Publisher Description

As Tristram Shandy narrates his life story, he is unable to explain anything simply. He must make explanatory diversions to add context and colour to his tale. Throughout his memoir, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, andphilosophy as he struggles to marshal his material and finish the story of his life.Laurence Sterne had read widely, which is reflected in Tristram Shandy. Many of his similes, for instance, are reminiscent of the works of the metaphysical poets of the 17th century, and the novel as a whole, with its focus on the problems of language, has constant regard to John Locke's theories in An Essay Concerning Human Understanding. Arthur Schopenhauer cited Tristram Shandy as one of the greatest novels ever written.This case laminate collector's edition includes a Victorian inspired dust-jacket.

Author Biography

Laurence Sterne (24 November 1713 - 18 March 1768) was an Irish novelist and an Anglican clergyman. He wrote the novels The Life and Opinions of Tristram Shandy, Gentleman and A Sentimental Journey Through France and Italy, and also published many sermons, wrote memoirs, and was involved in local politics. Sterne's novel The Life and Opinions of Tristram Shandy, Gentleman sold widely in England and throughout Europe. Translations of the work began to appear in all the major European languages almost upon its publication, and Sterne influenced European writers as diverse as Denis Diderot and the German Romanticists. His work had also noticeable influence over Brazilian author Machado de Assis, who made use of the digressive technique in the novel The Posthumous Memoirs of Bras Cubas. Tristram Shandy, in which Sterne manipulates narrative time and voice, parodies accepted narrative form, and includes a healthy dose of bawdy humour, was largely dismissed in England as being too corrupt. This is strikingly different from the views of European critics of the day, who praised Sterne and Tristram Shandy as innovative and superior. Voltaire called it "clearly superior to Rabelais", and later Goethe praised Sterne as "the most beautiful spirit that ever lived."

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