A superb and rare photo of the Lotus - Coventry Climax 16 Formula One factory racing car, photographed during its debut race; the French Grand Prix which was ridden on the 6TH of July 1958 on the circuit of Reims.


Graham Hill would ride the photographed car during its debut race, it was the only existing one at the time. Unfortunately Graham Hill was forced to retire due to engine problems during the 33RD lap of the 50 laps long race.


The Lotus 16 was the second single-seat racing car designed by Colin Chapman, and was built by his Lotus Cars manufacturing company for the Team Lotus racing squad. The Lotus 16 was constructed to compete in both the Formula One and Formula Two categories, and was the first Lotus car to be constructed specifically for Formula One competition. Its design carried over many technological features of the first Lotus single-seater, the Lotus 12, as well as incorporating ideas which Chapman had been developing while working on the Vanwall racing cars. Indeed, such was the visual similarity between the Vanwall and Lotus 16 designs that the Lotus was often dubbed the "mini Vanwall" by the contemporary motor sport press. Although the Lotus 16 only scored five Formula One World Championship points in the three seasons during which it was used, its raw pace pointed the way for its more successful successors, the Lotus 18 and 21.


Colin Chapman had started building Ford-engined, Austin 7-based specials shortly after the end of World War II, and had quickly graduated to his own sports car designs with the Lotus 6 of 1952. These lithe, lightweight sports cars immediately took a stranglehold on domestic British club racing, and through a rapid succession of upgraded models soon moved up to the international stage, culminating in class wins in the 24 Hours of Le Mans race in both 1956 and 1957. Also in 1956 Chapman's reputation as an engineering innovator saw him drafted in by the ambitious Vanwall team to help develop their Formula One cars, and in 1957 the first single-seat Lotus, the Formula Two Lotus 12, appeared. His experiences with Vanwall showed Chapman that his own Lotus 12 design could itself provide the basis for a Formula One competitor. The 12's spaceframe chassis design was adapted to accept its engine in a distinctly offset position and allowed the propshaft to pass to the left side of the driver, rather than beneath him, to lower the driving position and reduce frontal area. The steel chassis tubes themselves were of a thinner gauge than the 12's, sacrificing strength in Chapman's quest for weight-saving. However, the handling of the car was badly compromised by the unequal weight distribution which resulted from the engine positioning, and the 16 had to be reworked to accept its engine in a more conventional, albeit obliquely aligned, central location. The engine itself was Coventry Climax's FPF straight-4, essentially half of its older eight-cylinder unit, in a variety of sizes. Initially the cars were fitted with the 2 litre powerplant, but as Climax gradually stretched the FPF's capacity the Lotus 16 appeared with first a 2.2, then finally a 2.5 litre, full Formula One engine specification. As in the 12, the engine's power was transmitted to the road through the rear wheels, via Lotus's own 5-speed sequential manual transmission. In its earliest incarnations this gearbox — designed by Lotus but built by ZF in Germany — proved troublesome to use and gained itself the derogatorily punning nickname "queerbox". However, in 1957 Chapman had hired Keith Duckworth (later to find fame as one half of the founders of Cosworth, and father of the Cosworth DFV) who made significant improvements to its design. By the time that the Lotus unit found its way into the 16 it was a more reliable and less troublesome system.


The Lotus 16's front suspension was also borrowed from the 12, with Chapman's own double wishbone design incorporating the anti-roll bar within the upper wishbones; an example of Chapman's innovative attention to detail in trying to shave every excess ounce from his cars. Unlike the 12, however, the 16 was designed from the outset to incorporate the Chapman strut rear suspension design. This was one of the first rear independent suspension designs to be incorporated into a Formula One car, and offered much better traction, handling and adjustability than the previously-common de Dion tube systems. The 16 also sported the, by now iconic, Lotus "wobbly web wheels"; an innovative cast alloy design borrowed from the aviation industry. Brakes were disc brakes all round, mounted inboard at the rear. That the bodywork enclosing all of Chapman's innovative technology was similar in appearance to the Vanwall Grand Prix cars was no accident, as both cars had been sculpted by pioneer automotive aerodynamacist Frank Costin. As with many of Lotus's competition cars, the aluminium used to construct the bodywork was extremely thin and offered little in the way of support for the underlying chassis members. The car was extremely low and compact, with the bonnet barely reaching the same height as the tops of the front wheels, despite the smaller diameters used from the 1959 season onward. The driver sat in a slightly reclined position — nowhere near as extremely inclined as Chapman would later inflict upon his pilots but still unusual for its day — and behind the driver rose a stubby rear fin, incorporating the fuel tank. Eight Lotus 16s were built in total.


 The Lotus 16 had been intended for use from the beginning of the 1958 Formula One season. However, delays owing to the need to reposition the engine within the chassis meant that the first Lotus Formula One car was in fact a converted Lotus 12, which made Lotus's Grand Prix debut at the 1958 Monaco Grand Prix. The Lotus 16 finally saw light of day three Grands Prix later, at the 1958 French Grand Prix on 6 July. A single car was entered for this event, to be driven by works driver and sometime mechanic Graham Hill (SEE PHOTO!). The 16 did not perform well, posting the second slowest time in qualifying, only beating team-mate Cliff Allison's 12. Although the 16 was very aerodynamically efficient, thanks to Costin's bodywork, the high speed Reims-Gueux circuit did not favour the 16's rather under-powered 2 litre engine; Hill's car overheated on lap 33. Lotus 16s were entered for all of the remaining rounds of the 1958 World Championship season, sometimes in Formula Two configuration, but they often failed to finish the race. Commonly this was due to engine overheating or associated failures, but failures of other mechanical systems were far from uncommon. Although Hill and Allison did manage to nurse the 16 to the finish on a few occasions, most often they had completed too few laps to justify an official finishing classification. For the 1959 Formula One season the works cars were finally upgraded to the full 2.5 litre specification, and mechanical upgrades had been made to improve reliability. In addition to the works team, Lotus 16s had also been sold to a number of privateer entrants. As the season progressed the works cars were gradually developed still further, and their qualifying times began to fall. Reliability was still a major issue, however, and too often the cars again failed to complete a full race distance. Although regular works driver Hill failed to finish even a single race during the season, his team-mate Innes Ireland's car held together long enough to take five World Championship points, with fourth place in the Dutch Grand Prix and fifth in the season finale in the United States.


 In the opening round of the 1960 Formula One season the works team fielded 16s for Alan Stacey and local driver Alberto Rodriguez Larreta, while team-leader Ireland was equipped with the new Lotus 18. Following yet another retirement and a non-points finish Team Lotus abandoned the 16 entirely, in favour of the new model. However, with sponsorship from Robert Bodle Ltd., David Piper entered a lone 16 for the 1960 French and British Grands Prix, but again the car failed to trouble the Championship scorers.


Technical Specifications Lotus - Coventry Climax 16:


Chassis Steel spaceframe. Suspension (front): double wishbone with outboard coil over spring/damper units. Suspension (rear) Chapman strut with integrated coilover spring/damper units.


Track-width: 1195 mm (47 in). Wheelbase: 2235 mm (88 in). Engine: Coventry Climax FPF 2495 cc (152.2 in³) straight-4. Naturally aspirated, front mounted. Transmission: Lotus 5-speed sequential manual gearbox. ZF differential. Weight: 490 kg (1080 lb). Tyres: Dunlop Competition.


The Lotus car firm was formed as Lotus Engineering Ltd. by engineer Colin Chapman, a graduate of University College, London, in 1952. The first factory was in old stables behind the Railway Hotel in Hornsey. Team Lotus, which was split off from Lotus Engineering in 1954, was active and competitive in Formula One racing from 1958 to 1994. The Lotus Group of Companies was formed in 1959. This was made up of Lotus Cars Limited and Lotus Components Limited which focussed on road car and customer competition car production respectively. Lotus Components Limited became Lotus Racing Limited in 1971 but the newly renamed entity ceased operation in the same year. The company moved to a purpose built factory at Cheshunt in 1959 and since 1966 the company has occupied a modern factory and road test facility at Hethel, near Wymondham. This site is the former RAF Hethel base and the test track uses sections of the old runway. Lotus built tens of thousands of successful racing and road cars and won the Formula One World Championship seven times. The company also acts as an engineering consultancy, providing engineering development—particularly of suspension—for other car manufacturers.


 The company encouraged its customers to race its cars, and itself entered Formula One as a team in 1958. A Lotus Formula One car driven by Stirling Moss won the marque's first Grand Prix in 1960 at Monaco in a Lotus 18 entered by privateer Rob Walker. Major success came in 1963 with the Lotus 25, which—with Jim Clark driving—won Lotus its first F1 World Constructors Championship. Clark's untimely death — he crashed a Formula Two Lotus 48 in April 1968 after his rear tyre failed in a turn in Hockenheim — was a severe blow to the team and to Formula One. He was the dominant driver in the dominant car and remains an inseparable part of Lotus' early years. That year's championship was won by Clark's teammate, Graham Hill. Lotus is credited with making the mid-engined layout popular for Indycars, developing the first monocoque Formula 1 chassis, and the integration of the engine and transaxle as chassis components. Lotus was also among the pioneers in Formula 1 in adding wings and shaping the undersurface of the car to create downforce, as well as the first to move radiators to the sides in the car to aid in aerodynamic performance, and inventing active suspension. Even after Chapman's death, until the late 1980s, Lotus continued to be a major player in Formula 1. Ayrton Senna drove for the team from 1985 to 1987, winning twice in each year and achieving 17 pole positions. However, by the company's last Formula 1 race in 1994, the cars were no longer competitive. Lotus won a total of 79 Grand Prix races. During his lifetime Chapman saw Lotus beat Ferrari as the first team to achieve 50 Grand Prix victories, despite Ferrari having won their first nine years sooner. Lotus won the Formula One world championship title for drivers and manufacturers no less then 6 times. In 1963 (Jim Clark); 1965 (Jim Clark); 1968 (Graham Hill); 1970 (Jochen Rindt); 1972 (Emerson Fittipaldi); 1973 (manufacturers title alone) and in 1978 (Mario Andretti).


This is a very nice and very rare non period photo that reflects a wonderful era of Lotus ‘ automotive history in a wonderful way.  This is your rare chance to own this photo, therefore it is printed in a nice large format of ca. 8" x 12” (ca. 20 x 30 cm).  It makes it perfectly suitable for framing.




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We have photographs that came from professional collections and/or were bought from the original photographer or press studio! They are all of professional and excellent quality.


After many decades of professionally collecting photographs and posters we are clearing out our archives. They make the perfect gift and are perfectly suited for framing. They will look gorgeous unframed and will be a true asset nicely framed with a border. They are a gorgeous and great asset in every home, workshop, workplace, restaurant, bar or club!


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