabris, Margaret K. Murata
Italian Soundscapes: Souvenirs from the Grand Tour, Dinko Fabris, Musical Encounters Public and Private, Margaret Murata, Singer-songwriters, the Lute, and the Stile Nuovo, John Griffiths, High, Middle, and Low: Singing Monteverdi, Richard Wistreich, 'Italia decolor'? Constantijn Huygens and Italian Music, Rudolf Rasch, Caccini in the Netherlands, Natascha Veldhorst, Barbara Strozzi and the Taming of the Male Poetic Voice, Wendy B. Heller, Travelling Players and Venetian Opera: Further Parallels between Commedia dell'arte and Dramma per musica, John Walter Hill, 'Fortuna instabile': Francesco Lucio and Opera Production in Seventeenth-Century Venice, Beth L. Glixon, Cavalli as Performer: What the Manuscript Score Can Tell Us, Hendrik Schulze, A French Visitor to Florence, May 1589, Iain Fenlon, The Oratorio in Rome in the Seicento: Its Sites and Its Public, Arnaldo Morelli, La Vie humaine dans les livrets de Giulio Rospigliosi. Elements pour une analyse typologique des personages, Jean-Francois Lattarico, 'L'armoniose idee della sua mente': Corelli, the Arcadians, and the Primacy of Rome, Franco Piperno, Three Spaniards Meet Italian Opera in the Age of Spanish Imperialism, Louise K. Stein.
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Table of Contents
Italian Soundscapes: Souvenirs from the Grand Tour, Dinko Fabris Musical Encounters Public and Private, Margaret Murata Singer-songwriters, the Lute, and the Stile Nuovo, John Griffiths High, Middle, and Low: Singing Monteverdi, Richard Wistreich 'Italia decolor'? Constantijn Huygens and Italian Music, Rudolf Rasch Caccini in the Netherlands, Natascha Veldhorst Barbara Strozzi and the Taming of the Male Poetic Voice, Wendy B. Heller Travelling Players and Venetian Opera: Further Parallels between Commedia dell'arte and Dramma per musica, John Walter Hill 'Fortuna instabile': Francesco Lucio and Opera Production in Seventeenth-Century Venice, Beth L. Glixon Cavalli as Performer: What the Manuscript Score Can Tell Us, Hendrik Schulze A French Visitor to Florence, May 1589, Iain Fenlon The Oratorio in Rome in the Seicento: Its Sites and Its Public, Arnaldo Morelli La Vie humaine dans les livrets de Giulio Rospigliosi. Elements pour une analyse typologique des personages, Jean-Francois Lattarico 'L'armoniose idee della sua mente': Corelli, the Arcadians, and the Primacy of Rome, Franco Piperno Three Spaniards Meet Italian Opera in the Age of Spanish Imperialism, Louise K. Stein.
Long Description
Italian Soundscapes: Souvenirs from the Grand Tour, Dinko Fabris, Musical Encounters Public and Private, Margaret Murata, Singer-songwriters, the Lute, and the Stile Nuovo, John Griffiths, High, Middle, and Low: Singing Monteverdi, Richard Wistreich, 'Italia decolor'? Constantijn Huygens and Italian Music, Rudolf Rasch, Caccini in the Netherlands, Natascha Veldhorst, Barbara Strozzi and the Taming of the Male Poetic Voice, Wendy B. Heller, Travelling Players and Venetian Opera: Further Parallels between Commedia dell'arte and Dramma per musica, John Walter Hill, 'Fortuna instabile': Francesco Lucio and Opera Production in Seventeenth-Century Venice, Beth L. Glixon, Cavalli as Performer: What the Manuscript Score Can Tell Us, Hendrik Schulze, A French Visitor to Florence, May 1589, Iain Fenlon, The Oratorio in Rome in the Seicento: Its Sites and Its Public, Arnaldo Morelli, La Vie humaine dans les livrets de Giulio Rospigliosi. Elements pour une analyse typologique des personages, Jean-Francois Lattarico, 'L'armoniose idee della sua mente': Corelli, the Arcadians, and the Primacy of Rome, Franco Piperno, Three Spaniards Meet Italian Opera in the Age of Spanish Imperialism, Louise K. Stein.
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