GATHERED FROM COINCIDENCE - BRITISH FOLK-POP SOUND OF 1965-66 3 CD NEU

 

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Wir sind seit 15 Jahren bei Ebay Händler im Bereich Musik und Film / Ebay seller since 15 Years

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Produktbeschreibung/describtion:

Hier folgende 3 CD / Here following 3 CD:

GATHERED FROM COINCIDENCE BRITISH FOLK-POP SOUND OF 1965-66 3 CD NEU



Erscheinungsdatum / Release date: 29.06.2018
Hinweis: Versand erfolgt ab o.g. Datum / Shipping from releasedate



Genre:

Pop englischsprachig
Folk/Folklore + 60s Pop



Beschreibung/Titel / Description/Tracks:

 

Disk: 1
  1. Take Me for What I'm Worth - the Searchers
  2. Morning's Calling - Peter & Gordon
  3. Come and Stay with Me - Marianne Faithfull
  4. Follow Me - the Tony Jackson Group
  5. It's Your Turn to Cry - Terry Kennedy & John Carter
  6. Rejected - the Fenmen
  7. I Love Her Still - the Poets
  8. Frosted Panes - the Kytes
  9. Golden Lights - Twinkle
  10. I Won't Be Round You Anymore - the Chosen Few
  11. Absolutely Sweet Marie - the Factotums
  12. Hey Woman - Kenny Bernard
  13. Hey Mama You've Been on My Mind - the Caravelles
  14. Don't Go Away - the Zombies
  15. Now the Sun Has Gone - the Beatmen
  16. Think About the Times - the Times
  17. Penny Arcade - Michael Leslie
  18. Beyond the Risin' Sun - Marc Bolan
  19. Till You Say You'll Be Mine - Olivia Newton-John
  20. Go Away - the Mirage Featuring Graham Nash
  21. It's All Leading Up to Saturday Night - the Knack
  22. You've Cooled - Five Steps Beyond
  23. There's Just No Pleasing You - the Epics
  24. Splendor in the Grass -Gullivers People
  25. Mr. Smith - the Foresters
  26. It's All Over Now Baby Blue - the Cops 'N Robbers

 

Disk: 2
  1. Like a Rolling Stone - the Other Side
  2. Well, How Does It Feel? - Barbara Ruskin
  3. Lovers of the World Unite - David & Jonathan
  4. Catch the Wind - Donovan
  5. Age of Corruption - Alan Klein
  6. Blessed - Guy Darrell
  7. That Man's Got No Luck - Gary Benson
  8. It's Good News Week - Hedgehoppers Anonymous
  9. Bells - Dave Helling
  10. Very Last Day - the Hollies
  11. Sometime Never Day - Bill Fay
  12. Don't You Cry Over Me - the Slade Brothers
  13. When the Ship Comes in - Folk Blues Incorporated
  14. Wake Up My Mind - the Uglys
  15. Please Don't Switch Off the Moon Mr. Spaceman - Nicholas Hammond
  16. The Protest Singer - Micha
  17. Square Peg - the Four Pennies
  18. Gotta Make Their Future Bright - First Gear
  19. The Bells of Rhymney - Murray Head
  20. Don't Talk to Me of Protest - Jonathan King
  21. Dejection (Demo Version) - Five's Company
  22. That's Not My Kind of Love - Mick Softley with the Summer Suns
  23. Don't Sing No Sad Songs for Me - the Sorrows
  24. Rattle of a Toy - Tommy Yates
  25. Talkin' Denmark Street - John Cassidie
  26. The Times They Are A-Changin' - the Ian Campbell Folk Group

 

Disk: 3
  1. You've Got to Hide Your Love Away - the Silkie
  2. Wait Till the Summer Comes Along - the Kinks
  3. Don't Make Promises (You Can't Keep) - Peter Nelson
  4. Cheryl's Going Home - Adam Faith
  5. If You Gotta Go, Go Now - Manfred Mann
  6. I'm Looking Through You - Davey Graham
  7. Night Comes Down - Jon-Mark
  8. Early Morning Rain - the Settlers
  9. Sadness Hides the Sun - Greta Ann
  10. Thank You Boy - Dana Gillespie
  11. Love Minus Zero No Limit - the Compromise
  12. Day Must Come - Justin Hayward
  13. The Clown in the Alley - Meic Stevens
  14. I'm on Your Side - the Frugal Sound
  15. London Town - the Pretty Things
  16. Picking Up the Sunshine (Aka Bert's Blues) - Beverley
  17. Corrina Corrina - the Nightshift
  18. Listen People - Sarah Jane
  19. Four Strong Winds - Chad & Jeremy
  20. So Sad (To Watch Good Love Go Bad) - the Greenbeats
  21. Don't Think Twice It's Alright - Heinz with the Wild Boys
  22. Today Is the Highway - the Ramblers
  23. Love Is Strange - the Overlanders
  24. Subterranean Homesick Blues - Chas McDevitt & Shirley Douglas
  25. Mary Anne - the Shadows
  26. The Carnival Is Over - the Seekers

 

Prior to the early Sixties, folk and pop musicians inhabited largely different worlds. There were folk records that had become crossover pop hits, but in essence there was little or no common ground in terms of instrumentation or ideologies. But in the wake of the British beat/R&B boom (or, if you were in America, the British Invasion) and the emergence of Bob Dylan, such barriers were broken down for good. With British acts making music that, for the first time in nascent pop history, matched the quality of their American counterparts, suddenly everything was grist to the mill and musical cross-pollination was almost de rigueur. Dylan and The Beatles impacted heavily on each other, while The Byrds were pitched midway between the two - although their combination of jingle-jangle guitars and world-weary harmonies was heavily indebted to folk-pop pioneers The Searchers. By 1965, the folk-pop nexus was at it's glorious peak. That was particularly true in Britain, which saw many variations on the basic pop-meets-folk theme (in America, folk-rock had a relatively homogenised sound). Across three CDs and 79 tracks, Gathered From Coincidence examines every aspect of the British mid-Sixties folk-pop boom, incorporating Dylan-inspired singer/songwriters with a commercial pop sensibility, the more introverted beat groups, Marianne Faithfull-inspired female chanteuses and R&B hoodlums in newly-pensive mode, all bound together by the 6 or 12-string thrum or Rickenbacker clang. Ranging from massive chart hits to records that barely sold in double figures, Gathered From Coincidence includes the true believers, the musical dilettantes, the young wannabes, the cash-in merchants, the old guard looking to resuscitate a fading career and, of course, the earnest protest singers - and, just for good measure, we've also rounded up a handful of folksploitation discs from those positioning themselves for roughly three minutes as anti-protest protesters. With a significant number of tracks making their CD debut and even a couple of previously unissued cuts, Gathered From Coincidence is a fascinating, even revelatory overview of a still largely-neglected stitch in pop's unending tapestry: that curiously downbeat two-year period between the dying embers of the beat boom's irresistible exuberance and the arrival of psychedelia's swirling multi-coloured hues.



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