The Beatles
Cavern Club Membership Booklet

This is a Reproduction Replica of a Cavern Club Membership Card / Booklet 1964

The Cavern Club is where the Beatles Played in their Early Days

The Cover is green and has an illustraion in Red of the Club interier with the words "Membership Card" "The Cavern" "Mersey Beat" and "Liverpool

Inside the cover is where the member would fill his details in

A Map an illustration of Matthew Street is on another page

There is a page for Offical Use, Club Rules, Club notes and a page for Autographs and Forthcoming dates

There is a Calender for 1964

The back has a list of session times

Dimensions 11cm x 7cm with 12 Pages

In Excellent Condition

A Histortic Programme and Magnificent Keepsake Souvenir to Remember the greatest ever Pop Group

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TLIVERPOOL’S CAVERN CLUB IS THE CRADLE OF BRITISH POP MUSIC. IMPRESSIVELY, 60 YEARS AFTER ITS FOUNDATION, IT SURVIVES AND THRIVES AS A CONTEMPORARY MUSIC VENUE.
Through seven eventful decades, before, during and after The Beatles this legendary cellar has seen its share of setbacks yet has played a role in each epoch of music, from 1950s jazz to 21st century indie rock. Take a look at the Cavern’s rollercoaster ride through the decades and discover how it survived the setbacks and closures to become the most famous music club in the world!

The Beatles, formerly called the Quarrymen or the Silver Beatles, byname Fab Four, British musical quartet and a global cynosure for the hopes and dreams of a generation that came of age in the 1960s. The principal members were John Lennon (b. October 9, 1940, Liverpool, Merseyside, England—d. December 8, 1980, New York, New York, U.S.), Paul McCartney (in full Sir James Paul McCartney; b. June 18, 1942, Liverpool), George Harrison (b. February 25, 1943, Liverpool—d. November 29, 2001, Los Angeles, California, U.S.), and Ringo Starr (byname of Richard Starkey; b. July 7, 1940, Liverpool). Other early members included Stuart Sutcliffe (b. June 23, 1940, Edinburgh, Scotland—d. April 10, 1962, Hamburg, West Germany) and Pete Best (b. November 24, 1941, Madras [now Chennai], India).

The Beatles (1965, clockwise from top left): Paul McCartney, Ringo Starr, John Lennon, George Harrison.
The Beatles (from left to right): Paul McCartney, John Lennon, Ringo Starr, and George Harrison.
The Beatles (1965, clockwise from top left): Paul McCartney, Ringo Starr, John Lennon, George Harrison.
PRNewsFoto/Apple Corps Ltd./EMI Music/AP Images
The Beatles (from left to right): Paul McCartney, John Lennon, Ringo Starr, and George Harrison.
© David Redfern—Redferns/Retna Ltd.
Formed around the nucleus of Lennon and McCartney, who first performed together in Liverpool in 1957, the group grew out of a shared enthusiasm for American rock and roll. Like most early rock-and-roll figures, Lennon, a guitarist and singer, and McCartney, a bassist and singer, were largely self-taught as musicians. Precocious composers, they gathered around themselves a changing cast of accompanists, adding by the end of 1957 Harrison, a lead guitarist, and then, in 1960 for several formative months, Sutcliffe, a promising young painter who brought into the band a brooding sense of bohemian style. After dabbling in skiffle, a jaunty sort of folk music popular in Britain in the late 1950s, and assuming several different names (the Quarrymen, the Silver Beetles, and, finally, the Beatles), the band added a drummer, Best, and joined a small but booming “beat music” scene, first in Liverpool and then, during several long visits between 1960 and 1962, in Hamburg—another seaport full of sailors thirsty for American rock and roll as a backdrop for their whiskey and womanizing.

In autumn 1961 Brian Epstein, a local Liverpool record store manager, saw the band and fell in love. Unshakably convinced of their commercial potential, Epstein became their manager and proceeded to bombard the major British music companies with letters and tape recordings of the band, finally winning a contract with Parlophone, a subsidiary of the giant EMI group of music labels. The man in charge of their career at Parlophone was George Martin, a classically trained musician who from the start put his stamp on the Beatles, first by suggesting the band hire a more polished drummer (they chose Starr) and then by rearranging their second recorded song (and first big British hit), “Please Please Me,” changing it from a slow dirge into an up-tempo romp.

Beatles, the
Beatles, the; British Invasion
Beatles, the
The Beatles (from left to right): George Harrison, Ringo Starr, Paul McCartney, and John Lennon, 1963.
Pictorial Press Ltd/Alamy
Beatles, the; British Invasion
An overview of the Beatles and the origins of the British Invasion.
Encyclopædia Britannica, Inc.
Throughout the winter and into the spring of 1963, the Beatles continued their rise to fame in England by producing spirited recordings of original tunes and also by playing classic American rock and roll on a variety of British Broadcasting Corporation radio programs. In these months, fascination with the Beatles—at first confined to young British fans of popular music—breached the normal barriers of taste, class, and age, transforming their recordings and live performances into matters of widespread public comment. In the fall of that year, when they belatedly made a couple of appearances on British television, the evidence of popular frenzy prompted British newspapermen to coin a new word for the phenomenon: Beatlemania. In early 1964, after equally tumultuous appearances on American television, the same phenomenon erupted in the United States and provoked a so-called British Invasion of Beatles imitators from the United Kingdom.

Ed Sullivan (left) greeting the Beatles before their live television appearance on The Ed Sullivan Show in New York City, Feb. 9, 1964.
Beatles, the
Beatles, the: arrival in New York City
Ed Sullivan (left) greeting the Beatles before their live television appearance on The Ed Sullivan Show in New York City, Feb. 9, 1964.
AP
Beatles, the
The Beatles performing on The Ed Sullivan Show, February 9, 1964. In the foreground (left to right) are Paul McCartney, George Harrison, and John Lennon, and Ringo Starr is playing the drums.
AP Images
Beatles, the: arrival in New York City
The Beatles arriving in New York City, Feb. 7, 1964.
Stock footage courtesy The WPA Film Library
Beatlemania was something new. Musicians performing in the 19th century certainly excited a frenzy—one thinks of Franz Liszt—but that was before the modern mass media created the possibility of collective frenzy. Later pop music idols, such as Michael Jackson in the mid-1980s and Garth Brooks in the 1990s, sold similarly large numbers of records without provoking anything approaching the hysteria caused by the Beatles. By the summer of 1964, when the Beatles appeared in A Hard Day’s Night, a movie that dramatized the phenomenon of Beatlemania, the band’s effect was evident around the world as countless young people emulated the band members’ characteristic long hair, flip humour, and whimsical displays of devil-may-care abandon. Indeed, their transformative social and cultural influence was even recognized among the upper echelons of political power. In 1965 each of the four Beatles was made a Member of the Order of the British Empire (MBE), having been recommended for the honour by British Prime Minister Harold Wilson (and despite a brief storm of protest by some previous recipients, mainly military veterans, against what they perceived as a lowering of the dignity of the royal order).

A Hard Day's Night
A Hard Day's Night
(From left to right) Ringo Starr, George Harrison, John Lennon, and Paul McCartney in a publicity still from A Hard Day's Night (1964), directed by Richard Lester.
Proscenium Films
The popular hubbub proved to be a spur, convincing Lennon and McCartney of their songwriting abilities and sparking an outpouring of creative experimentation all but unprecedented in the history of rock music, which until then had been widely regarded, with some justification, as essentially a genre for juveniles. Between 1965 and 1967 the music of the Beatles rapidly changed and evolved, becoming ever more subtle, sophisticated, and varied. Their repertoire in these years ranged from the chamber pop ballad “Yesterday” and the enigmatic folk tune “Norwegian Wood” (both in 1965) to the hallucinatory hard rock song “Tomorrow Never Knows” (1966), with a lyric inspired by Timothy Leary’s handbook The Psychedelic Experience (1964). It also included the carnivalesque soundscape of “Being for the Benefit of Mr. Kite!” (1967), which featured stream-of-consciousness lyrics by Lennon and a typically imaginative arrangement (by George Martin) built around randomly spliced-together snippets of recorded steam organs—a tour de force of technological legerdemain quite typical of the band’s studio work in this era.

In 1966 the Beatles retired from public performing to concentrate on exploiting the full resources of the recording studio. A year later, in June 1967, this period of widely watched creative renewal was climaxed by the release of Sgt. Pepper’s Lonely Hearts Club Band, an album avidly greeted by young people around the world as indisputable evidence not only of the band’s genius but also of the era’s utopian promise. More than a band of musicians, the Beatles had come to personify, certainly in the minds of millions of young listeners, the joys of a new counterculture of hedonism and uninhibited experimentation—with music and with new ways of life. (Various members of the band in these years flirted with mind-expanding drugs such as LSD and also with exotic spiritual exercises such as transcendental meditation, a technique taught to them by Maharishi Mahesh Yogi, a barnstorming guru from India.)

Maharishi Mahesh Yogi (centre) with George Harrison (left) and John Lennon (right), at a UNICEF Gala in Paris, France.
Maharishi Mahesh Yogi (centre) with George Harrison (left) and John Lennon (right), at a UNICEF Gala in Paris, France.
Keystone/Hulton Archive/Getty Images
In those years the Beatles effectively reinvented the meaning of rock and roll as a cultural form. The American artists they admired and chose to emulate—Chuck Berry, Little Richard, Fats Domino, Elvis Presley, the Everly Brothers, Buddy Holly, the pioneering rock composers Jerry Leiber and Mike Stoller, the influential soul songwriter Smokey Robinson, and, after 1964, folksinger and topical songwriter Bob Dylan—became widely regarded as canonic sources of inspiration, offering “classical” models for aspiring younger rock musicians. At the same time, the original songs the Beatles wrote and recorded dramatically expanded the musical range and expressive scope of the genre they had inherited. Their close vocal harmonies, subtle arrangements, and clever production touches, combined with an elemental rhythm section anchored by Starr’s no-nonsense drumming, created new standards of excellence and beauty in a form of music previously known for amateurism.

After 1968 and the eruption of student protest movements in countries as different as Mexico and France, the Beatles insensibly surrendered their role as de facto leaders of an inchoate global youth culture. They nevertheless continued for several more years to record and release new music and maintained a level of popularity rarely rivaled before or since. In 1968 they launched their own record label, Apple; hoping to nurture experimental pop art, they instead produced chaos and commercial failure, apart from the work of the Beatles themselves. The band continued to enjoy widespread popularity. The following year Abbey Road went on to become one of the band’s best-loved and biggest-selling albums.

The Beatles (c. 1969–70, from left to right): George Harrison, Ringo Starr, Paul McCartney, John Lennon.
The Beatles (c. 1969–70, from left to right): George Harrison, Ringo Starr, Paul McCartney, John Lennon.
The Bettmann Archive
Meanwhile, personal disagreements magnified by the stress of symbolizing the dreams of a generation had begun to tear the band apart. Once the collaborative heart and soul of the band, Lennon and McCartney fell into bickering and mutual accusations of ill will. By now millions of dollars were at stake, and the utopian aura of the performers was in jeopardy, given the discrepancy between the band’s symbolic stature as idols of a carefree youth culture and their newfound real status as pampered plutocrats.

In the spring of 1970 the Beatles formally disbanded. In the years that followed, all four members went on to produce solo albums of variable quality and popularity. Lennon released a corrosive set of songs with his new wife, Yoko Ono, and McCartney went on to form a band, Wings, that turned out a fair number of commercially successful recordings in the 1970s. Starr and Harrison, too, initially had some success as solo artists. But, as time went by, the Beatles became as much of a historical curio as Al Jolson or Bing Crosby or Frank Sinatra or Elvis Presley before them.

In 1980 Lennon was murdered by a demented fan outside the Dakota, an apartment building in New York City known for its celebrity tenants. The event provoked a global outpouring of grief. Lennon is memorialized in Strawberry Fields, a section of Central Park across from the Dakota that Yoko Ono landscaped in her husband’s honour.

John Lennon.
John Lennon.
PRNewsFoto/Rock and Roll Hall of Fame Annex/AP Images
In the years that followed, the surviving former Beatles continued to record and perform as solo artists. McCartney in particular remained musically active, both in the pop field, producing new albums every few years, and in the field of classical music—in 1991 he completed Liverpool Oratorio; in 1997 he supervised the recording of another symphonic work of large ambition, Standing Stone; and in 1999 he released a new classical album, Working Classical. McCartney was knighted by the queen of England in 1997. Starr was also very visible in the 1990s, touring annually with his All-Star Band, a rotating group of rock veterans playing their hits on the summertime concert circuit. Beginning in 1988, Harrison recorded with Bob Dylan, Tom Petty, Jeff Lynne, and Roy Orbison in a loose amalgam known as the Traveling Wilburys, but, for most of the 1980s and ’90s, he had a low profile as a musician while acting as the producer of several successful films. After surviving a knife attack at his home in 1999, Harrison succumbed to a protracted battle with cancer in 2001.

McCartney, Paul
Starr, Ringo
McCartney, Paul
Paul McCartney.
© Mary A Lupo/Shutterstock.com
Starr, Ringo
Ringo Starr, 2013.
Bradley Kanaris—Getty Images/Thinkstock
Early in the 1990s McCartney, Harrison, and Starr had joined to add harmonies to two previously unreleased vocal recordings by Lennon. These new songs by “the Beatles” served as a pretext for yet another publicity blitz, aimed at creating a market for a lavishly produced quasi-historical series of archival recordings assembled under the supervision of the band and released in 1995 and 1996 as The Beatles Anthology, a collection of six compact discs that supplemented a 10-hour-long authorized video documentary of the same name. A compilation of the band’s number one singles, 1, appeared in 2000 and enjoyed worldwide success, topping the charts in such countries as England and the United States. The afterglow of Beatlemania may have disappeared, but the iconography of an era of youthful tumult had been reverently preserved for posterity.

The Beatles were inducted into the Rock and Roll Hall of Fame in 1988, and Lennon (1994), McCartney (1999), Harrison (2004), and Starr (2015) were also inducted as individuals. In September 2009, specially packaged digitally remastered versions of the Beatles’ entire catalog and a Beatles version of the popular electronic music game Rock Band were released simultaneously. After it was reported in February 2010 that the financially troubled EMI was soliciting buyers for its Abbey Road Studios, where the Beatles made the great majority of their recordings, the British Department for Culture, Media, and Sport declared the recording complex a historic landmark. EMI subsequently announced that it would retain ownership of the iconic studio while seeking outside investment to improve its facilities.

Mersey Beat was a music publication in Liverpool, England in the early 1960s. It was founded by Bill Harry, who was one of John Lennon's classmates at Liverpool Art College. The paper carried news about all the local Liverpool bands, and stars who came to town to perform.

The Beatles had a close association with Mersey Beat, which carried many exclusive stories and photos of them. It also published several of Lennon's early writings, including a history of the band, and occasional comical classified advertisements by him as space filler.

In 1962, Mersey Beat held a poll to find out who was the most popular Merseyside group. The results were announced on 4 January 1962:

1. The Beatles
2. Gerry and the Pacemakers
3. The Remo Four
4. Rory Storm and the Hurricanes
5. Johnny Sandon and The Searchers
6. Kingsize Taylor and the Dominoes
7. The Big Three
8. The Strangers
9. Faron & The Flamingos[20]
10. The Four Jays[21]
11. Ian and the Zodiacs[22]
12. The Undertakers
13. Earl Preston & The TTs
14. Mark Peters and the Cyclones[23]
15. Karl Terry and the Cruisers[24]
16. Derry and the Seniors
17. Steve and the Syndicate
18. Dee Fenton and the Silhouettes
19. Billy Kramer and the Coasters
20. Dale Roberts and the Jaywalkers

Such was the popularity of the poll, Rushworth's music store manager, Bob Hobbs, presented Lennon and George Harrison with new guitars.[25] Many groups in Liverpool complained to Harry that his newspaper should be called Mersey Beatles, as he featured them so often.[26]

The Stern magazine in Germany phoned Harry and asked if he could arrange a photograph of all the groups in Liverpool. Harry suggested Kirchherr (then Sutcliffe's girlfriend) be the photographer, who would stand on a crane to take the photograph.[4] Virginia phoned every group in Liverpool and arranged for them all to turn up on the same day at St. George's Hall. Kirchherr and Max Scheler said that every group would be paid £1 per musician, but over 200 groups turned up on the day, and Kirchherr and Scheler ran out of money as a result.[27]

Another of the paper's noted supporters was Brian Epstein, the future Beatles' manager, who wrote a regular column about new record releases available at NEMS Enterprises. Note: The phrase Mersey Beat was also used to describe local music of the time, sometimes also called the Mersey Sound, see Beat music.

Harry asked a local singer, Priscilla White, to contribute a fashion column after writing an article called "Swinging Cilla", in which he wrote, "Cilla Black is a Liverpool girl who is starting out on the road to fame." Harry’s mistake came about because he could not remember her surname (which he knew was a colour), but White decided to keep it as a stage name.[10][28] Two years later Harry arranged for Black to sing for Epstein at the Blue Angel club, leading to a management contract.[29]

In late 1962, Harry wrote an article called "Take a look up North", asking for A&R men from London to travel up to Liverpool and see what was really happening with the music scene, but not one record company sent an A&R representative to Liverpool.[30] Journalist Nancy Spain once wrote an article for the News of the World newspaper, stating that "Bill and Virginia Harry were Mr. & Mrs. Mersey Beat", and when Bob Dylan visited Liverpool to appear at the Odeon, he specifically asked for Harry to act as his guide to the city.

Liverpool (/ˈlɪvərpuːl/) is a city in North West England, with an estimated population of 484,578 in 2016 within the City of Liverpool borough.[5] With its surrounding areas, it is the fifth-largest metropolitan area in the UK, with over 2.24 million people in 2011.[6] The local authority is Liverpool City Council, the most populous local government district within the metropolitan county of Merseyside and the largest within the Liverpool City Region.

Liverpool is located on the eastern side of the Mersey Estuary, and historically lay within the ancient hundred of West Derby in the south west of the county of Lancashire.[7][8] It became a borough in 1207 and a city in 1880. In 1889, it became a county borough independent of Lancashire. Its growth as a major port was paralleled by the expansion of the city throughout the Industrial Revolution. Along with handling general cargo, freight, raw materials such as coal and cotton, the city merchants were involved in the Atlantic slave trade. In the 19th century, it was a major port of departure for Irish and English emigrants to North America. Liverpool was home to both the Cunard and White Star Line, and was the port of registry of the ocean liner RMS Titanic, the RMS Lusitania, Queen Mary and Olympic.

The popularity of The Beatles and other groups from the Merseybeat era contributes to Liverpool's status as a tourist destination. Liverpool is also the home of two Premier League football clubs, Liverpool and Everton, matches between the two being known as the Merseyside derby. Liverpool is the sole British club to win five European Cups. The world-famous Grand National horse race takes place annually at Aintree Racecourse on the outskirts of the city.

The city celebrated its 800th anniversary in 2007. In 2008 it was nominated as the annual European Capital of Culture together with Stavanger, Norway.[9] Several areas of the city centre were granted World Heritage Site status by UNESCO in 2004. The Liverpool Maritime Mercantile City includes the Pier Head, Albert Dock, and William Brown Street.[10] Liverpool's status as a port city has attracted a diverse population, which, historically, was drawn from a wide range of peoples, cultures, and religions, particularly from Ireland and Wales. The city is also home to the oldest Black African community in the country and the oldest Chinese community in Europe.

Natives of the city of Liverpool are referred to as Liverpudlians, and colloquially as "Scousers", a reference to "scouse", a form of stew. The word "Scouse" has also become synonymous with the Liverpool accent and dialect.

Liverpool
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Wales
Blaenavon Industrial Landscape Castles and Town Walls of King Edward I in Gwynedd Pontcysyllte Aqueduct
Northern Ireland
Giant's Causeway
British Overseas Territories
Gorham's Cave Complex Gough Island Inaccessible Island Henderson Island Town of St. George and Related Fortifications
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Buildings and structures in Liverpool, England
Skyscrapers and highrises
(over 60m)
1 Princes Dock Alexandra Tower Beetham Tower Mann Island Buildings Municipal Buildings New Hall Place One Park West The Plaza Port of Liverpool Building Post & Echo Building Radio City Tower Royal Liver Building Thistle Atlantic Tower Unity Commercial Unity Residential West Tower
The Three Graces, Liverpool - DSC00557.JPG

Liverpool Commercial District.jpg

Liverpool Anglican Cathedral North elevation.jpg

Liverpool Metropolitan Cathedral at dusk new version.jpg
Notable lowrises
Albert Dock Alder Hey Children's Hospital Bank of England Bluecoat Chambers Britannia Adelphi Hotel Chinese Arch County Sessions House Crowne Plaza LJLA Cunard Building Empire Theatre Everyman Theatre Grand Central Hall Great North Western Hotel Hargreaves Building Homeopathic Hospital India Buildings International Slavery Museum Liverpool Central Library Liverpool Cotton Exchange Building Liverpool Magistrates' Court Liverpool Playhouse Liverpool Town Hall Liverpool Women's Hospital The Lyceum Malmaison Merseyside Maritime Museum Museum of Liverpool National Conservation Centre Oratory Oriel Chambers Philharmonic Hall Prudential Assurance Building Queen Elizabeth II Law Courts Royal Court Theatre Royal Insurance Building Royal Liverpool University Hospital Speke Hall Stanley Dock Tobacco Warehouse St. George's Hall Tate Liverpool Tower Buildings Victoria Building Walker Art Gallery White Star Building World Museum Liverpool
Places of worship
All Saints' Church Al-Rahma Mosque Church of All Hallows Church of Our Lady and Saint Nicholas Church of St Agnes and St Pancras Church of St Clare German Church Greek Orthodox Church of St Nicholas Gustav Adolf Church Liverpool Cathedral Liverpool Metropolitan Cathedral Norwegian Fishermans' Church Old Christ Church The Oratory Princes Road Synagogue St George's Church Saint John the Baptist's Church St Luke's Church St Luke's Church, Walton St Michael's Church Toxteth Unitarian Chapel Ullet Road Unitarian Church Welsh Presbyterian Church
Transportation
Liverpool Coach Station Liverpool One bus station James Street station Kingsway Tunnel Liverpool Central station Liverpool John Lennon Airport Liverpool Lime Street station Liverpool South Parkway station Mersey Railway Tunnel Moorfields station Queensway Tunnel
Shopping complexes
Clayton Square Shopping Centre Lewis's Building Liverpool ONE Metquarter New Mersey Shopping Park St. John's Shopping Centre
Sports venues and arenas
Anfield Echo Arena Goodison Park Liverpool Cricket Club O2 Academy Liverpool Wavertree Athletics Centre
Sculptures and monuments
Nelson Monument Steble Fountain Superlambanana Titanic Memorial Victoria Monument Wellington's Column Yellow Submarine Public art