Background:
Natural Bridge is a geological formation in Rockbridge County, Virginia, comprising a 215-foot-high (66 m) natural arch with a span of 90 feet (27 m). It is situated within a gorge carved from the surrounding mountainous limestone terrain by Cedar Creek, a small tributary of the James River. Consisting of horizontal limestone strata, Natural Bridge is the remains of the roof of a cave or tunnel through which the Cedar Creek once flowed.
Natural Bridge has been designated a Virginia Historic Landmark and a National Historic Landmark.
The Natural Bridge was a sacred site of the Native American Monacan tribe, who believed it to be the site of a major victory over pursuing Powhatans centuries before the arrival of Europeans in Virginia.
In March 1742, a frontiersman named John Howard — along with his son and others — was commissioned by Governor Gooch to explore the southwest of Virginia as far as the Mississippi River. The party followed Cedar Creek through the Natural Bridge, then floated in buffalo-skin boats down the New, Coal, Kanawha, and Ohio rivers to the Mississippi.
It is alleged that George Washington also came to the site in 1750 as a young surveyor. To support claims that Washington surveyed the area, tour guides claim the initials G.W. on the wall of the bridge, 23 feet (7.0 m) up, were carved by the future president. Legend also has it that George Washington threw a rock from the bottom of Cedar Creek over the bridge. In 1927, a large stone was found, also engraved G.W. and bearing a surveyor\\\\\\\'s cross, which historians accepted as proof that he indeed surveyed the bridge.
Thomas Jefferson purchased 157 acres (64 ha) of land including the Natural Bridge from King George III of England for 20 shillings in 1774. He called it the most Sublime of nature\\\\\\\'s works. Jefferson built a two-room log cabin, with one room reserved for guests, beginning its use as a retreat. While President, in 1802, he personally surveyed the area. Many famous guests stayed here, including John Marshall, James Monroe, Henry Clay, Sam Houston, and Martin Van Buren.
Natural Bridge was one of the biggest tourist attractions of the new world that Europeans visited during the 18th and 19th centuries. Vacationing guests from all over the world took day trips from Natural Bridge on horseback or horse-drawn carriages to explore the countryside. In 1833, a new owner erected the Forest Inn to accommodate the increasing number of people.
The bridge had considerable notoriety during the 19th century. Herman Melville alluded to the bridge in describing Moby-Dick: But soon the fore part of him slowly rose from the water; for an instant his whole marbleized body formed a high arch, like Virginia\\\\\\\'s Natural Bridge... William Cullen Bryant, another American literary figure, said that Natural Bridge and Niagara Falls were the two most remarkable features of North America. During the 1880s Natural Bridge was a resort owned by Colonel Henry Parsons, who also owned the nearby Rockbridge Inn.

Bartlett, William H. 1809 - 1854
Was a British artist, best known for his numerous drawings rendered into steel engravings.
Bartlett was born in Kentish Town, London in 1809. He was apprenticed to John Britton (1771–1857), and became one of the foremost illustrators of topography of his generation. He travelled throughout Britain, and in the mid and late 1840s he travelled extensively in the Balkans and the Middle East. He made four visits to North America between 1836 and 1852.
In 1835, Bartlett first visited the United States to draw the buildings, towns and scenery of the north-eastern states. The finely detailed steel engravings Bartlett produced were published uncolored with a text by Nathaniel Parker Willis as American Scenery; or Land, Lake, and River: Illustrations of Transatlantic Nature. American Scenery was published by George Virtue in London in 30 monthly installments from 1837 to 1839. Bound editions of the work were published from 1840 onward.
In 1838 Bartlett was in Canada producing sketches for Willis Canadian Scenery Illustrated, published in 1842.
Bartlett made sepia wash drawings the exact size to be engraved. His engraved views were widely copied by artists, but no signed oil painting by his hand is known. Engravings based on Bartletts views were later used in his posthumous History of the United States of North America, continued by Bernard Bolingbroke Woodward and published around 1856.
William Henry Bartlett died of fever on board of a French ship off the coast of Malta returning from his last trip to the Near East, in 1854.
Bartletts primary concern was to render lively impressions of actual sights, as he wrote in the preface to The Nile Boat (London, 1849). Many views contain some ruin or element of the past including many scenes of churches, abbeys, cathedrals and castles, and Nathaniel Parker Willis described Bartletts talent thus: Bartlett could select his point of view so as to bring prominently into his sketch the castle or the cathedral, which history or antiquity had allowed.

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