Street Photography: From Atget to Cartier-Bresson

by Clive Scott

Estimated delivery 4-14 business days

Format Paperback

Condition Brand New

Description Street photography is perhaps the best-loved and most widely known of all photographic genres, with names like Cartier-Bresson, Brassai and Doisneau familiar even to those with a fleeting knowledge of the medium. Yet what exactly is street photography? From what viewpoint does it present its subjects, and how does this viewpoint differ from that of documentary photography? Looking closely at the work Atget, Kertesz, Bovis, Rene-Jacques, Brassai, Doisneau, Cartier- Bresson and more, this elegantly written book unpicks Parisian street photography's complex relationship with parallel literary trends — from Baudelaire to Soupault — as well as its more evident affinity with Impressionist art. "Street Photography" reveals the genre to be poetic, even "picturesque," looking not to the type but to the individual, not to the reality of the street but to its "romance."

Publisher Description

Street photography is perhaps the best-loved and most widely known of all photographic genres, with names like Cartier-Bresson, Brassai and Doisneau familiar even to those with a fleeting knowledge of the medium. Yet, what exactly is street photography? From what viewpoint does it present its subjects, and how does this viewpoint differ from that of documentary photography? Looking closely at the work of Atget, Kertesz, Bovis, Rene-Jacques, Brassai, Doisneau, Cartier- Bresson and more, this elegantly written book, extensively illustrated with both well-known and neglected works, unpicks Parisian street photography's affinity with Impressionist art, as well as its complex relationship with parallel literary trends and authors from Baudelaire to Philippe Soupault. Clive Scott traces street photography's origins, asking what really what happened to photography when it first abandoned the studio, and brings to the fore fascinating questions about the way the street photographer captures or frames those subjects - traders, lovers, entertainers - so beloved of the genre.
In doing so, Scott reveals street photography to be a poetic, even 'picturesque' form, looking not to the individual, but to the type; not to the 'reality' of the street but to its 'romance'.

Author Biography

Clive Scott is Professor of European Literature, School of English and American Studies, University of East Anglia. His books include The Spoken Image: Photography and Language and Translating Baudelaire.

Details

  • ISBN 1845112237
  • ISBN-13 9781845112233
  • Title Street Photography: From Atget to Cartier-Bresson
  • Author Clive Scott
  • Format Paperback
  • Year 2007
  • Pages 256
  • Publisher I. B. Tauris & Company
GE_Item_ID:14710908;

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