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  The Singing Nuns Of
Jesus And Mary
Label: Diplomat Records ‎– X-1019, Diplomat Records ‎– X1019
Format: Vinyl, LP, Album, Mono
Country: US
Genre: Holiday, Pop
Style: Vocal

Tracklist
A1
The Happy Wonderer
A2
Laudate Dominum
A3
LIft Thine Eyes
A4
En Passant Par La Lorraine
A5
Ave Maria
B1
Dominique
B2
Jesu Dulis Memoria
B3
My Shepherd Is The Lord
B4
Patapan
B5
What Child Is This?

Notes
Synthetic Plastics Co., Newark, N.J., U.S.A.
Barcode and Other Identifiers
Barcode: None
Matrix / Runout: X1019A
Matrix / Runout: X1019B

SOUND TESTED
BUYER APPROVED
RECORDS PLAY NM
COVER G, SEAM SPLITS EACH SIDE, GRAPHICS GOOD
https://www.youtube.com/watch?v=5aK6zoBQBNM
(EXAMPLE OF ARTIST, NOT ACTUAL)
 
 
 
 
-----------------------
FYI

A nativity scene or crèche (/krɛʃ/or /kreɪʃ/; also known as a manger scene, or crib) is the special exhibition, particularly during the Christmas season, of art objects representing the scene of the birth of Jesus. While the term "nativity scene" may be used of any representation of the very common subject of the Nativity of Jesus in art, it has a more specialized sense referring to seasonal displays, either using model figures in a setting or enactments called "living nativity scenes" in which real humans and animals participate. Nativity scenes exhibit figures representing the infant Jesus, his mother Mary, and Joseph. Other characters from the nativity story such as shepherds and sheep, and angels may be displayed near the manger in a barn (or cave) intended to accommodate farm animals, as described in the gospels of Luke. A donkey and an ox are typically depicted in the scene, as well as the Magi and camels belonging to the Magi described in the Matthew. Several cultures add other characters and objects that may be Biblical or not.
Saint Francis of Assisi is credited with creating the first nativity scene in 1223 (a "living" one) intending thereby to cultivate the worship of Christ, having been inspired by his recent visit to the Holy Land where he had been shown Jesus's traditional birthplace. The scene's popularity inspired communities throughout Catholic countries to stage similar pantomimes.
Distinctive nativity scenes and traditions have been created around the world and are displayed during the Christmas season in churches, homes, shopping malls, and other venues, and occasionally on public lands and in public buildings. In the United States, the Metropolitan Museum of Art in New York City annually displays a Neapolitan Baroque nativity scene before a 20 feet (6.1 m) blue spruce.
Nativity scenes have not escaped controversy. In the United States, nativity scenes on public lands and in public buildings have provoked court challenges.
Birth of Jesus
A nativity scene takes its inspiration from the accounts of the birth of Jesus in the Gospels of Matthew and Luke. Luke's narrative describes an angel announcing the birth of Jesus to shepherds who then visit the humble site where Jesus is found lying in a manger, a trough for cattle feed.(Luke 2:8-20) Matthew's narrative tells of "wise men" (grk.μαγοι magoi) who follow a star to the house where Jesus dwelt, and indicates that the Magi found Jesus some time later, less than two years after his birth, rather than on the exact day.(Mat.2:1-23) Matthew's account does not mention the angels and shepherds, while Luke's narrative is silent on the Magi and the star. The Magi and the angels are often displayed in a nativity scene with the Holy Family and the shepherds although there is no scriptural basis for their presence.(Luke 2:7;2:12;2:17)
Origins and early history
St. Francis of Assisi is credited with creating the first nativity scene in 1223 at Greccio, Italy, in an attempt to place the emphasis of Christmas upon the worship of Christ rather than upon secular materialism and gift giving. The nativity scene created by St. Francis is described by St Bonaventure in his Life of Saint Francis of Assisi written around 1260. Staged in a cave near Greccio, St. Francis' nativity scene was a living one with humans and animals cast in the Biblical roles. Pope Honorius III gave his blessing to the exhibit. Such pantomimes became hugely popular and spread throughout Christendom. Within a hundred years every church in Italy was expected to have a nativity scene at Christmastime. Eventually, statues replaced human and animal participants, and static scenes grew to elaborate affairs with richly robed figurines placed in intricate landscape settings. Charles III, King of the Two Sicilies, collected such elaborate scenes, and his enthusiasm encouraged others to do the same.
The scene's popularity inspired much imitation in Catholic countries, and in the Early modern period sculpted cribs were set up in Catholic churches and homes, often exported from Italy. These elaborate scenes reached their artistic apogee in the Kingdom of Naples in the 16th to 18th centuries, but also Genoa had an important tradition in the same period, notably those of Anton Maria Maragliano. By the end of the 19th century nativity scenes became popular beyond Catholic settings, and many versions of various sizes and in various materials such as terracotta, paper, wood, wax and ivory were marketed, often with a backdrop setting in the stable.
Different traditions of nativity scenes emerged in different countries. Hand-painted santons are popular in Provence. In southern Germany, Austria and Trentino-Alto Adige the figurines are handcut in wood. Colorful szopka are typical in Poland.
A tradition in England, involved baking a mince pie in the shape of a manger to hold the Christ child until dinnertime when the pie was eaten. When the Puritans banned Christmas celebrations in the 17th century, they also passed specific legislation to outlaw such pies, calling them "Idolaterie in crust".
Distinctive nativity scenes and traditions have been created around the world and are displayed during the Christmas season in churches, homes, shopping malls, and other venues, and occasionally on public lands and in public buildings. The Vatican has displayed a scene in St. Peter's Square near its Christmas tree since 1982 and the Pope has for many years blessed the mangers of children assembled in St. Peter's Square for a special ceremony. In the United States, the Metropolitan Museum of Art in New York City annually displays a Neapolitan Baroque nativity scene before a 20 feet (6.1 m) blue spruce.
Nativity scenes have not escaped controversy. A life-sized scene in the United Kingdom featuring waxworks celebrities provoked outrage in 2004, and, in Spain, a city council forbade the exhibition of a traditional toilet humor character in a public nativity scene. People for the Ethical Treatment of Animals (PETA) indicates that animals in living displays lack proper care and suffer abuse. In the United States, nativity scenes on public lands and in public buildings have provoked court challenges, and the prankish theft of ceramic or plastic nativity figurines from outdoor displays has become commonplace.
Nativity scenes have been involved in controversies and lawsuits.
In 1969, the American Civil Liberties Union (representing three clergymen, an atheist, and a leader of the American Ethical Society), tried to block the construction of a nativity scene on the Ellipse in Washington, D.C. When the ACLU claimed the government sponsorship of a distinctly Christian symbol violated separation of church and state, the sponsors of the fifty-year-old Christmas celebration, Pageant of Peace, who had an exclusive permit from the Interior Department for all events on the Ellipse, responded that the nativity scene was a reminder of America's spiritual heritage. The United States Court of Appeals ruled on December 12, 1969, that the crèche be allowed that year. The case continued until September 26, 1973, when the court ruled in favor of the plaintiffs and found the involvement of the Interior Department and the National Park Service in the Pageant of Peace amounted to government support for religion. The court opined that the nativity scene should be dropped from the pageant or the government end its participation in the event in order to avoid "excessive entanglements" between government and religion. In 1973, the nativity scene vanished.
In 1985, the United States Supreme Court ruled in ACLU v. Scarsdale, New York that nativity scenes on public lands violate separation of church and state statutes unless they comply with "The Reindeer Rule"—a regulation calling for equal opportunity for non-religious symbols, such as reindeer. This principle was further clarified in 1989, when the Supreme Court in County of Allegheny v. ACLU ruled that a crèche placed on the grand staircase of the Allegheny County Courthouse in Pittsburgh, PA violated the Establishment Clause, because the "principal or primary effect" of the display was to advance religion.
In 1994, at Christmas, the Park Board of San Jose, California, removed a statue of the infant Jesus from Plaza de Cesar Chavez Park and replaced it with a statue of the plumed Aztec god, Quetzalcoatl, commissioned with US$500,000 of public funds. In response, protestors staged a living nativity scene in the park.
In 2006, a lawsuit by the Alliance Defense Fund, a conservative Christian group in the United States, was brought against the state of Washington when it permitted a public display of a holiday tree and a menorah but not a nativity scene. Because of the lawsuit, the decision was made to permit a nativity scene to be displayed in the rotunda of the state Capitol, in Olympia, as long as other symbols of the season were included.
In 2013, Gov. Rick Perry signed into Texas law the Merry Christmas bill which would allow school districts in Texas to display nativity scenes.


 

 



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