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Willie's trombone mouthpiece YU TAMAKI Crystal 6, large shank (for thick pipes), gold plate (gold plated finish).
The body is engraved with the stylish design logo Willie's YAMANASHI JAPAN YU TAMAKI Crystal 6 all around the body.
Willie's Custom Brass is a mouthpiece workshop created by Masahito Nakagome in Kofu City, Yamanashi Prefecture in 2008.
Especially when it comes to trombone mouthpieces, they are highly acclaimed around the world for their joint development with top players, and for their delicate craftsmanship that incorporates the latest technology and know-how.
Willie's YU TAMAKI Crystal 6 is the signature model of Yu Tamaki, a trombonist who continues to be active internationally in Denmark, Europe, the United States, and Japan, transcending genres.
This is a valuable mouthpiece that is currently not manufactured and is difficult to obtain.
The Jewelry Series, which was released around 2018 as a joint development between Willie's and Yu Tamaki, is a new series of mouthpieces that freely change the tone while maintaining the same blowing feel based on Yu Tamaki's idea.
There are three types: Ruby, Sapphire, and Topaz, and among these, Topaz was popular for its moist and deep tone.
Further adjustments have been made to increase the response and the model has evolved into the Crystal model.
This mouthpiece has a reputation for its clear sound that is incomparable to previous mouthpieces.
The specifications of Willie's YU TAMAKI Crystal 6 are as follows:
Rim inner diameter: 25.4 millimeter (1 inch)
Bore (throat): 7.08 millimeter (.02 inches)
The gold-plated mouthpiece feels smooth against your lips, and its soft, slightly warm texture feels gentle and comfortable, especially when you've been practicing hard for a long time.
An increasing number of brass instrument players around the world are using gold-plated mouthpieces, and the timbre is a little wet, moist, and detailed, and in a good way, it produces an attractive sound with a little weight.
YU TAMAKI Crystal 6 is made with great precision throughout.
It shows a level of attention to detail and delicacy that surpasses high-quality mouthpieces from America and Europe.
As you can see visually, there is a slight straight line near the entrance of the throat, and it is a detailed structure that connects to the backbore.
The flow of breath is stable, and the pitch does not fluctuate even when playing softly, so it seems that the design has been designed with consideration to the performability of the sound.
Everything from the external design to the engravings are beautiful, with a well-balanced and mesmerizing beauty.
Of course, probably many people will like it even more if they actually play it.
Overall condition is very good.
There are very few marks here and there, but don't think they are noticeable unless you look closely.
The overall gold plating is in very good condition and shines beautifully.
From the rim and cup to the finish on the throat, backbore, and shank tip, the beautiful and precise finish stands out.
The surface of the mouthpiece, the inside of the cup, the backbore, and the tip of the shank have been thoroughly cleaned and polished, so there is no need to worry about dirt or anything.
The rim is slightly flat with a moderate inner edge.
Exquisite shape with a slightly gentle drop on the outside of the rim.
From the rim to the cup is an elaborate curve.
The design from the throat to the backbore is excellent.
It is a stylish and wonderful engraving that cannot be found in other manufacturers.
The design seems more beautiful than the recent ones.
The tip of the shank is also precisely finished.
The grounding part with the instrument is also in very good condition.

Please inspect pictures for condition reference.
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