Publisher Description

This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'.Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. -- .

Flap

In this important book Nick Crossley examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Dominant explanations of these developments have tended to focus upon strains and frustrations, both social and aesthetic, which are said to have provoked a generation of young people into rebellious action. Crossley identifies a number of problems with such explanations, stressing in particular their failure to explore punk's 'micro-mobilisation'. UK punk emerged within the interactions of a small, circumscribed and geographically concentrated network of music enthusiasts, he argues, and sociological analysis of it must start there; with this network and the events and mechanisms which allowed it to grow to a national scale, diffusing punk culture. Similarly, to fully understand post-punk we must investigate the various city-based networks, generated in some part through excitement about punk, which incubated both frustration at what it soon became and creative attempts to transcend its limitations.Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of social network analysis, Crossley engages with the detail of punk's emergence, diffusion and subsequent transformation into post-punk, offering a highly original and robust account of these fascinating and culturally important processes.Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact.

Author Biography

Nick Crossley is Professor of Sociology at the University of Manchester

Table of Contents

1 Introduction
2 Music worlds
3 Explaining punk: a review of existing accounts
4 Theorising micro-mobilisation: critical mass, collective effervescence, social networks and social space
5 Micro-mobilisation and the network structure of the London punk world
6 The evolution of the London network
7 Punk goes national: broadcast networks, media and moral panic
8 From Punk to post-punk: a tale of three cities
9 Joining the dots: post-punk worlds as networks
10 The small world of British post-punk
11 Conclusion
Index

Review

In sum, Networks of Sound, Style and Subversion can be appreciated on a number of different levels: as a case study of micro-mobilisation, as a demonstration of the explanatory powers of social network analysis, and as an account of 1970s punk and post-punk that breathes new life into a well worn subject.

'This book should appeal ultimately not just to scholars of punk or post-punk, but also to anyone interested in the process through which musical styles emerge.'
Brian F. Wright, Fairmont State University, Quarterly Journal of the Music Library Association, June 2016

'This is the most recent contribution to punk scholarship and in many ways one of the most sophisticated, both in terms of empirical research and data analysis.'
WILKINSON, D., WORLEY, M. and STREET, J. (2016) '"I Wanna See Some History": Recent Writing on British Punk', Contemporary European History, pp. 1–15 -- .

Promotional

This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk.

Long Description

This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'.Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. -- .

Review Quote

"This book should appeal ultimately not just to scholars of punk or post-punk, but also to anyone interested in the process through which musical styles emerge." - Brian F. Wright, Fairmont State University, Quarterly Journal of the Music Library Association, June 2016 "This is the most recent contribution to punk scholarship and in many ways one of the most sophisticated, both in terms of empirical research and data analysis." - WILKINSON, D., WORLEY, M. and STREET, J. (2016) "I Wanna See Some History": Recent Writing on British Punk', Contemporary European History, pp. 1-15

Description for Sales People

The first book length study to use social network analysis to explain and explore popular music worldsChallenges earlier understandings and explanations of the rise of punk and post-punkDevelops an innovative concept of 'music worlds', building upon and developing Howard Becker's highly influential account of 'Art Worlds'The first book length academic study of the British post-punk music world of the late 1970s

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