Publisher Description

Huysmans' dark masterpiece, published in the same year as The Picture of Dorian Gray, is a serious, uncompromisingly learned depiction of the Hell through which the search for spiritual meaning must lead. The protagonist, Durtal, is investigating the life of Gilles de Rais, mass-murderer and unlikely - or not so unlikely - companion-in-arms of Joan of Arc. Long meditations on the nature of art, guilt, the satanic and the divine take him to a black mass. This superb new translation by Brendan King vividly recalls the allusive, proto-expressionist vigour of the original; images snarl and spring at the reader. A fine introduction shows where Huysmans' mystical quest ended, and the notes prove vital. AUTHOR: J.-K. Huysmans (1847-1907) changed from being an obscure author and art critic to one of the most famous authors of his day with the publication of A Rebours (Against Nature) in 1884. A Rebours is a ground-breaking novel which captures the decadent spirit of the day and marks his final break with Zola and naturalism. Dedalus have published 11 books by J.-K. Huysmans, 9 in new translations by Brendan King: Marthe, Parisian Sketches, The Vatard Sisters, Stranded (En Rade), Drifting, Against Nature, Las Bas, Modern Art and The Cathedral. In addition to En Route and The Oblate of St Benedict. Robert Baldick's brilliant book The Life of J.-K. Huysmans was published by Dedalus in the autumn of 2005, updated and edited by Brendan King. In 2021 Dedalus will publish Brendan King's translation of his book of art criticism, Certain Artists

Author Biography

J.-K. Huysmans (1847-1907) changed from being an obscure author and art critic to one of the most famous authors of his day with the publication of A Rebours (Against Nature) in 1884. A Rebours is a ground-breaking novel which captures the decadent spirit of the day and marks his final break with Zola and naturalism. Dedalus have published 11 books by J.-K. Huysmans, 9 in new translations by Brendan King; Marthe, Parisian Sketches, The Vatard Sisters, Stranded (En Rade), Drifting, Against Nature, Las Bas, Modern Art and The Cathedral. In addition to En Route and The Oblate of St Benedict. Brendan King is a freelance writer, reviewer and translator with a special interest in late nineteenth-century French fiction. His Ph.D. was on the life and work of J.-K.Huysmans.He has translated La-Bas, Parisian Sketches, Marthe, Against Nature, Stranded, The Cathedral, The Vatard Sisters, Drifting and Modern Art by J.-K. Huysmans for Dedalus.He has also edited The Life of J.-K.Huysmans by Robert Baldick for Dedalus.

Review

'The classic tale of satanism and sexual obsession in nineteenth-century Paris, in an attractive new edition.'
Time Out
Sex, satanism and alchemy are the themes of this cult curio, which understandably caused shock waves in the Parisian literary world when it was first published in 1891. This Gothic shocker is not for the faint-hearted.
Jerome Boyd Maunsell in The Times

Long Description

'Literally translated as "down there", l-bas is here used by Huysmans in its other sense: Hell. This novel is one of the key texts of the Decadent movement of the 1890s and writhes with satanists, occultists, incubi (male demons), succubi (female demons) and intellectuals.Durtal is a disaffected, middle-aged writer living in Paris, not unlike Huysmans himself. Working on a biography of Gilles de Rais, a 15th-century nobleman and mass murderer widely thought to be the model for Bluebeard, Durtal researches Rais's obsession with alchemy. Through this, he becomes drawn into the underworld of 19th-century satanic worship.This sounds racy, and some areas of the novel do not disappoint: several setpieces - the description of a crucifixion, Rais's murderous rampage and the climactic debauched satanic mass - are described in vivid and barbaric prose.The rest follows the conversations of Durtal's friends over elaborate dinners in a gothic bell tower: peppered with references to historical figures and demonology, the obsessive detail at times verges on the comic. Durtal's friend des Hermies reports in the tones of a gossiping housewife that one devil-worshipping priest "fattens fish on consecrated wafers and toxic substances ... fortified by sacrilegious rites ... [then] leaves them to putrefy and extracts their essential oils".A precursor to the horror fiction of HP Lovecraft and the nihilism of Michel Houellebecq, Huysman's fascination with evil and gore, history and the gothic is clear, although one can be left with the impression of gutter press themes cloaked in a literary veil. As the first, and the darkest, in a tetralogy about conversion to Catholicism there is at least the hope of redemption to follow.'Sophia Martelli in The Observer

Review Quote

'The classic tale of satanism and sexual obsession in nineteenth-century Paris, in an attractive new edition.'Time Out

Details