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TO
"SHOP NAKED."©
We deal in items we believe others will enjoy and want to purchase.
We are not experts.
We welcome any comments, questions, or concerns.
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NOW FOR YOUR VIEWING PLEASURE…
MINIATURE BUCKET / WATER PAIL
SOUVENIR BURNISHED
"STILLWATER OKLA"
MEASURES ABOUT 6cm / 9cm TO THE METAL HANDLE
UNUSUAL FOLK ART / TREEN
TURNED WOOD
PRIMATIVE
UNKNOWN DATE, estimated WWII ERA
c. 1940 - 1950
SOUVENIR BURNISHED
"STILLWATER OKLA"
MEASURES ABOUT 6cm / 9cm TO THE METAL HANDLE
UNUSUAL FOLK ART / TREEN
TURNED WOOD
PRIMATIVE
UNKNOWN DATE, estimated WWII ERA
c. 1940 - 1950
-------------------------------------------
--------------------------------------------
Wood carving (xyloglyphy) is a form of working wood by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures, to hand-worked mouldings composing part of a tracery.
Some of the finest extant examples of early wood carving are from the Middle Ages in Italy and France, where the typical themes of that era were Christian iconography. In England many complete examples remain from the 16th and 17th century, where oak was the preferred medium in this case
Figural carving seems to have been widespread. The carving to represent one's god in a tangible form finds expression in numberless ways. The early carver, and, for that matter, the native of the present day, has found a difficulty in giving expression to the eye, and at times has evaded it by inlaying this feature with colored material.
The nature of the wood being carved limits the scope of the carver in that wood is not equally strong in all directions: it is an anisotropic material. The direction in which wood is strongest is called "grain" (grain may be straight, interlocked, wavy or fiddleback, etc.). It is smart to arrange the more delicate parts of a design along the grain instead of across it, and the more slender stalks or leaf-points should not be too much separated from their adjacent surroundings. The failure to appreciate these primary rules may constantly be seen in damaged work, when it will be noticed that, whereas tendrils, tips of birds beaks, etc., arranged across the grain have been broken away, similar details designed more in harmony with the growth of the wood and not too deeply undercut remain intact. Probably the two most common woods used for carving are Basswood (aka Tilia or Lime) and Tupelo, both are hardwoods that are relatively easy to work with. Chestnut, Butternut, Oak, American walnut, mahogany and teak are also very good woods; while for fine work Italian walnut, sycamore maple, apple, pear, box or plum, are usually chosen. Decoration that is to be painted and of not too delicate a nature is as a rule carved in pine.
Woodturning is a form of woodworking that is used to create wooden objects on a lathe (see: also antique wooden polelathe). Woodturning differs from most other forms of woodworking in that the wood is moving while a stationary tool is used to cut and shape it. Many intricate shapes and designs can be made by turning wood.
There are two distinct methods of turning wood: spindle turning and faceplate turning. In spindle turning, the wood is fixed between 2 points. The spur center digs in to the wood and is powered by a motor. The other, a hard center or a live center may be a point or set of points in the tailstock. In face plate turning, the wood is secured with screws to a faceplate or in a chuck or jig. the tail stock and a center may also be used for added support on large pieces with a faceplate. Most bowls, platters and many vessels are face plate turned, while, Pens, furniture legs, spindles, and some vessels are spindle turned. The method used may differ depending on the shape of the blank and the technique of the turner, and both methods may be used on the same piece.
When wood is cut in such a way that the fiber being cut is not supported by the fiber below it, it tends to separate and tear. This "tearout" exhibits a rough, highly damaged looking surface texture and greatly reduces the value of any product exhibiting it. The direction of cut is different in spindle turning and faceplate turning because cutting in the wrong direction can cause tearout. Spindle turning cuts are made from high points toward the axis on the outside of the piece, and from the axis toward the outside when hollowing. When faceplate turning, the opposite applies.
The origin of woodturning dates to around 1300BC when the Egyptians first developed a two-person lathe. One person would turn the wood with a rope while the other used a sharp tool to cut shapes in the wood. The Romans improved the Egyptian design with the addition of a turning bow. Early bow lathes were also developed and used in Germany, France and Britain. In the Middle Ages a pedal replaced hand-operated turning, freeing both the craftsman's hands to hold the woodturning tools. The pedal was usually connected to a pole, often a straight-grained sapling. The system today is called the "spring pole" lathe (see Polelathe). Spring pole lathes were in common use into the early 20th Century. A two-person lathe, called a "great lathe", allowed a piece to turn continuously (like today's power lathes). A master would cut the wood while an apprentice turned the crank.
The term "bodger" stems from pole lathe turners who used to make the chair legs and spindles. A bodger would typically purchase all the trees on a plot of land, set up camp on the plot, and then fell the trees and turn the wood. The spindles and legs that were produced were sold in bulk, for pence per dozen. The bodger's job was considered unfinished because he only made component parts. The term now describes a person who leaves a job unfinished, or does it badly.
During the industrial revolution the lathe was motorized, allowing turned items to be created in less time. The motor also produced a greater rotational speed for the wood, making it easier to quickly produce high quality work. Today most commercial woodturning is done by computer-operated machinery allowing for mass-production that can be created with precision and without the cost of employing craftsmen. Despite this, there is still a demand for hand-turned products. Woodturning is also a hobby enjoyed by many people.
Modern professional woodturners are typically either "production" turners producing large quantities of functional pieces, or artistic turners producing smaller numbers of pieces, often enhanced after turning by carving, piercing, coloring, applying pyrography, gilding, or a number of other techniques to produce objects for the art market.
---------
Folk art encompasses art produced from an indigenous culture or by peasants or other laboring tradespeople. In contrast to fine art, folk art is primarily utilitarian and decorative rather than purely aesthetic. Folk Art is characterized by a naive style, in which traditional rules of proportion and perspective are not employed. Closely related terms are Outsider Art, Self-Taught Art and Naïve art.
As a phenomenon that can chronicle a move towards civilization yet rapidly diminish with modernity, industrialization, or outside influence, the nature of folk art is specific to its particular culture. The varied geographical and temporal prevalence and diversity of folk art make it difficult to describe as a whole, though some patterns have been demonstrated.
Characteristically folk art is not influenced by movements in academic or fine art circles, and, in many cases, folk art excludes works executed by professional artists and sold as "high art" or "fine art" to the society's art patrons. On the other hand, many 18th and 19th century American folk art painters made their living by their work, including itinerant portrait painters, some of whom produced large bodies of work.
Other terms that overlap with folk art are naïve art, Arts Primitive, Pop art, outsider art, traditional art, Tribal art, "tramp art", "self-taught" art and even "working class" art. As one might expect, all these terms have different connotations; but they are all at times used interchangeably with the term folk art, for which a satisfactory definition has proven hard to come by.
Folk art expresses cultural identity by conveying shared community values and aesthetics. It encompasses a range of utilitarian and decorative media, including cloth, wood, paper, clay, metal and more. If traditional materials are inaccessible, new materials are often substituted, resulting in contemporary expressions of traditional folk art forms. Folk art reflects traditional art forms of diverse community groups — ethnic, tribal, religious, occupational, geographical, age- or gender-based — who identify with each other and society at large. Folk artists traditionally learn skills and techniques through apprenticeships in informal community settings, though they may also be formally educated.
Antique folk art is distinguished from traditional art in that, while collected today based mostly on its artistic merit, it was never intended to be 'art for art’s sake' at the time of its creation. Examples include: weathervanes, old store signs and carved figures, itinerant portraits, carousel horses, fire buckets, painted game boards, cast iron doorstops and many other similar lines of highly collectible "whimsical" antiques.
Contemporary folk art
Many folk art traditions like quilting, ornamental picture framing, and decoy carving continue to thrive, while new forms constantly emerge. Since the 1960s the embellished bamboo pipe or chillum has become an American folk art form. These pipes are hand made, meant to be used, and often sold by the artists on street corners in places like the Haight-Ashbury district of San Francisco and the Greenwich Village neighborhood of New York City. As designs these contemporary smoking pipes recall traditional decorated bamboo pipes from Africa and Borneo, however, the American carved bamboo design often employs a brass lighting fixture for a bowl. Since the 1970s, street artist Darrel "Pipeman" Mortimer of San Francisco has made nearly 10,000 bamboo pipes with incised, tattoo-like lines, each signed, numbered, and sold personally. Hemp is a frequent motif while Native American themes and designs reminiscent of Victor Vasarely or M. C. Escher are also common.
Contemporary folk artists are frequently self-taught while their work is often developed in isolation or in small communities across the country. The Smithsonian American Art Museum houses over 70 such artists.
------------------
Stillwater is a city in, and the county seat of, Payne County, Oklahoma, United States. It is located in north-central Oklahoma at the intersection of U.S. Route 177 and State Highway 51. As of the 2010 census, the city population was 45,688, making it the tenth-largest city in Oklahoma. The Stillwater Micropolitan Statistical Area had a population of 78,399 according to the 2012 census estimate. Stillwater was part of the first Oklahoma Land Run held on April 22, 1889 when the Unassigned Lands were opened for settlement and became the core of the new Oklahoma Territory. The city charter was adopted on August 24, 1889, and operates under a council-manager government system.
Stillwater has a diverse economy with a foundation in aerospace, agribusiness, biotechnology, optoelectronics, printing and publishing, and software and standard manufacturing. Stillwater is home to the main campus of Oklahoma State University (the city's largest employer) as well as Northern Oklahoma College – Stillwater, Meridian Technology Center, and the Oklahoma Department of Career and Technology Education. The city is home to the National Wrestling Hall of Fame and Museum.
The north-central region of Oklahoma became part of the United States with the Louisiana Purchase in 1803. In 1832, author and traveler Washington Irving provided the first recorded description of the area around Stillwater in his book A Tour on the Prairies. He wrote of “a glorious prairie spreading out beneath the golden beams of an autumnal sun. The deep and frequent traces of buffalo, showed it to be a one of their favorite grazing grounds.”
According to one legend, local Native American tribes — Ponca, Kiowa, Osage, Pawnee — called the creek “Still Water” because the water was always still. A second legend states that cattlemen driving herds from Texas to railways back east always found water "still there". A third legend holds that David L. Payne walked up to Stillwater Creek and said, “This town should be named Still Water”. Members of the board thought he was crazy, but the name stuck.
Stillwater Creek received its official name in 1884 when William L. Couch established his “boomer colony” on its banks. While the creek itself was tranquil, the next few years saw turmoil as pioneers sought free, fertile land and soldiers held them off while complicated legal issues and land titles with Creek and Seminole tribes were hashed out. On April 22, 1889, the cannons fired signaling the first Land Run that opened up the Unassigned Lands of the Oklahoma Territory, which included Stillwater. By the end of the day, 240 acres (0.97 km2) had been claimed and designated as Stillwater Township and a tent city with a population numbering 300 had sprung up on the prairie. The Encyclopedia of Oklahoma History and Culture simply says that the name officially became Stillwater only when the post office opened on May 28, 1889.
On Christmas Eve, 1890, the legislature of Oklahoma Territory passed a bill certifying Stillwater as the land grant college site. In 1894, Oklahoma Agricultural and Mechanical College held a dedication of its first brick building, Assembly Building, later known as Old Central. Between 1889 and statehood, Stillwater grew. By statehood in 1907, downtown Stillwater was home to more than 50 buildings including several banks, churches, grocery stores, hotels, and department stores.
The first newspaper was the Stillwater Gazette; telephone and gas service arrived in 1899; and the Eastern Oklahoma Railroad arrived in 1900.
The population in 1917 was 3,000 and by World War II it had grown to more than 10,000. During the war, town leaders’ aim was to convert Oklahoma A&M into a war training center. They succeeded in creating 12 training units that involved bringing nearly 40,000 service men and women to Stillwater. The WAVES (Women's Accepted for Volunteer Emergency Service) was the largest with 10,000 participants. Quonset huts were dotted across town and barracks occupied the site where Stillwater Medical Center and the CareerTech headquarters are now. This vast operation tided the city through the war and served as a base for a healthy economy in the postwar period. In 1952, the Industrial Foundation was established and its trustees worked to bring new industry to town: Moore Plant in 1966, Swan Hose in 1968, Mercury Marine in 1973, National Standard plant in 1988, World Color Press in 1974 and Armstrong World Industries, Inc. in 1988. The census of 2000, the population was 39,065; however, the population was adjusted to 46,156 in 2009.
It was one of the 100 Best Places to Live in 2010, according to CNN Money Magazine.
Notable people
See also: List of Oklahoma State University people
Art Acord, (1890-1931), rodeo champion, Hollywood cowboy movie star
Ai (or Ai Ogawa) (1947–2010), poet, recipient of the 1999 National Book Award for Poetry
Xavier Adibi, former professional football player
Frank K. Berry, chess administrator/organizer
Garth Brooks, singer and songwriter
Bob Childers, folk musician, father of red dirt music
Ben Cline, American Congressman
Burr DeBenning (1936–2003), actor (A Nightmare on Elm Street 5: The Dream Child, Matlock, Magnum, P.I., Rockford Files, Columbo)
Angie Debo (1890–1988), historian of Native American and Oklahoma history
Robert DoQui (1934–1998), actor (Coffy, RoboCop)
Artie Smith, former professional football player
Julian Ewell (1915–2009), lieutenant general, U.S. Army
Edward C. Gallagher (1887–1940) Hall of Fame, Olympic and NCAA Champion Wrestling Coach, champion sprinter and football player.
Chester Gould (1900–1985), cartoonist, creator of Dick Tracy
Labron Harris Jr., pro golfer, 1962 U.S. Amateur champion
Matt Holliday, professional baseball player
Howard Keys, former professional football player and coach
Brad Leftwich, old-time fiddler
Robert A. Lowry, attorney, newspaper publisher, early settler who donated 80 acres of land on which Stillwater was first settled; often called "the father of Stillwater".
James Marsden, actor (X-Men, 30 Rock, Westworld)
Sharron Miller, television and film director, producer, and writer
Tyson Ritter, musician and actor, frontman of The All-American Rejects
Lawrence "Larry" Thompson (1911–1973), author, humor columnist at The Miami Herald
Rex Tillerson, former U.S. Secretary of State, former chairman and CEO of ExxonMobil
Alternative-rock band The All-American Rejects and indie-rock band Other Lives originated in Stillwater
Some of the finest extant examples of early wood carving are from the Middle Ages in Italy and France, where the typical themes of that era were Christian iconography. In England many complete examples remain from the 16th and 17th century, where oak was the preferred medium in this case
Figural carving seems to have been widespread. The carving to represent one's god in a tangible form finds expression in numberless ways. The early carver, and, for that matter, the native of the present day, has found a difficulty in giving expression to the eye, and at times has evaded it by inlaying this feature with colored material.
The nature of the wood being carved limits the scope of the carver in that wood is not equally strong in all directions: it is an anisotropic material. The direction in which wood is strongest is called "grain" (grain may be straight, interlocked, wavy or fiddleback, etc.). It is smart to arrange the more delicate parts of a design along the grain instead of across it, and the more slender stalks or leaf-points should not be too much separated from their adjacent surroundings. The failure to appreciate these primary rules may constantly be seen in damaged work, when it will be noticed that, whereas tendrils, tips of birds beaks, etc., arranged across the grain have been broken away, similar details designed more in harmony with the growth of the wood and not too deeply undercut remain intact. Probably the two most common woods used for carving are Basswood (aka Tilia or Lime) and Tupelo, both are hardwoods that are relatively easy to work with. Chestnut, Butternut, Oak, American walnut, mahogany and teak are also very good woods; while for fine work Italian walnut, sycamore maple, apple, pear, box or plum, are usually chosen. Decoration that is to be painted and of not too delicate a nature is as a rule carved in pine.
Woodturning is a form of woodworking that is used to create wooden objects on a lathe (see: also antique wooden polelathe). Woodturning differs from most other forms of woodworking in that the wood is moving while a stationary tool is used to cut and shape it. Many intricate shapes and designs can be made by turning wood.
There are two distinct methods of turning wood: spindle turning and faceplate turning. In spindle turning, the wood is fixed between 2 points. The spur center digs in to the wood and is powered by a motor. The other, a hard center or a live center may be a point or set of points in the tailstock. In face plate turning, the wood is secured with screws to a faceplate or in a chuck or jig. the tail stock and a center may also be used for added support on large pieces with a faceplate. Most bowls, platters and many vessels are face plate turned, while, Pens, furniture legs, spindles, and some vessels are spindle turned. The method used may differ depending on the shape of the blank and the technique of the turner, and both methods may be used on the same piece.
When wood is cut in such a way that the fiber being cut is not supported by the fiber below it, it tends to separate and tear. This "tearout" exhibits a rough, highly damaged looking surface texture and greatly reduces the value of any product exhibiting it. The direction of cut is different in spindle turning and faceplate turning because cutting in the wrong direction can cause tearout. Spindle turning cuts are made from high points toward the axis on the outside of the piece, and from the axis toward the outside when hollowing. When faceplate turning, the opposite applies.
The origin of woodturning dates to around 1300BC when the Egyptians first developed a two-person lathe. One person would turn the wood with a rope while the other used a sharp tool to cut shapes in the wood. The Romans improved the Egyptian design with the addition of a turning bow. Early bow lathes were also developed and used in Germany, France and Britain. In the Middle Ages a pedal replaced hand-operated turning, freeing both the craftsman's hands to hold the woodturning tools. The pedal was usually connected to a pole, often a straight-grained sapling. The system today is called the "spring pole" lathe (see Polelathe). Spring pole lathes were in common use into the early 20th Century. A two-person lathe, called a "great lathe", allowed a piece to turn continuously (like today's power lathes). A master would cut the wood while an apprentice turned the crank.
The term "bodger" stems from pole lathe turners who used to make the chair legs and spindles. A bodger would typically purchase all the trees on a plot of land, set up camp on the plot, and then fell the trees and turn the wood. The spindles and legs that were produced were sold in bulk, for pence per dozen. The bodger's job was considered unfinished because he only made component parts. The term now describes a person who leaves a job unfinished, or does it badly.
During the industrial revolution the lathe was motorized, allowing turned items to be created in less time. The motor also produced a greater rotational speed for the wood, making it easier to quickly produce high quality work. Today most commercial woodturning is done by computer-operated machinery allowing for mass-production that can be created with precision and without the cost of employing craftsmen. Despite this, there is still a demand for hand-turned products. Woodturning is also a hobby enjoyed by many people.
Modern professional woodturners are typically either "production" turners producing large quantities of functional pieces, or artistic turners producing smaller numbers of pieces, often enhanced after turning by carving, piercing, coloring, applying pyrography, gilding, or a number of other techniques to produce objects for the art market.
---------
Folk art encompasses art produced from an indigenous culture or by peasants or other laboring tradespeople. In contrast to fine art, folk art is primarily utilitarian and decorative rather than purely aesthetic. Folk Art is characterized by a naive style, in which traditional rules of proportion and perspective are not employed. Closely related terms are Outsider Art, Self-Taught Art and Naïve art.
As a phenomenon that can chronicle a move towards civilization yet rapidly diminish with modernity, industrialization, or outside influence, the nature of folk art is specific to its particular culture. The varied geographical and temporal prevalence and diversity of folk art make it difficult to describe as a whole, though some patterns have been demonstrated.
Characteristically folk art is not influenced by movements in academic or fine art circles, and, in many cases, folk art excludes works executed by professional artists and sold as "high art" or "fine art" to the society's art patrons. On the other hand, many 18th and 19th century American folk art painters made their living by their work, including itinerant portrait painters, some of whom produced large bodies of work.
Other terms that overlap with folk art are naïve art, Arts Primitive, Pop art, outsider art, traditional art, Tribal art, "tramp art", "self-taught" art and even "working class" art. As one might expect, all these terms have different connotations; but they are all at times used interchangeably with the term folk art, for which a satisfactory definition has proven hard to come by.
Folk art expresses cultural identity by conveying shared community values and aesthetics. It encompasses a range of utilitarian and decorative media, including cloth, wood, paper, clay, metal and more. If traditional materials are inaccessible, new materials are often substituted, resulting in contemporary expressions of traditional folk art forms. Folk art reflects traditional art forms of diverse community groups — ethnic, tribal, religious, occupational, geographical, age- or gender-based — who identify with each other and society at large. Folk artists traditionally learn skills and techniques through apprenticeships in informal community settings, though they may also be formally educated.
Antique folk art is distinguished from traditional art in that, while collected today based mostly on its artistic merit, it was never intended to be 'art for art’s sake' at the time of its creation. Examples include: weathervanes, old store signs and carved figures, itinerant portraits, carousel horses, fire buckets, painted game boards, cast iron doorstops and many other similar lines of highly collectible "whimsical" antiques.
Contemporary folk art
Many folk art traditions like quilting, ornamental picture framing, and decoy carving continue to thrive, while new forms constantly emerge. Since the 1960s the embellished bamboo pipe or chillum has become an American folk art form. These pipes are hand made, meant to be used, and often sold by the artists on street corners in places like the Haight-Ashbury district of San Francisco and the Greenwich Village neighborhood of New York City. As designs these contemporary smoking pipes recall traditional decorated bamboo pipes from Africa and Borneo, however, the American carved bamboo design often employs a brass lighting fixture for a bowl. Since the 1970s, street artist Darrel "Pipeman" Mortimer of San Francisco has made nearly 10,000 bamboo pipes with incised, tattoo-like lines, each signed, numbered, and sold personally. Hemp is a frequent motif while Native American themes and designs reminiscent of Victor Vasarely or M. C. Escher are also common.
Contemporary folk artists are frequently self-taught while their work is often developed in isolation or in small communities across the country. The Smithsonian American Art Museum houses over 70 such artists.
------------------
Stillwater is a city in, and the county seat of, Payne County, Oklahoma, United States. It is located in north-central Oklahoma at the intersection of U.S. Route 177 and State Highway 51. As of the 2010 census, the city population was 45,688, making it the tenth-largest city in Oklahoma. The Stillwater Micropolitan Statistical Area had a population of 78,399 according to the 2012 census estimate. Stillwater was part of the first Oklahoma Land Run held on April 22, 1889 when the Unassigned Lands were opened for settlement and became the core of the new Oklahoma Territory. The city charter was adopted on August 24, 1889, and operates under a council-manager government system.
Stillwater has a diverse economy with a foundation in aerospace, agribusiness, biotechnology, optoelectronics, printing and publishing, and software and standard manufacturing. Stillwater is home to the main campus of Oklahoma State University (the city's largest employer) as well as Northern Oklahoma College – Stillwater, Meridian Technology Center, and the Oklahoma Department of Career and Technology Education. The city is home to the National Wrestling Hall of Fame and Museum.
The north-central region of Oklahoma became part of the United States with the Louisiana Purchase in 1803. In 1832, author and traveler Washington Irving provided the first recorded description of the area around Stillwater in his book A Tour on the Prairies. He wrote of “a glorious prairie spreading out beneath the golden beams of an autumnal sun. The deep and frequent traces of buffalo, showed it to be a one of their favorite grazing grounds.”
According to one legend, local Native American tribes — Ponca, Kiowa, Osage, Pawnee — called the creek “Still Water” because the water was always still. A second legend states that cattlemen driving herds from Texas to railways back east always found water "still there". A third legend holds that David L. Payne walked up to Stillwater Creek and said, “This town should be named Still Water”. Members of the board thought he was crazy, but the name stuck.
Stillwater Creek received its official name in 1884 when William L. Couch established his “boomer colony” on its banks. While the creek itself was tranquil, the next few years saw turmoil as pioneers sought free, fertile land and soldiers held them off while complicated legal issues and land titles with Creek and Seminole tribes were hashed out. On April 22, 1889, the cannons fired signaling the first Land Run that opened up the Unassigned Lands of the Oklahoma Territory, which included Stillwater. By the end of the day, 240 acres (0.97 km2) had been claimed and designated as Stillwater Township and a tent city with a population numbering 300 had sprung up on the prairie. The Encyclopedia of Oklahoma History and Culture simply says that the name officially became Stillwater only when the post office opened on May 28, 1889.
On Christmas Eve, 1890, the legislature of Oklahoma Territory passed a bill certifying Stillwater as the land grant college site. In 1894, Oklahoma Agricultural and Mechanical College held a dedication of its first brick building, Assembly Building, later known as Old Central. Between 1889 and statehood, Stillwater grew. By statehood in 1907, downtown Stillwater was home to more than 50 buildings including several banks, churches, grocery stores, hotels, and department stores.
The first newspaper was the Stillwater Gazette; telephone and gas service arrived in 1899; and the Eastern Oklahoma Railroad arrived in 1900.
The population in 1917 was 3,000 and by World War II it had grown to more than 10,000. During the war, town leaders’ aim was to convert Oklahoma A&M into a war training center. They succeeded in creating 12 training units that involved bringing nearly 40,000 service men and women to Stillwater. The WAVES (Women's Accepted for Volunteer Emergency Service) was the largest with 10,000 participants. Quonset huts were dotted across town and barracks occupied the site where Stillwater Medical Center and the CareerTech headquarters are now. This vast operation tided the city through the war and served as a base for a healthy economy in the postwar period. In 1952, the Industrial Foundation was established and its trustees worked to bring new industry to town: Moore Plant in 1966, Swan Hose in 1968, Mercury Marine in 1973, National Standard plant in 1988, World Color Press in 1974 and Armstrong World Industries, Inc. in 1988. The census of 2000, the population was 39,065; however, the population was adjusted to 46,156 in 2009.
It was one of the 100 Best Places to Live in 2010, according to CNN Money Magazine.
Notable people
See also: List of Oklahoma State University people
Art Acord, (1890-1931), rodeo champion, Hollywood cowboy movie star
Ai (or Ai Ogawa) (1947–2010), poet, recipient of the 1999 National Book Award for Poetry
Xavier Adibi, former professional football player
Frank K. Berry, chess administrator/organizer
Garth Brooks, singer and songwriter
Bob Childers, folk musician, father of red dirt music
Ben Cline, American Congressman
Burr DeBenning (1936–2003), actor (A Nightmare on Elm Street 5: The Dream Child, Matlock, Magnum, P.I., Rockford Files, Columbo)
Angie Debo (1890–1988), historian of Native American and Oklahoma history
Robert DoQui (1934–1998), actor (Coffy, RoboCop)
Artie Smith, former professional football player
Julian Ewell (1915–2009), lieutenant general, U.S. Army
Edward C. Gallagher (1887–1940) Hall of Fame, Olympic and NCAA Champion Wrestling Coach, champion sprinter and football player.
Chester Gould (1900–1985), cartoonist, creator of Dick Tracy
Labron Harris Jr., pro golfer, 1962 U.S. Amateur champion
Matt Holliday, professional baseball player
Howard Keys, former professional football player and coach
Brad Leftwich, old-time fiddler
Robert A. Lowry, attorney, newspaper publisher, early settler who donated 80 acres of land on which Stillwater was first settled; often called "the father of Stillwater".
James Marsden, actor (X-Men, 30 Rock, Westworld)
Sharron Miller, television and film director, producer, and writer
Tyson Ritter, musician and actor, frontman of The All-American Rejects
Lawrence "Larry" Thompson (1911–1973), author, humor columnist at The Miami Herald
Rex Tillerson, former U.S. Secretary of State, former chairman and CEO of ExxonMobil
Alternative-rock band The All-American Rejects and indie-rock band Other Lives originated in Stillwater
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