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Description
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Format: Vinyl, LP, Album, Mono
Country: US
Style: Vocal
Tracklist
A1
The Happy Wonderer
A2
Laudate Dominum
A3
LIft Thine Eyes
A4
En Passant Par La Lorraine
A5
Ave Maria
B1
Dominique
B2
Jesu Dulis Memoria
B3
My Shepherd Is The Lord
B4
Patapan
B5
What Child Is This?
Synthetic Plastics Co., Newark, N.J., U.S.A.
Barcode and Other Identifiers
Barcode: None
Matrix / Runout: X1019A
Matrix / Runout: X1019B
SOUND TESTED
BUYER APPROVED
RECORDS PLAY NM
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FYI
A nativity scene takes its inspiration from the accounts of the birth of Jesus in the Gospels of Matthew and Luke. Luke's narrative describes an angel announcing the birth of Jesus to shepherds who then visit the humble site where Jesus is found lying in a manger, a trough for cattle feed.(Luke 2:8-20) Matthew's narrative tells of "wise men" (grk.μαγοι magoi) who follow a star to the house where Jesus dwelt, and indicates that the Magi found Jesus some time later, less than two years after his birth, rather than on the exact day.(Mat.2:1-23) Matthew's account does not mention the angels and shepherds, while Luke's narrative is silent on the Magi and the star. The Magi and the angels are often displayed in a nativity scene with the Holy Family and the shepherds although there is no scriptural basis for their presence.(Luke 2:7;2:12;2:17)
St. Francis of Assisi is credited with creating the first nativity scene in 1223 at Greccio, Italy, in an attempt to place the emphasis of Christmas upon the worship of Christ rather than upon secular materialism and gift giving. The nativity scene created by St. Francis is described by St Bonaventure in his Life of Saint Francis of Assisi written around 1260. Staged in a cave near Greccio, St. Francis' nativity scene was a living one with humans and animals cast in the Biblical roles. Pope Honorius III gave his blessing to the exhibit. Such pantomimes became hugely popular and spread throughout Christendom. Within a hundred years every church in Italy was expected to have a nativity scene at Christmastime. Eventually, statues replaced human and animal participants, and static scenes grew to elaborate affairs with richly robed figurines placed in intricate landscape settings. Charles III, King of the Two Sicilies, collected such elaborate scenes, and his enthusiasm encouraged others to do the same.
In 1969, the American Civil Liberties Union (representing three clergymen, an atheist, and a leader of the American Ethical Society), tried to block the construction of a nativity scene on the Ellipse in Washington, D.C. When the ACLU claimed the government sponsorship of a distinctly Christian symbol violated separation of church and state, the sponsors of the fifty-year-old Christmas celebration, Pageant of Peace, who had an exclusive permit from the Interior Department for all events on the Ellipse, responded that the nativity scene was a reminder of America's spiritual heritage. The United States Court of Appeals ruled on December 12, 1969, that the crèche be allowed that year. The case continued until September 26, 1973, when the court ruled in favor of the plaintiffs and found the involvement of the Interior Department and the National Park Service in the Pageant of Peace amounted to government support for religion. The court opined that the nativity scene should be dropped from the pageant or the government end its participation in the event in order to avoid "excessive entanglements" between government and religion. In 1973, the nativity scene vanished.
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