Publisher Description

The creations of female animation filmmakers are recognized all over the world while being, paradoxically, unknown to the general public. Women and Film Animation: A Feminist Corpus at the National Film Board of Canada 1939-1989 brings out of the shadows the work of true pioneers by presenting and analyzing, from a resolutely feminist perspective, the works they have conceived within the National Film Board of Canada (NFB).This institution has played an essential role in the emergence of animated cinema in Canada, but it is forgotten or ignored that a good part of this vast corpus is the work of women who have worked there not only as assistants but also as directors. These artists have contributed to changing the traditional representations of women in a unique way in both commercial and avant-garde animated cinema. The author accounts for their concerns, their creativity, and their many bright achievements. To do this, she relies on a wide range of critical works in social and cultural history of Canada, in feminist art history, and on multiple studies on animated cinema.Key Features:Provides an interdisciplinary approach that combines concepts from feminist studies, film theory and visual arts for a nuanced analysis of the role of women in animated cinemaDiscusses historical and sociological background that sheds light on the condition of womenIncludes a profound analysis of the changes and continuities in the role of women in this industry over time, focusing on the National Film Board of CanadaFeatures previously unreleased archival material and selected excerpts from reviews by the NFB's programming committee, highlighting the impact of production circumstances of the works of specific women animators

Author Biography

Marie-Josée Saint-Pierre serves as Associate Professor in the Art and Science of Animation Program at Université Laval School of Design. In 2004, she established MJSTP Films, an independent production company specializing in animated documentary. Her notable works include McLaren's Negatives (2006), Jutra (2014), and Oscar (2016). She holds a Ph.D. in Studies and Practices of the Arts, with a specialization in Feminist Studies, from l'Université du Québec à Montréal, and an M.F.A. in Film Production from Concordia University

Table of Contents

AcknowledgmentsNotesIntroductionPART IFILM ANIMATION, FEMINISMS, AND NFBCHAPTER 1The Particular Nature of Film AnimationCHAPTER 2The National Film Board of CanadaCHAPTER 3(Re)presenting WomenCHAPTER 4Feminist Uprisings in Cinematographic Creation at the NFBCHAPTER 5A Film to Highlight the International Women's YearPART IIA CORPUS OF ANIMATED FILMS UNDER THE FEMINIST LENSCHAPTER 6Motherhood, Mental Load and MystificationCHAPTER 7Women's Labor and the Notion of SexismCHAPTER 8The Reassessment of Social Relations Between the SexesCHAPTER 9Professional Accomplishment and the Trap of EssentialismConclusionAppendix AShort films directed by Marie-Josée Saint-PierreAppendix BShort, animated films directed by women at the National Film Board of Canada (1939-1989)FilmographyBibliographyArchives

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