This out of print 1995 Thorofon CD holds four orchestral works by women composers, written in the first half of the 20th century but mostly bearing a 19th-century Romantic sound. Johanna Muller-Hermann's Heroic Overture and the symphonic fantasy Brand are both Straussian; Maria Bach's Silhouetten is a series of mostly-impressionistic pieces, one of which uses the famous theme Gliere later used as his Sailor's Dance from "The Red Poppy"! Mary Dickenson-Auner's Irish Symphony is the most recent of the works, composed in 1941. It adds some neoclassical touches, but is still largely a late-romantic work.
Manfred Mussauer leads the Mahrische Philharmonic.

From the American Record Guide review:

Frauentöne is Women's Sounds, and this is Volume 1. It is good to see an entire 
release devoted to music by women, especially these three, who were pioneers in 
the largely male-dominated musical society early in this century. Johanna 
Muller-Hermann (1868-1941) and Maria Bach (1896-1978) were Austrian, and Mary 
Dickenson-Auner (1880-1965) was Irish.

Muller-Hermann studied with Guido Adler, Alexander von Zemlinsky, and Bohuslav 
Forster, and taught at the New Viennese Conservatory 1918-32. Her music was 
championed by such conductors as Wilhelm Furtwangler and Clemens Kraus. The 
Heroic Overture and Epilogue to a Tragedy (the play Brand by Henrik Ibsen) look 
to Reger, Wagner, and Strauss for inspiration and employ the large orchestral 
forces characteristic of these composers.

Maria Bach was one of the first women to study at the Vienna Music Academy; 
Joseph Marx was her teacher. Her ballet Silhouettes (15:12) dates from 1937. 
Following an impressionist 'Prelude of the Bells', the music is, in turn, 
inspired by Greek, Armenian-Turkish, Russian, and Jewish melorhythms.

Mary Dickenson-Auner studied violin, organ, and composition at the Royal Academy 
of Music in London and had an active career as a concert violinist, cut short by 
marriage. She moved to Vienna in 1920 and lived there for the rest of her life. 
Her 1941 Irish Symphony (24:11) is in five movements and skillfully integrates 
her own themes with traditional Irish folktunes. III, 'Caoine' (Lament of the 
Dead) is especially poignant, with its stirring string themes, harp, woodwind, 
and solemn brass motifs. V is a set of seven variations on a lively Irish dance 
tune. In style and substance the music reminded me of Harty, Parry, and 
Stanford.

  --Diederik De Jong 

 

Disc, booklet, and case are in near-mint condition.

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About Jimmosk's CDs
I sell high-quality, little-known works, mostly 19th- and 20th-century. Many of the CDs are used, some are still-sealed, and most are the only one of that disc I have to offer. I sell a low volume of CDs, but that way I can listen to each (except the sealed ones :-) and describe the music to give you a better idea of what you're in for before you plunge into the unknown!
   -Jim Moskowitz