Product description * World's first SACD. SACD single layer (playable only on SACD compatible players)
* Latest digital mastering by Keisuke Saito of ALTUS label in 2021 (1 & 2: DSD conversion from analog master tape, 192khz / 24bit mastering. 3:48khz / 16bit DAT master to DSD conversion, 192khz / 24bit mastering)
* In some places, there are noise caused by the master, some dropouts, and editing. * Normal jewel package specifications * Board print surface: Green specifications * Explanation: Mr. Hikoyuki Komibuchi, Mr. Tomohiko Shimoda, Mr. Yuichi Iwano, Mr. Ryosuke Miyashita, Mr. Kazuo Emori, etc., 18 pages in total (Explanation is (Use the one published on each existing CD)

Work Information Main Conductor: Takashi Asahina Orchestra: Osaka Philharmonic Orchestra Other Composition:
Anton Bruckner, Richard Wagner, Ludwig van Beethoven

Product introduction A enthusiastic European trip.
Two Bull 7s, including the legendary St. Florian performance, and Beto 7, who has exhausted everything.
Three main performances are recorded on one SACD single layer!
World's first SACD

The first SACD after all the European performances of Takashi Asahina & Osaka Philharmonic Orchestra released from the ALTUS label have been remastered. From the first European performance in 1975, a legendary performance in the sanctuary St. Florian and a performance in Groningen, the final performance of the easy journey two weeks later, two kinds of Bruckner No. 7 Is recorded. Not to mention the wonderfulness of the performance, but the difference between the tempo setting (the former is slower) and the organization (the latter is the double tube) that takes into account the characteristics of the venue is also really interesting, and if you listen to both, you will be even more impressed. The former is very valuable as a document because the sound of the bell after the 2nd movement and the clapping after the 1st movement are completely recorded. And in 1992, Beethoven No. 7 was unveiled on the final day from the third European performance. It is a famous performance that shook his voice and said, "I've been playing Beethoven for this day" after the performance, which was performed with all my strength in a double-tube formation.

These three performances are valuable records of European performances that demonstrated the power of Asahina and the Osaka Philharmonic Orchestra. In particular, the two performances in 1975 were performances that clearly showed the difference in location (including the acoustic characteristics of the hall), and the performance at St. Florian on 10/12 was a long-selling Victor board for a long time. It was a typical sound source. This ALTUS board is a sound source that was completely revived by new mastering in 2016, and after hearing the blank and the bark of a small bird after playing the Jean Jean board privilege at the time of the first appearance and the one movement cut on the Victor board, the performance is too much. At the time of its release, it became a hot topic as a valuable sound source in which the audience, who was struck by the sense of scale of the song, revived the part where the applause gradually sprang up spontaneously. Also included is a 6-minute applause that conveys the excitement of the performance after the performance. Also included is the bell of the monastery at 5 o'clock, which was miraculously heard after the performance of the second movement, which Mr. Koho Uno called the grace of God. Is just moving. The Novak version of Professor Novak was also present at the concert on the day. You can fully enjoy this performance record, which has become a legend, with high sound quality. Another sound source in the Netherlands on October 26th was recorded by engineer Yoshio Hirasawa, and it was left with very excellent sound quality. Released on the ALTUS label in 2011, it has a dignified performance with an immovable in-tempo that is typical of Asahina. Moreover, perhaps because of a special performance in Europe, this performance is also known as an overwhelming performance with a wonderful workmanship with a certain sense of tension.

Of the last overseas performances by both parties in 1992 in three European countries, this 11/9 live in Berlin, which was the final performance, was a sound source that was once released by Victor and was originally released in 2015. New mastering was done by the master and it was released from the ALTUS label. Asahina himself seemed to like it very much, and after the performance, he said that the concert was so satisfying that he told the people concerned that he had played Beethoven for this day. The venue for the performance, Sender Freies Berlin (SFB) Zendesar, is known as a very acoustic hall within the station, and Asahina herself liked this hall the most in Berlin. The recording is a delicate sound with high resolution like SFB recording, and you can enjoy a different sound from that of the Asahina Osaka Philharmonic recorded in Japan. Since both are live sound sources, I think that you can see the charm of Asahina that is different from the past with high resolution SACD. In this reprint, after the latest mastering by Keisuke Saito, the owner of the Altus label, a total of about 210 minutes was recorded on one SACD single layer board. In addition, each commentary at the time of commercial CD release is posted as it is in the manual.

Number of recorded contents | 1 sheet

[Song] Takashi Asahina / Osaka Philharmonic Orchestra Europe Performance 1975 & 1992
1. Anton Bruckner: Symphony No. 7 in E major WAB.107 (Haas version)
2. Anton Bruckner: Symphony No. 7 in E major WAB.107 (Haas version)
3. Richard Wagner: Prelude to Act 1 from the drama "Meistersinger in Nuremberg"
4. Ludwig van Beethoven: Symphony No. 7 in B major Op.92

[Performance]
Osaka Philharmonic Orchestra Takashi Asahina (conductor)

【recording】
October 12, 1975 St. Florian Monastery Malmozar (Austria) (1)
October 26, 1975 Osterport Grand Hall (Netherlands) (2)
November 9, 1992 Sender Freies Berlin (Germany) (3,4)
Above, live recording

[Master]
Altus

[Remastering (DIGITAL)]
In 2021, Mr. Keisuke Saito of Altus label performed the latest mastering and made it DSD

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