Publisher Description

The first detailed contextual study of chamber music in Beethoven's Vienna, at a time when the string quartet reigned supreme among the different chamber genresThis book is the first detailed contextual study of string quartets in Beethoven's Vienna, at a time when that genre reigned supreme among the different chamber genres. Focusing on a key transition period in the early nineteenth century, which bore witness to fundamental shifts in the 'private' sphere of music-making, it explores the 'cultivation' of string quartets by composers, critics, listeners, performers, publishers and patrons. The book highlights these parties' interactions, ideas and ideals, which were central to defining the unique cultures of chamber music arising at this time.We gain fresh insights into publishing and marketing, performance venues and practices, review culture, listening theories and practices, and composition in early nineteenth-century Vienna. Until now, the unique theatricality of chamber music, and the 'social' nature of its discourse, has been poorly appreciated. Cultivating String Quartets in Beethoven's Vienna addresses this misconception and enriches our understanding of this crucial period of change, in which concert life began and previously 'private' music was moved out onto the stage.NANCY NOVEMBER is Associate Professor in Musicology at the University of Auckland.

Table of Contents

IntroductionDefining Chamber Music in the Early Nineteenth CenturyCelebrating Haydn, Cultivating OperaSelling String Quartets in Beethoven's ViennaLocating String Quartets in Beethoven's ViennaEarly Nineteenth-Century Performance and CriticismSociability, Showmanship, and Study: 'Quartet Friends'The String Quartet and the ListenerSchubert's Song, Beethoven's TheatricalityEpilogue: Constructing 'Viennese Chamber Music'Bibliography

Review

A solid, well-researched study of an important genre during a crucial period in its history. * THE NORTHERN MARINER/LE MARIN DU NORD *
November's study of earlier nineteenth-century Vienna shows us above all a richly varied, often uncategorisable, musical and social culture founded to a significant degree on sheer pleasure, combining the sensual, the sociable, and the intellectual. It has much to offer musicologists, performers, and Liebhaber und Liebkenner. * BRIO *

Review Text

A solid, well-researched study of an important genre during a crucial period in its history. JOURNAL OF EUROPEAN STUDIES November's study of earlier nineteenth-century Vienna shows us above all a richly varied, often uncategorisable, musical and social culture founded to a significant degree on sheer pleasure, combining the sensual, the sociable, and the intellectual. It has much to offer musicologists, performers, and Liebhaber und Liebkenner. BRIO

Review Quote

November's study of earlier nineteenth-century Vienna shows us above all a richly varied, often uncategorisable, musical and social culture founded to a significant degree on sheer pleasure, combining the sensual, the sociable, and the intellectual. It has much to offer musicologists, performers, and Liebhaber und Liebkenner.

Details