A high-cost phono equalizer that draws out the sound engraved on the record. Now that it can be said to be an analog revival, the existence of a phono equalizer is in the limelight. Meanwhile, Luxman develops a single phonoiko with good sound quality and reasonable price. Based on the conventional model "E-200", this machine "E-250" has been introduced with renewed components.

Uses an NF type equalizer circuit. It has a built-in 2-step gain switching (57dB / 66dB) MC boost transformer that uses an LR independent super permalloy core, and inherits some functions from the E-200, such as a low-cut switch that cuts bass noise that occurs in warped records. ..

This machine is equipped with load impedance switching and load capacity switching according to the characteristics of the cartridge for the first time. The minimalist appearance of the B4 size and thin body is also attractive.

For audition, the company's "PD-171A" is used for the analog player, and the phasemation flagship "PP-1000" is used for the cartridge. Monitor audio "Gold 300" was used as the speaker.

Bill Evans Trio "Waltz for Debby" has a wide reproduction band of all the instruments of the trio. The sound pressure of the bass is constant regardless of the pitch, the outline is sharp, and the sound has a natural transparency and the core is transmitted. High resolution 192kHz is comparable to the best reproduction.

Ingrid fritter Chopin was recorded in the hall, but the size of the stage and the height of the ceiling can be seen, and there is a sense of sound field that makes you feel the amount of cold air. The horizontal spread is rich, and the slightly dim brilliance of the overtones is also attractive.

Diana Krall's masterpiece "Live in Paris" (44-turn board) is decisive for the naturalness and skill of Echo's depiction. There is a tight volume in the low range, the bass does not bleed, the rhythm is carved, and even at medium volume, it has a rich penetrating power, creating a vivid sense of presence.

The perspective realism of the instrument is also fresh. In the second song, the light brushwork resolution of the rhythm instrument, the discreet depiction of strings, the drifting way of entering the brass, and the multi-layered depiction of the space are beautiful with a natural sense of unity.

What impressed me was Norah Jones' Come Away With Me. The real voice is clearly depicted in the stable center localization, and the overtones that make the back performance sparkle are beautiful. The sound density and density that are the features of this unit are demonstrated, and it is the highest quality reproduction that I have listened to this board dozens of times.

With its natural and supple freshness that is typical of the company, it can be said to be an audio that transcends the boundaries of analog and digital and reproduces the atmosphere of a concert as it is.

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